Author: Patricia Ismond
Publisher:
ISBN: 9789766401078
Category : Literary Collections
Languages : en
Pages : 324
Book Description
Awarded the Nobel Prize for Literature in 1992, Derek Walcott is the most important West Indian poet writing in English today, and his success has inspired many aspiring Caribbean writers. He began his career divided between his driving commitment to the revolutionary cause of his native Caribbean and his strong ties to a Western literary tradition. In his works he has studied the conflict between the heritage of European and West Indian culture. Abandoning Dead Metaphors is a critical appreciation of the works produced in Walcott's Caribbean phase (1946-1981). The poetry of this phase contains most of the seminal ideas and values that underlie his total achievement. This study closely examines Walcott's definitive use of metaphor, through which he conducts a deeply philosophical discourse focusing on the juxtaposition of his concern with a regional history of negation and his immersion in the Western literary and cultural tradition of the colonizer. Studying the works of this period also allows for a full exposure of Walcott's engagement with the landscape, culture and society of the region. Ismond's work is essential reading for students of Caribbean literature and scholars of Ne
Abandoning Dead Metaphors
Author: Patricia Ismond
Publisher:
ISBN: 9789766401078
Category : Literary Collections
Languages : en
Pages : 324
Book Description
Awarded the Nobel Prize for Literature in 1992, Derek Walcott is the most important West Indian poet writing in English today, and his success has inspired many aspiring Caribbean writers. He began his career divided between his driving commitment to the revolutionary cause of his native Caribbean and his strong ties to a Western literary tradition. In his works he has studied the conflict between the heritage of European and West Indian culture. Abandoning Dead Metaphors is a critical appreciation of the works produced in Walcott's Caribbean phase (1946-1981). The poetry of this phase contains most of the seminal ideas and values that underlie his total achievement. This study closely examines Walcott's definitive use of metaphor, through which he conducts a deeply philosophical discourse focusing on the juxtaposition of his concern with a regional history of negation and his immersion in the Western literary and cultural tradition of the colonizer. Studying the works of this period also allows for a full exposure of Walcott's engagement with the landscape, culture and society of the region. Ismond's work is essential reading for students of Caribbean literature and scholars of Ne
Publisher:
ISBN: 9789766401078
Category : Literary Collections
Languages : en
Pages : 324
Book Description
Awarded the Nobel Prize for Literature in 1992, Derek Walcott is the most important West Indian poet writing in English today, and his success has inspired many aspiring Caribbean writers. He began his career divided between his driving commitment to the revolutionary cause of his native Caribbean and his strong ties to a Western literary tradition. In his works he has studied the conflict between the heritage of European and West Indian culture. Abandoning Dead Metaphors is a critical appreciation of the works produced in Walcott's Caribbean phase (1946-1981). The poetry of this phase contains most of the seminal ideas and values that underlie his total achievement. This study closely examines Walcott's definitive use of metaphor, through which he conducts a deeply philosophical discourse focusing on the juxtaposition of his concern with a regional history of negation and his immersion in the Western literary and cultural tradition of the colonizer. Studying the works of this period also allows for a full exposure of Walcott's engagement with the landscape, culture and society of the region. Ismond's work is essential reading for students of Caribbean literature and scholars of Ne
Narrative Rewritings and Artistic Praxis in Derek Walcott's Works
Author: Mattia Mantellato
Publisher: Cambridge Scholars Publishing
ISBN: 1527588076
Category : Performing Arts
Languages : en
Pages : 383
Book Description
This book focuses on Derek Walcott’s literary and artistic wor(l)d. Western postcolonial critique has depicted the Nobel Prize laureate as one of the greatest poets of the 20th century world. This, however, devalues his fundamental contribution to the realm of Caribbean theatre and art. The text examines Walcott’s multimodal production, a combination of West Indian folkloric forms and Western-oriented structures and themes, by discussing three of his works—two plays, The Joker of Seville and Pantomime, and a long poem, Tiepolo’s Hound. These epitomise respectively a response to Spanish, English, and French cultural legacies in the New World as postcolonial re-writings of Don Juan, Robinson Crusoe, and Camille Pissarro’s stories. Following Quijano and Mignolo’s decolonial approaches and Riane Eisler’s partnership perspective, the book uncovers the strategies used by Walcott to respond to the colonial matrix of power.
