About Literature A Jazz Of Poems, Prose & Plays Volume 1 PDF Download

Author:
Publisher: Panpac Education Pte Ltd
ISBN: 9789814208529
Category :
Languages : en
Pages : 172

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Author:
Publisher: Panpac Education Pte Ltd
ISBN: 9789814208536
Category :
Languages : en
Pages : 156

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Author: Thulani Davis
Publisher: Blank Forms Editions
ISBN: 9781733723565
Category :
Languages : en
Pages : 68

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Thulani Davis' synesthetic documentary poems breathe impressionistic life into the sonic-social history of East Coast avant-garde jazz, soul and punk Written between 1974 and 1985, these are Davis' most anthologized works. Featured musicians and dancers include Cecil Taylor, the Art Ensemble of Chicago, Bad Brains, Henry Threadgill, Thelonious Monk, the Revolutionary Ensemble, the Commodores, Ishmael Houston-Jones and many more, in performances at historic venues such as the Five Spot, the Village Vanguard and the Apollo. Nothing but the Musicis further proof of Davis' place as a crucial figure, alongside poets Jayne Cortez, Sonia Sanchez and Ntozake Shange, in the cultural landscape surrounding the Black Arts Movement. Thulani Davis(born 1949) is the author of the novels 1959and Maker of Saints, several works of poetry and the forthcoming book The Emancipation Circuit: Black Activism Forging a Culture of Freedom(Duke University Press). She is currently an assistant professor in the Department of Afro-American Studies at the University of Wisconsin.

Author: Miller Williams
Publisher: University of Illinois Press
ISBN: 9780252067747
Category : Poetry
Languages : en
Pages : 308

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Here one of our best-loved poets gathers his most representative work from twelve collections and adds some new pieces as well. An American original, Miller Williams involves the readers emotions and imagination with an effective illusion of plain talk, continually rediscovering what is vital and musical in the language we speak and imagine by.

Author: Hans Ostrom
Publisher: Bloomsbury Publishing USA
ISBN: 1440871515
Category : Literary Criticism
Languages : en
Pages : 454

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This essential volume provides an overview of and introduction to African American writers and literary periods from their beginnings through the 21st century. This compact encyclopedia, aimed at students, selects the most important authors, literary movements, and key topics for them to know. Entries cover the most influential and highly regarded African American writers, including novelists, playwrights, poets, and nonfiction writers. The book covers key periods of African American literature—such as the Harlem Renaissance, the Black Arts Movement, and the Civil Rights Era—and touches on the influence of the vernacular, including blues and hip hop. The volume provides historical context for critical viewpoints including feminism, social class, and racial politics. Entries are organized A to Z and provide biographies that focus on the contributions of key literary figures as well as overviews, background information, and definitions for key subjects.

Author: Hugh Foley
Publisher: Oxford University Press
ISBN: 0192857096
Category : American poetry
Languages : en
Pages : 256

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What is the difference between the 'I' of a poem--the lyric subject-- and the liberal subject of rights? Lyric and Liberalism in the Age of American Empire uses this question to re-examine the work of five major American poets, changing our understanding of their writing and the field of post-war American poetry. Through extended readings of the work of Elizabeth Bishop, Robert Lowell, Amiri Baraka, John Ashbery, and Jorie Graham, Hugh Foley shows how poets have imagined liberalism as a problem for poetry. Foley's book offers a new approach to ongoing debates about the nature of lyric by demonstrating the entanglement of ideas about the lyric poem with the development of twentieth-century liberal discussions of individuality. Arguing that the nature of American empire in this period--underpinned by the discourse of individual rights--forced poets to reckon with this entanglement, it demonstrates how this reckoning helped to shape poetry in the post-war period. By tracing the ways a lyric poem performs personhood, and the ways that this person can be distinguished from the individual envisioned by post-war liberalism, Foley shows how each poet stages a critique of liberalism from inside the standpoint of 'lyric'>. This book demonstrates the capacities of poetry for rethinking its own relation to history and politics, providing a new perspective on a vital era of American poetry.

Author: Gabrielle Daniels
Publisher: Materials
ISBN:
Category : Poetry
Languages : en
Pages : 36

