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Aci E Galatea

Aci E Galatea PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 50

Book Description


Aci E Galatea

Aci E Galatea PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 50

Book Description


Aci e Galatea. A pastoral opera [by G. Foppa], as represented at the King's Theatre ... The translation by F. Panormo, etc. Ital. & Eng

Aci e Galatea. A pastoral opera [by G. Foppa], as represented at the King's Theatre ... The translation by F. Panormo, etc. Ital. & Eng PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 50

Book Description


Programme

Programme PDF Author: Boston Symphony Orchestra
Publisher:
ISBN:
Category :
Languages : en
Pages : 1272

Book Description


 PDF Author:
Publisher: Skenè. Texts and Studies
ISBN:
Category :
Languages : en
Pages :

Book Description


Authentic Sicily

Authentic Sicily PDF Author: Touring Club of Italy
Publisher: Touring Editore
ISBN: 9788836534036
Category : Travel
Languages : en
Pages : 262

Book Description
When her stepfather dies, Lois Cayley finds herself alone in the world with only twopence in her pocket. Undaunted, the intelligent, attractive, and infinitely resourceful young woman decides to set off in search of adventure. Her travels take he...

Concert Bulletin[s] ...

Concert Bulletin[s] ... PDF Author: Boston Symphony Orchestra
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 838

Book Description


Musical Theater in Eighteenth-century Parma

Musical Theater in Eighteenth-century Parma PDF Author: Margaret Ruth Butler
Publisher:
ISBN: 1580469019
Category : Drama
Languages : en
Pages : 198

Book Description
How do you create a style of opera that speaks to everyone, when no one agrees on what it should say -- or how? French and Italian varieties of opera have intermingled and informed one another from the genre's first decades onward. Yet we still have only a hazy view of why and how those intersections occurred and what they meant to a givenopera's creators and audiences. Margaret Butler's Musical Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform tackles these issues, examining performance, spectatorship, and politics in the Bourbon-controlled, northern Italian city of Parma in the mid-eighteenth century. Reconstructing the French context for Tommaso Traetta's Italian operas that consciously set out to fuse French and Italian elements, Butler explores Traetta's operas and recreations in Parma of operas and ballets by Jean-Philippe Rameau and other French composers. She shows that Parma's brand of entertainment is one in which Traetta's operas occupy points along a continuum representing a long and rich tradition of adaptation and generic play. Such a reading calls into question the very notion of operatic reform, showing the need for a more flexible conception of a volatile moment in opera's history. The book elucidates the complicated circumstances in which entertainments were created that spoke not only to Parma's multicultural audiences but also to an increasingly cosmopolitan Europe. MARGARET R. BUTLER is Associate Professor at the University of Wisconsin-Madison.

A General History of Music from the Infancy of the Greek Drama to the Present Period

A General History of Music from the Infancy of the Greek Drama to the Present Period PDF Author: William Smyth Rockstro
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 568

Book Description


Opera in Portugal in the Eighteenth Century

Opera in Portugal in the Eighteenth Century PDF Author: Manuel Carlos de Brito
Publisher: Cambridge University Press
ISBN: 9780521036436
Category : Music
Languages : en
Pages : 276

Book Description
A history of opera in Portugal from the beginning of the eighteenth century to the inauguration of the Teatro de S. Carlos in 1793.

Essays on Opera, 1750-1800

Essays on Opera, 1750-1800 PDF Author: JohnA. Rice
Publisher: Routledge
ISBN: 1351567888
Category : Music
Languages : en
Pages : 580

Book Description
The study of opera in the second half of the eighteenth century has flourished during the last several decades, and our knowledge of the operas written during that period and of their aesthetic, social, and political context has vastly increased. This volume explores opera and operatic life of the years 1750-1800 through a selection of articles intended to represent the last few decades of scholarship in all its excitement and variety.