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Author: Abraham Fraunce Publisher: ISBN: Category : Literary Collections Languages : en Pages : 246
Book Description
This is the first modern edition of Fraunce's manuscript treatise, which is a more accurate reflection of what he wrote and intended than the badly printed text of 1588. The edition presents on facing pages a transcription of the Latin text and an English translation. Also included are the additions which Fraunce made to the printed text in the form of two Appendices. For the first time modern cholars will be able to read what Fraunce wrote. The edition has an introduction and notes. The introduction discusses the nature of the manuscript, the relationship between manuscript and the later printed version, noting Fraunce's sources, debts and borrowings. Manning provides an assessment of Fraunce's contribution to the English emblem tradition and his relation to the Sidneys.
Author: Abraham Fraunce Publisher: ISBN: Category : Literary Collections Languages : en Pages : 246
Book Description
This is the first modern edition of Fraunce's manuscript treatise, which is a more accurate reflection of what he wrote and intended than the badly printed text of 1588. The edition presents on facing pages a transcription of the Latin text and an English translation. Also included are the additions which Fraunce made to the printed text in the form of two Appendices. For the first time modern cholars will be able to read what Fraunce wrote. The edition has an introduction and notes. The introduction discusses the nature of the manuscript, the relationship between manuscript and the later printed version, noting Fraunce's sources, debts and borrowings. Manning provides an assessment of Fraunce's contribution to the English emblem tradition and his relation to the Sidneys.
Author: Anna-Maria Hartmann Publisher: Oxford University Press ISBN: 0192534742 Category : Literary Criticism Languages : en Pages : 296
Book Description
Greco-Roman mythology and its reception are at the heart of the European Renaissance, and mythographies-texts that collected and explained ancient myths-were considered indispensable companions to any reader of literature. Despite the importance of this genre, English mythographies have not gained sustained critical attention, largely because they have been wrongly considered mere copies of their European counterparts. This volume focuses on the English mythographies written between 1577 and 1647 by Stephen Batman, Abraham Fraunce, Francis Bacon, Henry Reynolds, and Alexander Ross: it places their texts into a wider, European context to reveal their unique English take on the genre and also unfolds the significant role myth played in the broader culture of the period, influencing not only literary life, natural philosophy and poetics, but also religious conflicts and Civil War politics. In doing so it demonstrates, for the first time, the considerable explanatory value classical mythology holds for the study of the English Renaissance and its literary culture in particular, and how early modern England answered a question we still find fascinating today: what is myth?
Author: Arthur F. Kinney Publisher: Routledge ISBN: 1136745297 Category : History Languages : en Pages : 1747
Book Description
This is the first encyclopedia to be devoted entirely to Tudor England. 700 entries by top scholars in every major field combine new modes of archival research with a detailed Tudor chronology and appendix of biographical essays.Entries include: * Edward Alleyn [actor/theatre manager] * Roger Ascham * Bible translation * cloth trade * Devereux fami
Author: Liz Oakley-Brown Publisher: Routledge ISBN: 1351913034 Category : Literary Criticism Languages : en Pages : 403
Book Description
In Ovid and the Cultural Politics of Early Modern England, Liz Oakley-Brown considers English versions of the Metamorphoses - a poem concerned with translation and transformation on a multiplicity of levels - as important sites of social and historical difference from the fifteenth to the early eighteenth centuries. Through the exploration of a range of canonical and marginal texts, from Shakespeare's Titus Andronicus to women's embroideries of Ovidian myths, Oakley-Brown argues that translation is central to the construction of national and gendered identities.
Author: Alastair Fowler Publisher: Oxford University Press ISBN: 0198717660 Category : Art Languages : en Pages : 233
Book Description
Alastair Fowler presents a fascinating study of title pages printed in England from the early modern era to the nineteenth century, exploring their place in the history of the book for the first time. He illuminates key features of title page design and presents 16 illustrations of significant title-pages with commentaries, from Chaucer to Dickens.
