Adelaide Celebrations [Press Clippings]. PDF Download

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Languages : en
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Contains about the documentary 'Adelaide Celebrations', made by Terry Jennings about the Adelaide Festival of the Arts.

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Languages : en
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19th Adelaide Festival Biennial report; Writers' Week '96 program; Booking guide, including JC Bannon's handwritten booking form; The cabbies guide to the Festival (fold out program) for Week 2 (March 9-17); Articles on Festival and Fringe from The Bulletin, 19/03/1996; 'Hungry audience savours feast', by Deborah Jones, removed to Press clippings; 'Whirling Dervishes, Inje, Solstice, Taiko Drummers of Ota' by Peter Ward, removed to Press clippings; 'Kate delivers a rousing chorus', 8/03/1996, removed to Press clippings; 'Leaps and laughs at life', by Samela Harris, 4/03/1996, removed to Press clippings; 'Faustus in Africa operation: Orfeo', by Peter Ward, 15/03/1996, removed to Press clippings; 'Russians fan flames of Kosky's inferno' by Peter Ward, 12/03/1996, removed to Press clippings; 'Versatile Archer's vocals hit the mark', by Bryce Hallett, 12/03/1996, removed to Press clippings; 'Spanish sewer rats...' by Bryce Hallett, 14/03/1996, removed to Press clippings; 'Facade Firm', by John Emery, 15/03/1996, removed to Press clippings; "Eastern exotica full of flavour', by Michelle Daw, 15/03/1996, removed to Press clippings; 'Every word a gold coin's worth', by Michelle Daw, 15/03/1996, removed to Press clippings; 'Intellectually stimulating...' by John McCallum, 14/03/1996, removed to Press clippings; 'Rasa, Betontanc' by Alan Brissenden, 15/03/1996, removed to Press clippings; 'Tankard's cup runneth over with Indian delights' by Bryce Hallett, 8/03/1996, removed to Press clippings; 'Out of Africa: the puppet master' by Penelope Debelle, 8/03/1996, removed to Press clippings; 'Woyzeck on the Highveld', by Tim Lloyd,8/03/1996, removed to Press clippings;'Kosky: what next?' by Paul Lloyd, 16/03/1996, removed to Press clippings;'Born to always be the diector', by Miranda Murphy, 16/03/1996, removed to Press clippings; 'Visions of Adelaide' feature, 6/03/199616/03/1996, removed to Press clippings.

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Category : Politicians
Languages : en
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Coverage: 20/08/1975.

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Invitation; Performance programs and flyers; RealTime @ The Telstra Adelaide Festival 98, vols. 1-4; 'Feeding a creative flame', by Louise Nunn (Feb? 1998), removed to Press clippings.

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Languages : en
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Media releases on appointments in the arts; Dinner with Leo Shofield flyer; SBS Board announcement; Issue of Alert, Bulletin 3, November 1999, issued by Australia Council; Artstate, Issue 12 , Summer 1999; Correspondence; Cutting edge, Autumn 2001 on Adelaide Festival 2002; 'Arts projects ...' by Anne Lim, 1996(?) removed to Press clippings; "Australia Council to share arts cuts pain', by Patrick Lawnham, 21/08/1996, removed to Press clippings; 'New resignation in arts shakeup', by Louise Nunn, 7/11/1996, removed to Press clippings;'It's cold comfort for the arts', by Brook Turner, 25/11/1997, removed to Press clippings; 'Why Britain's National Gallery must be free of charge', by Neil MacGregor, 5/12/1997, removed to Press clippings; 'Arts funding...' by Margaret Seare, 8/12/1997, removed to Press clippings; Kate Brennan appointment, 13/02/1998, removed to Press clippings; 'Tankard fights point by point', by Louise Nunn, 23/07/1998, removed to Press clippings; 'Festival of Perth feels impact of dollar slide', by Cathy Bolt, 18/09/1998, removed to Press clippings.

