Aboriginal and Torres Strait Islander Art in the Collection of the National Gallery of Victoria PDF Download

Author: National Gallery of Victoria
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 278

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Book Description
"Aboriginal and Torres Strait Islander Art in the Collection of the National Gallery of Victoria" is a major overview of the work of Indigenous artists of the past 130 years. Entries on more than 100 works in the NGV¿s collection reveal the influence of early Indigenous objects on contemporary dialogues; explain systems of representation in Indigenous art; and reveal the ways artists have responded to change and have incorporated new aesthetic principles and artistic concepts, images and imaginaries over time. Through visual analysis, readers gain an understanding of preoccupations with place, ceremony, identity and race in Aboriginal and Torres Strait Islander art. This beautifully illustrated publication identifies similarities in artistic perception across time and place, and disrupts prevailing binaries of centre and periphery, traditional and contemporary, and urban and non-urban modes of representation and identification.

Author: National Gallery of Australia
Publisher:
ISBN: 9780642334145
Category : Aboriginal Australians
Languages : en
Pages : 0

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Book Description
The National Gallery of Australia holds the largest collection of Australian Indigenous art in the world. Written by Indigenous authors and curators and other experts in the field, this new book features works of art which highlight the diversity, richness and excellence of the Gallery's collection. They range from rare 19th-century objects, historical and contemporary bark paintings, fabrics, dance masks, and headdresses to contemporary politically charged works by artist working in towns and cities in the 21st century. Frachesco Cubillo is a member of the Larrakia, Bardi, Wadaman, and Yanuwa Nations. She is senior curator Aboriginal and Torres Strait Islander art at the National Gallery of Australia. Wally Caruana is an independent curator, author, and consultant on Indigenous Australian art.

Author: National Gallery of Australia
Publisher:
ISBN: 9780642334688
Category : Art, Aboriginal Australian
Languages : en
Pages : 160

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Book Description
Bringing together works by 30 contemporary Aboriginal and Torres Strait Islander artists from across the country, Defying Empire commemorates the 50th anniversary of the 1967 Referendum that recognized Aboriginal people as Australians for the first time. It explores the strength and resilience of Australia's Indigenous people since first contact, through the historical fight for recognition and ongoing activism in the present day. This moving and powerful art touches on the issues of identity, racism, displacement, country, nuclear testing, sovereignty and the stolen generations through many media: painting on canvas and bark, weaving and sculpture, new media, prints, photography, metalwork and glasswork. 'We defy: By existing; By determining our identity; By asserting our histories; our culture; our language; By telling our stories, our way; By being one of the oldest continuous living cultures in the world.' - Tina Baum, NGA Curator of Aboriginal and Torres Strait Islander Art

Author: Henry F. Skerritt
Publisher: Yale University Press
ISBN: 0300214707
Category : Art, Aboriginal Australian
Languages : en
Pages : 230

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Book Description
"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."

Author: Seva Frangos
Publisher: Government Printing Office
ISBN: 9781742584980
Category : Art, Aboriginal Australian
Languages : en
Pages : 196

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Book Description
Timothy Cook has been lauded as a leading contemporary Australian artist: critically acclaimed, honored with the prestigious 2012 29th Telstra National Indigenous and Torres Strait Islander Art Award, included in major exhibitions throughout Australia, and well represented in significant public and corporate collections. He has lived and worked for his entire life in a small settlement in the Tiwi Islands, in remote Indigenous Australia, deeply attached to his place. Cook is also a maverick artist: non-conformist, individualistic, original and inventive, straddling the modern and ancient with confidence. In this stunning monograph, author Seva Frangos attests to Timothy Cook's achievements, inhabiting a place and space where innovation might seem impossible against the background of tradition and ritual; where he realigns artistic and cultural boundaries and re-explores being Tiwi. These pages capture the remarkable levels of energy and emotional charge in his painting, and provide a brilliant introduction to Cook's vast body of work created over two decades in a range of media. [Subject: Art, Aboriginal Studies]

Author: National Gallery of Australia
Publisher:
ISBN: 9780642130389
Category : Aboriginal Australians
Languages : en
Pages : 80

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Book Description
Celebrating the richness and diversity of Aboriginal and Torres Strait Islander art in contemporary Australia and in the National Gallery's collection, this book highlights a selection of major artists and features new developments in media and artistic idioms. From bark paintings and weaving to photography, video and installations, it encompasses artists from Arnhem Land, Wadeye and the islands of the Tiwi people near Darwin, the central Australian desert regions, the Kimberley, north Queensland and the Torres Strait, as well as the urban and rural areas of the continent's seaboard.

Author: Susan Cochrane
Publisher: Fine Art Publishing
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 132

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Book Description
Aboriginal art collections : highlights from Australia's public museums and galleries is a survey of the indigenous collections of fourteen public museums and galleries in Australia.

Author: Marie Geissler
Publisher: Cambridge Scholars Publishing
ISBN: 1527564274
Category : Art
Languages : en
Pages : 228

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Book Description
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.

Author: Rebecca J. Conway
Publisher: Sydney University Press
ISBN: 1743327285
Category : Art
Languages : en
Pages : 320

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Book Description
“The patterns and designs were laid down on the country and in the minds of Yolŋu by the ancestral beings at the time of creation. They have been passed on through the generations from our great grandparents, to our grandparents, to our parents, to us. They are the reality of this country. They tell us all who we are.” — Djambawa Marawili AM Djalkiri are “footprints" – ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their philosophical foundations. This book describes how Yolŋu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolŋu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time. From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolŋu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolŋu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories. Featuring over 300 colour images, Djalkiri is published in conjunction with a largescale exhibition of Yolŋu art and culture at the University of Sydney’s new Chau Chak Wing Museum, opening in November 2020. Spanning almost 100 years of our shared history, these collections can expand our understanding of the past and help us to shape the future.

Author: John McDonald
Publisher: R. Ian Lloyd
ISBN: 9810574665
Category : Artists
Languages : en
Pages : 147

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Book Description
'Studio' presents an extraordinary anthology of visual and verbal insights into the way paintings are made, and the complex blend of motivation and inspiration that sustains the painter in his or her solitary search for meaning.