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Author: Richard Honeycutt Publisher: ISBN: 9781936912872 Category : Science Languages : en Pages : 124
Book Description
For far too long, acoustical design has been popularly considered at worst a gamble, and at best a black art. If this position has ever been defensible, it certainly is not so today. In his 1932 book on the subject, Dr, Vern O. Knudsen, Professor of Physics and subsequently chancellor of UCLA, wrote: The idea, still shared by some architects, builders, and ... authorities, that the acoustical outcome of a ... building cannot be determined until the building is completed is an untenable one and can no longer be used as an excuse for poor acoustics. The acoustical outcome of a ... building is a problem in good designing and good engineering, and if the fundamental principles of architectural acoustics are incorporated in the design of the building there need be no uncertainty as to the acoustical outcome of that building - the acoustics will be good. If these principles are not incorporated, or if they are violated, there likewise need be no uncertainty - the acoustics will be bad, bad to the degree that the principles have been ignored or violated. (Knudsen, 1932) Yet eighty-one years later, we still find that buildings with good acoustics are the exception rather than the rule. In seeking a reason why this is so, one is tempted to point the finger at architects, who have little or no training in acoustics, and may overestimate the extent of acoustical knowledge they do possess. However, as in most economic markets, the clients of architects get what they demand. If a client insists on good acoustics from the inception of a project, most architects will engage the services of a competent acoustical consultant. And if the client remembers that most things worth having come with a cost, design features recommended by the acoustical consultant will be more likely to survive cost-cutting and other compromises of the building process. Finally, if communication of the consultant's recommendations to the building contractor is given a high priority, those recommendations stand a good chance of being incorporated into the building - and good acoustics will be the result. The purpose of this book is to present those responsible for providing good acoustics in performance and worship spaces an understanding of the variables and choices entailed in proper acoustic design for worship. The readership is expected to include architects, pastors, ministers of music, technical teams, and musicians. Practicing acoustical consultants may find the book a useful reference as well. The author hopes that the readers will find the level of presentation comfortable and straightforward without being simplistic
Author: Richard Honeycutt Publisher: ISBN: 9781936912872 Category : Science Languages : en Pages : 124
Book Description
For far too long, acoustical design has been popularly considered at worst a gamble, and at best a black art. If this position has ever been defensible, it certainly is not so today. In his 1932 book on the subject, Dr, Vern O. Knudsen, Professor of Physics and subsequently chancellor of UCLA, wrote: The idea, still shared by some architects, builders, and ... authorities, that the acoustical outcome of a ... building cannot be determined until the building is completed is an untenable one and can no longer be used as an excuse for poor acoustics. The acoustical outcome of a ... building is a problem in good designing and good engineering, and if the fundamental principles of architectural acoustics are incorporated in the design of the building there need be no uncertainty as to the acoustical outcome of that building - the acoustics will be good. If these principles are not incorporated, or if they are violated, there likewise need be no uncertainty - the acoustics will be bad, bad to the degree that the principles have been ignored or violated. (Knudsen, 1932) Yet eighty-one years later, we still find that buildings with good acoustics are the exception rather than the rule. In seeking a reason why this is so, one is tempted to point the finger at architects, who have little or no training in acoustics, and may overestimate the extent of acoustical knowledge they do possess. However, as in most economic markets, the clients of architects get what they demand. If a client insists on good acoustics from the inception of a project, most architects will engage the services of a competent acoustical consultant. And if the client remembers that most things worth having come with a cost, design features recommended by the acoustical consultant will be more likely to survive cost-cutting and other compromises of the building process. Finally, if communication of the consultant's recommendations to the building contractor is given a high priority, those recommendations stand a good chance of being incorporated into the building - and good acoustics will be the result. The purpose of this book is to present those responsible for providing good acoustics in performance and worship spaces an understanding of the variables and choices entailed in proper acoustic design for worship. The readership is expected to include architects, pastors, ministers of music, technical teams, and musicians. Practicing acoustical consultants may find the book a useful reference as well. The author hopes that the readers will find the level of presentation comfortable and straightforward without being simplistic
Author: David T. Bradley Publisher: Springer ISBN: 1493930974 Category : Technology & Engineering Languages : en Pages : 382
Book Description
“Worship Space Acoustics: 3 Decades of Design is a beautiful collection of recent work. This is a comprehensive compendium that far surpasses previous publications in the field in its depth, design, and information. Worship spaces of all major U.S. religions are covered. This book should be an obligatory reference for any consultant involved in church architecture and acoustics.” -Mendel Kleiner, author of Worship Space Acoustics, Acoustics: Information and Communication Series (J. Ross Publishing 2010) “All involved in their design will appreciate this presentation of recent rooms for religious worship.” -Leo L. Beranek, author of Concert Halls and Opera Houses: Music, Acoustics, and Architecture (Springer-Verlag 2004) “Through descriptions, photos, drawings, and acoustical data, this book provides valuable information on existing worship spaces designed during the past thirty years. This very well-edited book, including the Editors' Preface and six excellent essays from key people involved in worship space design, provides valuable information and ideas on the aesthetic, acoustic, and liturgical design of worship spaces for a number of faiths and in several countries.” -Robert Coffeen, principle at R. C. Coffeen, Consultant in Acoustics LLC, Lawrence, Kansas This book takes the reader on a wide-ranging tour through churches, synagogues, mosques, and other worship spaces designed during the past 30 years. The book begins with a series of essays on topics ranging from the soundscape of worship spaces to ecclesiastical design at the turn of the 21st Century. Perspective pieces from an architect, audio designer, music director, and worship space owner are also included. The core of the book presents the acoustical and architectural design of a wide variety of individual worship space venues. Acoustical consulting firms, architects, and worship space designers from across the world contributed their recent innovative works in the area of worship space acoustics. The contributions include detailed renderings and architectural drawings, as well as informative acoustic data graphs and evocative descriptions of the spaces. Filled with beautiful photography and fascinating modern design, this book is a must-read for anyone interested in religious architecture, acoustical design, or musical performance.