Publisher: Cambridge Scholars Publishing
ISBN: 1527588076
Category : Performing Arts
Languages : en
Pages : 383
Book Description
This book focuses on Derek Walcott’s literary and artistic wor(l)d. Western postcolonial critique has depicted the Nobel Prize laureate as one of the greatest poets of the 20th century world. This, however, devalues his fundamental contribution to the realm of Caribbean theatre and art. The text examines Walcott’s multimodal production, a combination of West Indian folkloric forms and Western-oriented structures and themes, by discussing three of his works—two plays, The Joker of Seville and Pantomime, and a long poem, Tiepolo’s Hound. These epitomise respectively a response to Spanish, English, and French cultural legacies in the New World as postcolonial re-writings of Don Juan, Robinson Crusoe, and Camille Pissarro’s stories. Following Quijano and Mignolo’s decolonial approaches and Riane Eisler’s partnership perspective, the book uncovers the strategies used by Walcott to respond to the colonial matrix of power.
Duress
Author: Ann Laura Stoler
Publisher: Duke University Press
ISBN: 0822373610
Category : Social Science
Languages : en
Pages : 407
Book Description
How do colonial histories matter to the urgencies and conditions of our current world? How have those histories so often been rendered as leftovers, as "legacies" of a dead past rather than as active and violating forces in the world today? With precision and clarity, Ann Laura Stoler argues that recognizing "colonial presence" may have as much to do with how the connections between colonial histories and the present are expected to look as it does with how they are expected to be. In Duress, Stoler considers what methodological renovations might serve to write histories that yield neither to smooth continuities nor to abrupt epochal breaks. Capturing the uneven, recursive qualities of the visions and practices that imperial formations have animated, Stoler works through a set of conceptual and concrete reconsiderations that locate the political effects and practices that imperial projects produce: occluded histories, gradated sovereignties, affective security regimes, "new" racisms, bodily exposures, active debris, and carceral archipelagos of colony and camp that carve out the distribution of inequities and deep fault lines of duress today.
Publisher: Duke University Press
ISBN: 0822373610
Category : Social Science
Languages : en
Pages : 407
Book Description
How do colonial histories matter to the urgencies and conditions of our current world? How have those histories so often been rendered as leftovers, as "legacies" of a dead past rather than as active and violating forces in the world today? With precision and clarity, Ann Laura Stoler argues that recognizing "colonial presence" may have as much to do with how the connections between colonial histories and the present are expected to look as it does with how they are expected to be. In Duress, Stoler considers what methodological renovations might serve to write histories that yield neither to smooth continuities nor to abrupt epochal breaks. Capturing the uneven, recursive qualities of the visions and practices that imperial formations have animated, Stoler works through a set of conceptual and concrete reconsiderations that locate the political effects and practices that imperial projects produce: occluded histories, gradated sovereignties, affective security regimes, "new" racisms, bodily exposures, active debris, and carceral archipelagos of colony and camp that carve out the distribution of inequities and deep fault lines of duress today.
The Poetry of the Americas
Author: Harris Feinsod
Publisher: Oxford University Press
ISBN: 0190682027
Category : Literary Criticism
Languages : en
Pages : 441
Book Description
The Poetry of the Americas offers a lively and detailed history of relations among poets in the US and Latin America, spanning three decades from the Good Neighbor diplomacy of World War II through the Cold War cultural policies of the late 1960s. Connecting works by Martín Adán, Elizabeth Bishop, Paul Blackburn, Jorge Luis Borges, Julia de Burgos, Ernesto Cardenal, Jorge Carrera Andrade, Allen Ginsberg, Langston Hughes, José Lezama Lima, Pablo Neruda, Charles Olson, Octavio Paz, Heberto Padilla, Wallace Stevens, Derek Walcott, William Carlos Williams, and many others, Feinsod reveals how poets of many nations imagined a "poetry of the Americas" that linked multiple cultures, even as it reflected the inequities of the inter-American political system. This account offers a rich contextual study of the state-sponsored institutions and the countercultural networks that sustained this poetry, from Nelson Rockefeller's Office of the Coordinator for Inter-American Affairs to the mid-1960s avant-garde scene in Mexico City. This innovative literary-historical project enables new readings of such canonical poems as Stevens's "Notes Toward a Supreme Fiction" and Neruda's "The Heights of Macchu Picchu," but it positions these alongside lesser known poetry, translations, anthologies, literary journals and private correspondences culled from library archives across the Americas. The Poetry of the Americas thus broadens the horizons of reception and mutual influence--and of formal, historical, and political possibility--through which we encounter midcentury American poetry, recasting traditional categories of "U.S." or "Latin American" literature within a truly hemispheric vision.
