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The Instrumentalist

The Instrumentalist PDF Author:
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 1384

Book Description


The Instrumentalist

The Instrumentalist PDF Author:
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 1384

Book Description


The Supervisors Service Bulletin

The Supervisors Service Bulletin PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 604

Book Description


The Saxophone Symposium

The Saxophone Symposium PDF Author:
Publisher:
ISBN:
Category : Saxophone
Languages : en
Pages : 198

Book Description


Educational Music Magazine

Educational Music Magazine PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 548

Book Description


Non-election Year Fundraising

Non-election Year Fundraising PDF Author:
Publisher:
ISBN:
Category : Campaign funds
Languages : en
Pages : 1118

Book Description


How to Write for Percussion

How to Write for Percussion PDF Author: Samuel Z. Solomon
Publisher: Oxford University Press
ISBN: 0199920362
Category : Music
Languages : en
Pages : 313

Book Description
Introduction. How this book is organized ; Instruments covered ; Working with percussionists ; Location specifics ; The value of not reading this book.

Music, Books on Music, and Sound Recordings

Music, Books on Music, and Sound Recordings PDF Author: Library of Congress
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 746

Book Description


NACWPI Bulletin

NACWPI Bulletin PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 74

Book Description


Clarinet and Saxophone

Clarinet and Saxophone PDF Author:
Publisher:
ISBN:
Category : Clarinet
Languages : en
Pages : 286

Book Description


Terry Riley's In C

Terry Riley's In C PDF Author: Robert Carl
Publisher: Oxford University Press
ISBN: 0199717133
Category : Music
Languages : en
Pages : 164

Book Description
Setting the stage for a most intriguing journey into the world of minimalism, Robert Carl's Terry Riley's In C argues that the work holds its place in the canon because of the very challenges it presents to "classical" music. Carl examines In C in the context of its era, its grounding in aesthetic practices and assumptions, its process of composition, presentation, recording, and dissemination.