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Associated with the New Narrative movement and published in the ground-breaking anthology This Bridge Called My Back, Gabrielle Daniels’ work spans essays, fiction, poetry and novels. This book, Daniels’ first full-length collection, collects poems and prose from the 1970s to the present, including the complete text of Daniels’ now-impossibly rare chapbook A Movement in Eleven Days, a retrospective essay on New Narrative, and excerpts from her in-progress novel Sugar Wars. From poems inspired by films, music, revolutionary figures, and recent political disasters, to prose pieces on neglected African-American women writers, and urban and wilderness environments, Daniels’ subject matter and media are vast. As Dodie Bellamy and Kevin Killian write in the anthology Writers Who Love Too Much: “Daniels’ talents spin in every conceivable direction. Her writing continues to investigate and illumine corners of the world often neglected by the white capitalistic structures of patriarchy that shapes our lives from birth to death. Daniels’ work reveals a history, a legacy, a plan of action for the future. These are stories and poems with the punch of a novel in miniature.” Something Else Again reveals a major voice in American literature. GABRIELLE DANIELS was born in New Orleans in 1954 and moved to California at the age of seven. Her grandmother, the late Rev. Ruth Matthews Taylor, was a Spiritualist Minister. Daniels’ essays, stories and poems have appeared in the print and online magazines Big Scream, Equinox: Writing for a New Culture, Kenyon Review, Love You Madly, Mango, Open Space, Poets Reading the News, Rigorous, San Jose Studies, Silver Birch Press, Sinister Wisdom, and Soup, and the anthologies This Bridge Called my Back: Writings by Radical Women of Color, edited by Cheríe Moraga and Gloria E. Anzaldúa, Sister Fire: Black Womanist Fiction and Poetry, edited by Charlotte Watson Sherman, Another Wilderness: New Outdoor Writing by Women, edited by Susan Fox Rogers, and Writers Who Love Too Much: New Narrative Writing 1977-1997, edited by Dodie Bellamy and Kevin Killian. Her reviews have appeared in the San Francisco Chronicle, American Book Review, Off Our Backs and Women’s Book Review.

Author: Jonathan O. Wipplinger
Publisher: University of Michigan Press
ISBN: 047205340X
Category : History
Languages : en
Pages : 325

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Reveals the wide-ranging influence of American jazz on German discussions of music, race, and culture in the early twentieth century

Author: Gordon Collier
Publisher: Rodopi
ISBN: 9401210063
Category : History
Languages : en
Pages : 607

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Book Description
During the same period in which Derek Walcott was pouring immense physical, emotional, and logistical resources into the foundation of a viable first-rate West Indian theatre company and continuing to write his inimitable poetry, he was also busy writing newspaper reviews, chiefly for the Trinidad Guardian. His prodigious reviewing activity extended far beyond those areas with which one might most readily associate his interests and convic¬tions. As Gordon Rohlehr once prescient¬ly observed, “If one wants to see a quoti¬dian workaday Walcott, one should go back to [his] well over five hundred arti¬cles, essays and reviews on painting, cinema, calypso, carnival, drama and lite¬rature,” articles which “reveal a rich, vari¬ous, witty and scrupulous intelligence in which generous humour counterpoints acerbity.” These articles capture the vital¬ity of Caribbean culture and shed addi-tional light on the aesthetic preoccupa¬tions expressed in Walcott’s essays pub¬lished in journals. The editors have exam¬ined the corpus of Walcott’s journalistic activity from its beginnings in 1950 to its peak in the early 1970s, and have made a generous selection of material from the Guardian, along with occasional pieces from such sources as Public Opinion (Kingston) and The Voice of St. Lucia (Castries). The articles in Volume 1 are organized as follows: Caribbean society, culture, and the arts generally; literature and society; periodicals; anglophone poe¬try, prose fiction, and non-fiction; African and other literatures; and the visual arts (Caribbean and beyond). The volume closes with a selection of Walcott’s mis¬cellaneous satirical essays. The volume editor Gordon Collier has written a search¬ing introductory essay on a central theme – here, a critical, comparative analysis of Walcott’s development as journalist against the historical background of press activity in the Caribbean, coupled with an illustrative discussion (drawing on Wal¬cott’s newspaper articles) of his attitudes towards prose fiction and poetry.

Author: Sean Singer
Publisher: Tupelo Press
ISBN: 1946482854
Category : Poetry
Languages : en
Pages : 75

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From the passenger seat of Sean Singer’s taxicab, we witness New York’s streets livid and languid with story and contemplation that give us awareness and aliveness with each trip across the asphalt and pavement. Laced within each fare is an illumination of humanity’s intimate music, of the poet’s inner journey—a signaling at each crossroad of our frailty and effervescence. This is a guidebook toward a soundscape of higher meaning, with the gridded Manhattan streets as a scoring field. Jump in the back and dig the silence between the notes that count the most in each unique moment this poet brings to the page. “Sean Singer’s radiant and challenging body of work involves, much like Whitman’s, nothing less than the ongoing interrogation of what a poem is. In this way his books are startlingly alive... I love in this work the sense that I am the grateful recipient of Singer’s jazzy curation as I move from page to page. Today in the Taxi is threaded through with quotes from Kafka, facts about jazz musicians, musings from various thinkers, from a Cathar fragment to Martin Buber to Arthur Eddington to an anonymous comedian. The taxi is at once a real taxi and the microcosm of a world—at times the speaker seems almost like Charon ferrying his passengers, as the nameless from all walks and stages of life step in and out his taxi. I am reminded of Calvino’s Invisible Cities, of Sebald’s The Rings of Saturn... Today in the Taxi is intricate, plain, suggestive, deeply respectful of the reader, and utterly absorbing. Like Honey and Smoke before it, which was one of the best poetry books of the last decade, this is work of the highest order.” —Laurie Sheck