Author: Peter Goodrich Publisher: Cambridge University Press ISBN: 1107035996 Category : Art Languages : en Pages : 313
Book Description
The emblem book was invented by the humanist lawyer Andrea Alciato in 1531. The preponderance of juridical and normative themes, of images of rule and infraction, of obedience and error in the emblem books is critical to their purpose and interest. This book outlines the history of the emblem tradition as a juridical genre, along with the concept of, and training in, obiter depicta, in things seen along the way to judgment. It argues that these books depict norms and abuses in classically derived forms that become the visual standards of governance. Despite the plethora of vivid figures and virtual symbols that define and transmit law, contemporary lawyers are not trained in the critical apprehension of the visible. This book is the first to reconstruct the history of the emblem tradition, evidencing the extent to which a gallery of images of law already exists and structuring how the public realm is displayed, made present and viewed.
Author: Kenneth Borris Publisher: Cambridge University Press ISBN: 9780521781299 Category : Literary Criticism Languages : en Pages : 300
Book Description
Challenging conventional notions that literary allegorism declined precipitously around 1600, Kenneth Borris reassesses the Renaissance relations between allegory and heroic poetry, particularly in the major texts of Sidney, Spenser and Milton. Through wide-ranging consideration of Homeric and Virgilian reception and its influence on both continental and English literary theory, he shows that allegorical epic tended to double for and displace epic throughout the sixteenth and seventeenth centuries. Borris offers a fresh approach to the interaction of allegory with literary genres; focusing on epic, he further analyses the distinctive codes and conventions that constituted the generic repertoire of Renaissance allegorical epic poetry. Whereas standard literary history assumes Sidney opposes allegory, and that Milton minimises or rejects it in following Spenser, Borris's detailed readings demonstrate that Sidney and Milton are also major allegorists, and that Spenser remained so even in the latter books of The Faerie Queene. This book was first published in 2000.
Author: Elizabeth B. Bearden Publisher: University of Toronto Press ISBN: 144269615X Category : History Languages : en Pages : 273
Book Description
The ancient Greek romances of Achilles Tatius and Heliodorus were widely imitated by early modern writers such as Miguel de Cervantes, Philip Sidney, and Mary Wroth. Like their Greek models, Renaissance romances used ekphrasis, or verbal descriptions of visual representation, as a tool for characterization. The Emblematics of the Self shows how the women, foreigners, and non-Christians of these tales reveal their identities and desires in their responses to the ‘verbal pictures’ of romance. Elizabeth B. Bearden illuminates how ‘verbal pictures’ enliven characterization in English, Spanish, and Neolatin romances from 1552 to 1621. She notes the capacity for change among characters — such as cross-dressed Amazons, shepherdish princesses, and white Mauritanians — who traverse transnational cultural and aesthetic environments. Engaging and rigorous, The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the ‘other,’ as well as new possibilities for early modern identities, in an increasingly global Renaissance.
Author: Sandra Sider Publisher: McGill-Queen's Press - MQUP ISBN: 9780773515505 Category : Language Arts & Disciplines Languages : en Pages : 248
Book Description
This bibliography provides descriptions of 432 manuscripts from Europe and the United States, of which 341 contain visual imagery in various media. The manuscripts feature tripartite emblems proper, as well as festivity books, hieroglyphic texts, proto-emblematic material, allegories, triumphs, symbolic source books, schemata, devotional handbooks, and libri amicorum with emblematic imagery.
Author: Abraham Fraunce
Author: Abraham Fraunce
Author: Anna-Maria Hartmann
Author: Arthur F. Kinney
Author: Katherine Butler (Music tutor)
Author: Liz Oakley-Brown
Author: Alastair Fowler
Author: Peter Goodrich
Author: Kenneth Borris
Author: Elizabeth B. Bearden
Author: Sandra Sider