Publisher: Oxford University Press
ISBN: 0190682027
Category : Literary Criticism
Languages : en
Pages : 441
Book Description
The Poetry of the Americas offers a lively and detailed history of relations among poets in the US and Latin America, spanning three decades from the Good Neighbor diplomacy of World War II through the Cold War cultural policies of the late 1960s. Connecting works by Martín Adán, Elizabeth Bishop, Paul Blackburn, Jorge Luis Borges, Julia de Burgos, Ernesto Cardenal, Jorge Carrera Andrade, Allen Ginsberg, Langston Hughes, José Lezama Lima, Pablo Neruda, Charles Olson, Octavio Paz, Heberto Padilla, Wallace Stevens, Derek Walcott, William Carlos Williams, and many others, Feinsod reveals how poets of many nations imagined a "poetry of the Americas" that linked multiple cultures, even as it reflected the inequities of the inter-American political system. This account offers a rich contextual study of the state-sponsored institutions and the countercultural networks that sustained this poetry, from Nelson Rockefeller's Office of the Coordinator for Inter-American Affairs to the mid-1960s avant-garde scene in Mexico City. This innovative literary-historical project enables new readings of such canonical poems as Stevens's "Notes Toward a Supreme Fiction" and Neruda's "The Heights of Macchu Picchu," but it positions these alongside lesser known poetry, translations, anthologies, literary journals and private correspondences culled from library archives across the Americas. The Poetry of the Americas thus broadens the horizons of reception and mutual influence--and of formal, historical, and political possibility--through which we encounter midcentury American poetry, recasting traditional categories of "U.S." or "Latin American" literature within a truly hemispheric vision.
Romanticism and Aesthetic Life in Postcolonial Writing
Author: Philip Dickinson
Publisher: Springer
ISBN: 3319703412
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
This book explores Romanticism as a force that exerts an insistent but critically neglected pressure on the postcolonial imagination. From the decolonizing poetics of the Caribbean to the white writing of South Africa, from the aesthetics of post-imperial disappointment to postcolonial theory itself, it develops an account of the textual and philosophical interpenetration of postcolonial aesthetics with Romantic ideas about sense, history and world. What emerges is a reading of Romantic/postcolonial co-involvement that moves beyond well-worn models of intercanonical antagonism and the historicizing biases of conventional literary history. Caught somewhere between the effects of reanimation and estrangement, Romanticism appears here not as a stable textual repository prior to the postcolonial, but as echo, spectre, self-interruption, or vital force, that can yet only emerge in the guise of the afterlife, its agency mediated — but never exhausted — by postcolonial writing.
Publisher: Springer
ISBN: 3319703412
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
This book explores Romanticism as a force that exerts an insistent but critically neglected pressure on the postcolonial imagination. From the decolonizing poetics of the Caribbean to the white writing of South Africa, from the aesthetics of post-imperial disappointment to postcolonial theory itself, it develops an account of the textual and philosophical interpenetration of postcolonial aesthetics with Romantic ideas about sense, history and world. What emerges is a reading of Romantic/postcolonial co-involvement that moves beyond well-worn models of intercanonical antagonism and the historicizing biases of conventional literary history. Caught somewhere between the effects of reanimation and estrangement, Romanticism appears here not as a stable textual repository prior to the postcolonial, but as echo, spectre, self-interruption, or vital force, that can yet only emerge in the guise of the afterlife, its agency mediated — but never exhausted — by postcolonial writing.
