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Author: Jerry Siegel Publisher: DC Comics ISBN: Category : Comics & Graphic Novels Languages : en Pages : 14
Book Description
“THE MILLION-DOLLAR MARATHON!” A dying multi-millionaire challenges his nephew Roger to spend $1 million in one day; if he can, $2 million of the estate will go to a children's hospital. Upon hearing this, Lois Lane gets Superman to help Roger spend the money!
Author: Jerry Siegel Publisher: DC Comics ISBN: Category : Comics & Graphic Novels Languages : en Pages : 14
Book Description
“THE MILLION-DOLLAR MARATHON!” A dying multi-millionaire challenges his nephew Roger to spend $1 million in one day; if he can, $2 million of the estate will go to a children's hospital. Upon hearing this, Lois Lane gets Superman to help Roger spend the money!
Author: Jerry Ordway Publisher: DC ISBN: Category : Comics & Graphic Novels Languages : en Pages : 24
Book Description
Panic in the Sky Part 3! Continued from SUPERMAN (1987) #65! The battle against Brainiac continues on Warworld as Superman, aided by Wonder Woman, Flash, Green Lantern, Deathstroke and others, gains the upper hand. But for how long? Continued in ACTION COMICS (1938-2011) #675!
Author: Jeffrey K. Johnson Publisher: McFarland ISBN: 0786490357 Category : Literary Criticism Languages : en Pages : 231
Book Description
In the less than eight decades since Superman's debut in 1938, comic book superheroes have become an indispensable part of American society and the nation's dominant mythology. They represent America's hopes, dreams, fears, and needs. As a form of popular literature, superhero narratives have closely mirrored trends and events in the nation. This study views American history from 1938 to 2010 through the lens of superhero comics, revealing the spandex-clad guardians to be not only fictional characters but barometers of the place and time in which they reside. Instructors considering this book for use in a course may request an examination copy here.
Author: Jerry Siegel Publisher: DC Comics ISBN: 1401290388 Category : Comics & Graphic Novels Languages : en Pages : 364
Book Description
In the early 1940s Superman was a much-needed hero for a nation on the brink of war. The Man of Steel was in his Golden Age, and with each new story, Jerry Siegel and Joe Shuster were continuing to expand and enrich the world of their still-relatively-new creation. In these early adventures, Superman must protect the citizens of Metropolis from a variety of threats ranging from insurance scams and gangsters to spies and saboteurs. Plus, Lex Luthor returns to cement his place as Superman’s archnemesis, with more schemes and gadgets than any other villain facing the Man of Steel! Superman: The Golden Age Volume Four collects adventures from World’s Finest Comics #3-5, Superman #12-15 and Action Comics #41-47.In the early 1940s Superman was a much-needed hero for a nation on the brink of war. The Man of Steel was in his Golden Age, and with each new story, Jerry Siegel and Joe Shuster were continuing to expand and enrich the world of their still-relatively-new creation. In these early adventures, Superman must protect the citizens of Metropolis from a variety of threats ranging from insurance scams and gangsters to spies and saboteurs. Plus, Lex Luthor returns to cement his place as Superman’s archnemesis, with more schemes and gadgets than any other villain facing the Man of Steel! Superman: The Golden Age Volume Four collects adventures from World’s Finest Comics #3-5, Superman #12-15 and Action Comics #41-47.
Author: Brian O'Roark Publisher: Routledge ISBN: 1351258141 Category : Business & Economics Languages : en Pages : 291
Book Description
At first sight, superheroes and economics seem to occupy completely different dimensions – but a clash of dimensions is a classic comic book storyline! In this first-of-its kind book, an economist and a business writer assemble an A-team of academic talent to explore the intersection of superhero mythology and economic theory in ten accessible chapters. Superheroes and Economics uncovers basic economic truths that are integral to the comic stories from some of the genres most famous names. The authors of the chapters look at ways that economic principles can add authenticity to imagined universes, and how familiar superhero stories can demonstrate concepts used by economists to forecast the behavior of markets and individuals. If Spider-Man is so smart, why isn’t he rich? What are the economic implications of a tech entrepreneur like Tony Stark actually inventing Iron Man armor? What does the 80-year career of Wonder Woman tell us about the evolving role of women in the workplace? This unique book extends the scope of comics studies to encompass social sciences. It offers a great way to introduce both fans and students to topics like opportunity cost, growth, inflation, and cost benefit analysis, as well as more advanced concepts like moral hazard, utility functions and economic growth. This text can be used to supplement economics courses using colorful examples that any pop culture fan can relate to.
Author: Roger Stern Publisher: DC Comics ISBN: 1401270247 Category : Comics & Graphic Novels Languages : en Pages : 298
Book Description
Brainiac returns to invade Earth with his ultimate weapon, Warworld, a planet-sized satellite built for destruction. With the help of super-powered friends like Wonder Woman, The Flash, Green Lantern and many more, Superman must lead the attack on Brainiac and protect Earth!Collects ACTION COMICS #474-475, SUPERMAN: MAN OF STEEL #9-10, ADVENTURES OF SUPERMAN #488-489, SUPERMAN #66.
Author: Jess Nevins Publisher: Bloomsbury Publishing USA ISBN: Category : Comics & Graphic Novels Languages : en Pages : 275
Book Description
Using a broad array of historical and literary sources, this book presents an unprecedented detailed history of the superhero and its development across the course of human history. How has the concept of the superhero developed over time? How has humanity's idealization of heroes with superhuman powers changed across millennia—and what superhero themes remain constant? Why does the idea of a superhero remain so powerful and relevant in the modern context, when our real-life technological capabilities arguably surpass the imagined superpowers of superheroes of the past? The Evolution of the Costumed Avenger: The 4,000-Year History of the Superhero is the first complete history of superheroes that thoroughly traces the development of superheroes, from their beginning in 2100 B.C.E. with the Epic of Gilgamesh to their fully entrenched status in modern pop culture and the comic book and graphic novel worlds. The book documents how the two modern superhero archetypes—the Costumed Avengers and the superhuman Supermen—can be traced back more than two centuries; turns a critical, evaluative eye upon the post-Superman history of the superhero; and shows how modern superheroes were created and influenced by sources as various as Egyptian poems, biblical heroes, medieval epics, Elizabethan urban legends, Jacobean masques, Gothic novels, dime novels, the Molly Maguires, the Ku Klux Klan, and pulp magazines. This work serves undergraduate or graduate students writing papers, professors or independent scholars, and anyone interested in learning about superheroes.
Author: Marc DiPaolo Publisher: Univ. Press of Mississippi ISBN: 1496816676 Category : Social Science Languages : en Pages : 269
Book Description
Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures. The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.
Author: Blair Davis Publisher: Rutgers University Press ISBN: 0813572282 Category : Art Languages : en Pages : 309
Book Description
As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comic books starring John Wayne, Gene Autry, Bob Hope, Abbott & Costello, Alan Ladd, and Dean Martin and Jerry Lewis. With a special focus on the Classical Hollywood era, Blair Davis investigates the factors that spurred this media convergence, as the film and comics industries joined forces to expand the reach of their various brands. While analyzing this production history, he also tracks the artistic coevolution of films and comics, considering the many formal elements that each medium adopted and adapted from the other. As it explores our abiding desire to experience the same characters and stories in multiple forms, Movie Comics gives readers a new appreciation for the unique qualities of the illustrated page and the cinematic moving image.