Author: Josephine Caust
Publisher: Taylor & Francis
ISBN: 1000989909
Category : Art
Languages : en
Pages : 218

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Australian governments at all levels have been engaged with arts and culture in many different forms since the beginning of European settlement. The way this has occurred is documented and analysed here, both from an historical and critical perspective. Changing understandings of culture and the significance of Indigenous Culture to Australia receive special attention. While the focus is primarily directed to Federal Government engagement, there is also consideration paid to both state and local government involvement. There is attention paid to the censorship of arts practice by governments as well as the direct interventions by politicians in arts practice. Different approaches to the arts by governments are also considered, as well as attempts to develop a national cultural policy. The impact of the recent pandemic is addressed and various research reports about the arts sector and its relationship with government are also noted. There is then a final discussion about some issues that governments could address in the future, that might ensure a more sustainable Australian arts sector. This book will be of particular interest to scholars of contemporary arts, arts management, cultural history, public policy and cultural policy. It may also interest bureaucrats and politicians.

Author: Sarah Thomasson
Publisher: Springer Nature
ISBN: 3031090942
Category : Performing Arts
Languages : en
Pages : 229

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The Festival Cities of Edinburgh and Adelaide examines how these cities’ world-famous arts events have shaped and been shaped by their long-term interaction with their urban environments. While the Edinburgh International Festival and Adelaide Festival are long-established, prestigious events that champion artistic excellence, they are also accompanied by the two largest open-access fringe festivals in the world. It is this simultaneous staging of multiple events within Edinburgh’s Summer Festivals and Adelaide’s Mad March that generates the visibility and festive atmosphere popularly associated with both places. Drawing on perspectives from theatre studies and cultural geography, this book interrogates how the Festival City, as a place myth, has developed in the very different local contexts of Edinburgh and Adelaide, and how it is challenged by groups competing for the right to use and define public space. Each chapter examines a recent performative event in which festival debates and controversies spilled out beyond the festival space to activate the public sphere by intersecting with broader concerns and audiences. This book forges an interdisciplinary, comparative framework for festival studies to interrogate how festivals are embedded in the social and political fabric of cities and to assess the cultural impact of the festivalisation phenomenon.

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Languages : en
Pages : 1184

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Author: Denise Varney
Publisher: Anthem Press
ISBN: 1783088362
Category : Performing Arts
Languages : en
Pages : 132

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In the early 1960s the board of governors of the Adelaide Festival of Arts in Australia rejected two Patrick White plays, The Ham Funeral in 1962 and Night on Bald Mountain in 1964. Australian Theatre, Modernism and Patrick White documents the scandal that followed the board’s rejections of White’s plays, especially as it acted against the advice of its own drama committee and artistic director on both occasions. Denise Varney and Sandra D’Urso analyze the two events by drawing on the performative behaviour of the board of governors to focus on the question of governance. They shed new light on the cultural politics that surrounded the rejections, arguing that it represents an instance of executive governance of cultural production, in this case theatre and performance. The central argument of the book is that aesthetic modernism in theatre and drama struggled to achieve visibility and acceptability, and posed a threat to the norms and values of early to mid-twentieth-century Australia. The recent productions indicate that despite the Adelaide Festival’s early hostile rejections, White’s plays endure.

Author: Catherine McKinnon
Publisher: Wakefield Press
ISBN: 1743056885
Category : Performing Arts
Languages : en
Pages : 298

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The Adelaide Festival is as much shaped by people and place as it in turn shapes people and place; its identity is a weird and wild shifting thing. It is not owned by one individual, but belongs to everyone. Adelaide Festival 60 Years is an astounding cacophony of images and tales that revel in the life of the Festival since its founding in 1960 - remembering what it was, anticipating what it might be. The tales are told by the many - choreographers, actors, singers, artistic directors, audience members, writers, lighting designers, arts administrators, curators and more. Stunning full-colour photography captures moments in time, both sweeping and intimate, woven together to form an important story of culture and ideas across 60 years of history and 35 iconic festivals.