Author: Mary Ellis Gibson
Publisher: Ohio University Press
ISBN: 0821443585
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
A new historical approach to Indian English literature Mary Ellis Gibson shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and that poetry written in colonial situations can tell us as much or even more about figuration, multilingual literacies, and histories of nationalism than novels can. Gibson re-creates the historical webs of affiliation and resistance that were experienced by writers in colonial India—writers of British, Indian, and mixed ethnicities. Advancing new theoretical and historical paradigms for reading colonial literatures, Indian Angles makes accessible many writers heretofore neglected or virtually unknown. Gibson recovers texts by British women, by nonelite British men, and by persons who would, in the nineteenth century, have been called Eurasian. Her work traces the mutually constitutive history of English-language poets from Sir William Jones to Toru Dutt and Rabindranath Tagore. Drawing on contemporary postcolonial theory, her work also provides new ways of thinking about British internal colonialism as its results were exported to South Asia. In lucid and accessible prose, Gibson presents a new theoretical approach to colonial and postcolonial literatures.
Indian Angles
Author: Mary Ellis Gibson
Publisher: Ohio University Press
ISBN: 0821443585
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
A new historical approach to Indian English literature Mary Ellis Gibson shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and that poetry written in colonial situations can tell us as much or even more about figuration, multilingual literacies, and histories of nationalism than novels can. Gibson re-creates the historical webs of affiliation and resistance that were experienced by writers in colonial India—writers of British, Indian, and mixed ethnicities. Advancing new theoretical and historical paradigms for reading colonial literatures, Indian Angles makes accessible many writers heretofore neglected or virtually unknown. Gibson recovers texts by British women, by nonelite British men, and by persons who would, in the nineteenth century, have been called Eurasian. Her work traces the mutually constitutive history of English-language poets from Sir William Jones to Toru Dutt and Rabindranath Tagore. Drawing on contemporary postcolonial theory, her work also provides new ways of thinking about British internal colonialism as its results were exported to South Asia. In lucid and accessible prose, Gibson presents a new theoretical approach to colonial and postcolonial literatures.
Publisher: Ohio University Press
ISBN: 0821443585
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
A new historical approach to Indian English literature Mary Ellis Gibson shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and that poetry written in colonial situations can tell us as much or even more about figuration, multilingual literacies, and histories of nationalism than novels can. Gibson re-creates the historical webs of affiliation and resistance that were experienced by writers in colonial India—writers of British, Indian, and mixed ethnicities. Advancing new theoretical and historical paradigms for reading colonial literatures, Indian Angles makes accessible many writers heretofore neglected or virtually unknown. Gibson recovers texts by British women, by nonelite British men, and by persons who would, in the nineteenth century, have been called Eurasian. Her work traces the mutually constitutive history of English-language poets from Sir William Jones to Toru Dutt and Rabindranath Tagore. Drawing on contemporary postcolonial theory, her work also provides new ways of thinking about British internal colonialism as its results were exported to South Asia. In lucid and accessible prose, Gibson presents a new theoretical approach to colonial and postcolonial literatures.
James Kennedy, W. A. Smith, A. F. Johnson
Papers and Addresses
Author: Earl Thomas Brassey Brassey
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 398
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 398
Book Description
missionary record
The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VI
Author:
Publisher: Princeton University Press
ISBN: 1400833264
Category : Religion
Languages : en
Pages : 1680
Book Description
The sixth book of the Ramayana of Valmiki, the Yuddhakanda, recounts the final dramatic war between the forces of good led by the exiled prince Rama, and the forces of evil commanded by the arch demon Ravana. The hero Rama's primary purpose in the battle is to rescue the abducted princess Sita and destroy the demon king. However, the confrontation also marks the turning point for the divine mission of the Ramavatara, the incarnation of Lord Visnu as a human prince, who will restore righteousness to a world on the brink of chaos. The book ends with the gods' revelation to Rama of his true divine nature, his emotional reunion with his beloved wife, his long-delayed consecration as king of Kosala, and his restoration of a utopian age. The Yuddhakanda contains some of the most extraordinary events and larger-than-life characters to be found anywhere in world literature. This sixth volume in the critical edition and translation of the Valmiki Ramayana includes an extensive introduction, exhaustive notes, and a comprehensive bibliography.
Publisher: Princeton University Press
ISBN: 1400833264
Category : Religion
Languages : en
Pages : 1680
Book Description
The sixth book of the Ramayana of Valmiki, the Yuddhakanda, recounts the final dramatic war between the forces of good led by the exiled prince Rama, and the forces of evil commanded by the arch demon Ravana. The hero Rama's primary purpose in the battle is to rescue the abducted princess Sita and destroy the demon king. However, the confrontation also marks the turning point for the divine mission of the Ramavatara, the incarnation of Lord Visnu as a human prince, who will restore righteousness to a world on the brink of chaos. The book ends with the gods' revelation to Rama of his true divine nature, his emotional reunion with his beloved wife, his long-delayed consecration as king of Kosala, and his restoration of a utopian age. The Yuddhakanda contains some of the most extraordinary events and larger-than-life characters to be found anywhere in world literature. This sixth volume in the critical edition and translation of the Valmiki Ramayana includes an extensive introduction, exhaustive notes, and a comprehensive bibliography.
pt. I. Occasional addresses and essays: Inaugural address in the University of Glasgow. Giordano Bruno. Psychology and epistemology. Kant's views of psychology. Philosophy and the social problem. The basis of morality. The regeneration of Germany. pt. II. Principles of psychology: A. General analysis. B. The psychology of thinking. Index
Author: Robert Adamson
Publisher:
ISBN:
Category : Philosophy, Modern
Languages : en
Pages : 390
Book Description
Publisher:
ISBN:
Category : Philosophy, Modern
Languages : en
Pages : 390
Book Description
Finding-list of Books in the Classes of Poetry and the Drama
Author: Indianapolis Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
Book Description
The Poetry of British India, 1780–1905 Vol 1
Author: Maire ni Fhlathuin
Publisher: Routledge
ISBN: 100074891X
Category : Language Arts & Disciplines
Languages : en
Pages : 422
Book Description
This two-volume reset edition draws together a selection of Anglo-Indian poetry from the Romantic era and the nineteenth century.
Publisher: Routledge
ISBN: 100074891X
Category : Language Arts & Disciplines
Languages : en
Pages : 422
Book Description
This two-volume reset edition draws together a selection of Anglo-Indian poetry from the Romantic era and the nineteenth century.