Author: Doug Jones Publisher: Taylor & Francis ISBN: 1136114939 Category : Technology & Engineering Languages : en Pages : 303
Book Description
Whether you are designing a new system or need to update and get the most out of the one in place Sound of Worship will offer essential information to guide and inform you choices. Written to give the context to help you focus your choices as well as the technical information to understand options, this essential guide will help you avoid costly mistakes when working with acoustics and the sound systems of the church. When planning a system this book has you covered! Considering everything from building design and understanding the purpose and use of the sound system to the technical aspects of the acoustic equipment and sound specification and types. The website has numerous audio examples to illustrate points made and tools used in the book. It demonstrate the terms used and what different choices will sound like, with before and after recordings of acoustic treatment and how it effects the overall sound of the church.
Author: Mendel Kleiner Publisher: J. Ross Publishing ISBN: 1604270373 Category : Architecture Languages : en Pages : 329
Book Description
Worship Space Acoustics is a unique guide to the design, construction, and use of religious facilities for optimum acoustics. The book is divided into two parts: Part 1 discusses methods and techniques of room optimization – how the acoustics of large and small spaces are designed, implemented, and adjusted, and how acoustical privacy is attained; noise and its control as well as sound reinforcement and numerical and physical modeling techniques. Part 2 provides the architect, student, and lay-person a review of the characteristics of the religious services pertinent to various beliefs and how these are provided for in the acoustic design of spaces in synagogues, churches, and mosques.Key Features • Covers the design, construction, and use of religious facilities for optimum acoustics • Presents the historical background to existing practice, problems, and solutions, to deepen understanding for those involved in design, construction and use • Illustrates both the similarities and differences between facilities for different religious groups • Offers a unique reference for those who teach and study, both in architecture and in religious education
Author: Christine Guillebaud Publisher: Routledge ISBN: 1000731502 Category : Architecture Languages : en Pages : 216
Book Description
Worship Sound Spaces unites specialists from architecture, acoustic engineering and the social sciences to encourage closer analysis of the sound environments within places of worship. Gathering a wide range of case studies set in Europe, Asia, North America, the Middle East and Africa, the book presents investigations into Muslim, Christian and Hindu spaces. These diverse cultural contexts demonstrate the composite nature of designing and experiencing places of worship. Beginning with a historical overview of the three primary indicators in acoustic design of religious buildings, reverberation, intelligibility and clarity, the second part of this edited collection offers a series of field studies devoted to perception, before moving onto recent examples of restoration of the sound ambiances of former religious buildings. Written for academics and students interested in architecture, cultural heritage, acoustics, sensory studies and sound. The multimedia documents of this volume may be consulted at the address: https://frama.link/WSS
Author: Christine Guillebaud Publisher: Routledge ISBN: 1000731243 Category : Architecture Languages : en Pages : 230
Book Description
Worship Sound Spaces unites specialists from architecture, acoustic engineering and the social sciences to encourage closer analysis of the sound environments within places of worship. Gathering a wide range of case studies set in Europe, Asia, North America, the Middle East and Africa, the book presents investigations into Muslim, Christian and Hindu spaces. These diverse cultural contexts demonstrate the composite nature of designing and experiencing places of worship. Beginning with a historical overview of the three primary indicators in acoustic design of religious buildings, reverberation, intelligibility and clarity, the second part of this edited collection offers a series of field studies devoted to perception, before moving onto recent examples of restoration of the sound ambiances of former religious buildings. Written for academics and students interested in architecture, cultural heritage, acoustics, sensory studies and sound. The multimedia documents of this volume may be consulted at the address: https://frama.link/WSS
Author: Jürgen Meyer Publisher: Springer Science & Business Media ISBN: 0387095179 Category : Science Languages : en Pages : 447
Book Description
This classic reference on musical acoustics and performance practice begins with a brief introduction to the fundamentals of acoustics and the generation of musical sounds. It then discusses the particulars of the sounds made by all the standard instruments in a modern orchestra as well as the human voice, the way in which the sounds made by these instruments are dispersed and how the room into which they are projected affects the sounds.
Author: Hymn Society in the United States and Canada Publisher: LiturgyTrainingPublications ISBN: 9780929650531 Category : Architecture Languages : en Pages : 68
Book Description
Acoustics in the place for worship are examined from the perspectives of an architect, acoustician, musician, organ builder, theologian, and pastor.
Author: Richard Honeycutt
Author: Richard Honeycutt
Author: David T. Bradley
Author: Doug Jones
Author: Mendel Kleiner
Author: Christine Guillebaud
Author: Richard A. Honeycutt
Author: Christine Guillebaud
Author: Jürgen Meyer
Author: Scott R. Riedel
Author: Hymn Society in the United States and Canada