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Author: Courtney J. P. Friesen Publisher: Taylor & Francis ISBN: 1000910288 Category : Literary Criticism Languages : en Pages : 180
Book Description
While many ancient Jewish and Christian leaders voiced opposition to Greek and Roman theater, this volume demonstrates that by the time the public performance of classical drama ceased at the end of antiquity the ideals of Jews and Christians had already been shaped by it in profound and lasting ways. Readers are invited to explore how gods and heroes famous from Greek drama animated the imaginations of ancient individuals and communities as they articulated and reinvented their religious visions for a new era. In this study, Friesen demonstrates that Greek theater’s influence is evident within Jewish and Christian intellectual formulations, narrative constructions, and practices of ritual and liturgy. Through a series of interrelated case studies, the book examines how particular plays, through texts and performances, scenes, images, and heroic personae, retained appeal for Jewish and Christian communities across antiquity. The volume takes an interdisciplinary approach involving classical, Jewish, and Christian studies, and brings together these separate avenues of scholarship to produce fresh insights and a reevaluation of theatrical drama in relation to ancient Judaism and Christianity. Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era allows students and scholars of the diverse and evolving religious landscapes of antiquity to gain fresh perspectives on the interplay between the gods and heroes—both human and divine—of Greeks and Romans, Jews and Christians as they were staged in drama and depicted in literature.
Author: Courtney J. P. Friesen Publisher: Taylor & Francis ISBN: 1000910288 Category : Literary Criticism Languages : en Pages : 180
Book Description
While many ancient Jewish and Christian leaders voiced opposition to Greek and Roman theater, this volume demonstrates that by the time the public performance of classical drama ceased at the end of antiquity the ideals of Jews and Christians had already been shaped by it in profound and lasting ways. Readers are invited to explore how gods and heroes famous from Greek drama animated the imaginations of ancient individuals and communities as they articulated and reinvented their religious visions for a new era. In this study, Friesen demonstrates that Greek theater’s influence is evident within Jewish and Christian intellectual formulations, narrative constructions, and practices of ritual and liturgy. Through a series of interrelated case studies, the book examines how particular plays, through texts and performances, scenes, images, and heroic personae, retained appeal for Jewish and Christian communities across antiquity. The volume takes an interdisciplinary approach involving classical, Jewish, and Christian studies, and brings together these separate avenues of scholarship to produce fresh insights and a reevaluation of theatrical drama in relation to ancient Judaism and Christianity. Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era allows students and scholars of the diverse and evolving religious landscapes of antiquity to gain fresh perspectives on the interplay between the gods and heroes—both human and divine—of Greeks and Romans, Jews and Christians as they were staged in drama and depicted in literature.
Author: Laura Clifford Barney Publisher: Legare Street Press ISBN: 9781019441206 Category : Languages : en Pages : 0
Book Description
In this drama in five acts, Laura Clifford Barney weaves a tale of heroes and gods that is both captivating and thought-provoking. Set in ancient Greece, this play explores themes of faith, courage, and redemption, and raises questions about the relationship between humanity and divinity. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Craig A. Evans Publisher: Bloomsbury Publishing ISBN: 0567703274 Category : Religion Languages : en Pages : 281
Book Description
Greco-Roman religions and superstitions, and early Christianity's engagement with them, are explored in 12 unique studies. The beliefs and fears with regard to demons (or daimons), their origins, and threatening behavior are examined, both in their pagan and Judaeo-Christian contexts. These new studies look at the Greco-Roman heroic gods, how they faced death, and how James and John, the “sons of Thunder,” may well have been viewed in some circles as the equivalent of the “sons of Zeus”, Castor and Pollux. The contributors also explore Roman omens, especially as they relate to Rome's legendary founder Romulus and what light they shed on the omens that accompany the birth and death of Jesus of Nazareth. Particular focus is placed upon Paul, binding spells, women and hymns of exaltation, along with atheism in late antiquity, with special consideration of the charlatan Alexander. Finally, there is a re-visitation of the confusion, misinformation and legends surrounding the discovery of the Qumran caves, including fear of jinn. This book provides invaluable resources for precisely how early Christians interacted with different ideas and traditions around gods and spirits - both benevolent and malevolent - in the Greco-Roman world.
Author: Courtney J.P. Friesen Publisher: Mohr Siebeck ISBN: 9783161538131 Category : Religion Languages : en Pages : 352
Book Description
Courtney J. P. Friesen explores shifting boundaries of ancient religions by way of the reception of a popular tragedy, Euripides' Bacchae. As a play staging political crises provoked by the arrival of the foreign god Dionysus and his ecstatic cult, audiences and readers found resonances with their own cultural moments. This dramatic deity became emblematic of exuberant and liberating spirituality and, at the same time, a symbol of imperial conquest. Thus, readings of the Bacchae frequently foreground conflicts between religious autonomy and political authority, and between ethnic diversity and social cohesion. This cross-disciplinary study traces appropriations and evocations of this drama ranging from the fifth century BCE through Byzantium not only among pagans but also Jews and Christians. Writers variously articulated their religious visions over against Dionysus, often while paradoxically adopting the god's language and symbols. Consequently, imitation and emulati on are at times indistinguishable from polemics and subversion.
Author: Edward Plunkett Publisher: Good Press ISBN: Category : Art Languages : en Pages : 113
Book Description
"Plays of Gods and Men" by Edward Plunkett. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Lynn Allan Kauppi Publisher: Bloomsbury Publishing ISBN: 0567641414 Category : Religion Languages : en Pages : 193
Book Description
Through a close and informative reading of seven key texts in Acts, Kauppi analyses the appearances of Graeco-Roman religion, offering evidence of practices including divination and oracles, ruler cult and civic foundation myth. Foreign But Familiar Gods then uses a combination of these scriptural texts and other contemporary evidence (including archaeological and literary material) to suggest that one of Luke's subsidiary themes is to contrast Graeco-Roman and Christian religious conceptualizations and practices.
Author: John J. Winkler Publisher: Princeton University Press ISBN: 0691215898 Category : History Languages : en Pages : 434
Book Description
These critically diverse and innovative essays are aimed at restoring the social context of ancient Greek drama. Theatrical productions, which included music and dancing, were civic events in honor of the god Dionysos and were attended by a politically stratified community, whose delegates handled all details from the seating arrangements to the qualifications of choral competitors. The growing complexity of these performances may have provoked the Athenian saying "nothing to do with Dionysos" implying that theater had lost its exclusive focus on its patron. This collection considers how individual plays and groups of dramas pertained to the concerns of the body politic and how these issues were presented in the convention of the stage and as centerpieces of civic ceremonies. The contributors, in addition to the editors, include Simon Goldhill, Jeffrey Henderson, David Konstan, Franois Lissarrague, Oddone Longo, Nicole Loraux, Josiah Ober, Ruth Padel, James Redfield, Niall W. Slater, Barry Strauss, and Jesper Svenbro.
Author: Scott Shauf Publisher: Augsburg Fortress Publishers ISBN: 1451484771 Category : History Languages : en Pages : 358
Book Description
"Scott Shauf compares the portrayal of the divine in Acts with portrayals of the divine in other ancient historiographical writings, the latter including Jewish and wider Greco-Roman historiographical traditions. This book explores especially how the divine is represented as involved in history, the nature of divine retribution, the partiality or impartiality of the divine toward different sets of people, and the portrayal of divine control over seemingly purely natural and human events. Acts is shown to be engaging historiographical traditions of the author's own day but also contributing unique historiographical perspectives."--