The Letter in Black Radical Thought
Author: Tendayi Sithole
Publisher: Rowman & Littlefield
ISBN: 1666922986
Category : Political Science
Languages : en
Pages : 305
Book Description
In The Letter in Black Radical Thought, Tendayi Sithole unmasks the logics of dehumanization in the terrain of black radical thought by looking at the letter as the site of examination and political intervention. Through his expansive demonstration and original argument, he analyzes the letters of Sylvia Wynter, Assata Shakur, George Jackson, Aìme Césaire, and Frantz Fanon. Through illuminating critical takes by these black radical thinkers, Sithole orchestrates a thematic approach, revealing the challenges to dehumanization which emerge in these letters. All the afore-mentioned figures are read anew through the typology of the letters they have penned. This typology consists of epistemic, fugitive, intramural, and resignation letters. The Letter in Black Radical Thought shows how these letters confront and combat dehumanization in novel ways.
Publisher: Rowman & Littlefield
ISBN: 1666922986
Category : Political Science
Languages : en
Pages : 305
Book Description
In The Letter in Black Radical Thought, Tendayi Sithole unmasks the logics of dehumanization in the terrain of black radical thought by looking at the letter as the site of examination and political intervention. Through his expansive demonstration and original argument, he analyzes the letters of Sylvia Wynter, Assata Shakur, George Jackson, Aìme Césaire, and Frantz Fanon. Through illuminating critical takes by these black radical thinkers, Sithole orchestrates a thematic approach, revealing the challenges to dehumanization which emerge in these letters. All the afore-mentioned figures are read anew through the typology of the letters they have penned. This typology consists of epistemic, fugitive, intramural, and resignation letters. The Letter in Black Radical Thought shows how these letters confront and combat dehumanization in novel ways.
Projections of Paradise
Author:
Publisher: BRILL
ISBN: 9401200335
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
Paradise is commonly imagined as a place of departure or arrival, beginning and closure, permanent inhabitation of which, however much desired, is illusory. This makes it the dream of the traveller, the explorer, the migrant – hence, a trope recurrent in postcolonial writing, which is so centrally concerned with questions of displacement and belonging. Projections of Paradise documents this concern and demonstrates the indebtedness of writers as diverse as Salman Rushdie, Agha Shahid Ali, Cyril Dabydeen, Bernardine Evaristo, Amitav Ghosh, James Goonewardene, Romesh Gunesekera, Abdulrazak Gurnah, Janette Turner Hospital, Penelope Lively, Fatima Mernissi, Michael Ondaatje, Shyam Selvadurai, M.G. Vassanji, and Rudy Wiebe to strikingly similar myths of fulfilment. In writing, directly or indirectly, about the experience of migration, all project paradises as places of origin or destination, as homes left or not yet found, as objects of nostalgic recollection or hopeful anticipation. Yet in locating such places, quite specifically, in Egypt, Zanzibar, Kashmir, Sri Lanka, the Sundarbans, Canada, the Caribbean, Queensland, Morocco, Tuscany, Russia, the Arctic, the USA, and England, they also subvert received fantasies of paradise as a pleasurable land rich with natural beauty. Projections of Paradise explores what happens to these fantasies and what remains of them as postcolonial writings call them into question and expose the often hellish realities from which popular dreams of ideal elsewheres are commonly meant to provide an escape. Contributors: Vera Alexander, Gerd Bayer, Derek Coyle, Geetha Ganapathy-Doré, Evelyne Hanquart-Turner, Ursula Kluwick, Janne Korkka, Marta Mamet-Michalkiewicz, Sofia Muñoz-Valdieso, Susanne Pichler, Helga Ramsey-Kurz, Ulla Ratheiser, Petra Tournay-Thedotou.
Publisher: BRILL
ISBN: 9401200335
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
Paradise is commonly imagined as a place of departure or arrival, beginning and closure, permanent inhabitation of which, however much desired, is illusory. This makes it the dream of the traveller, the explorer, the migrant – hence, a trope recurrent in postcolonial writing, which is so centrally concerned with questions of displacement and belonging. Projections of Paradise documents this concern and demonstrates the indebtedness of writers as diverse as Salman Rushdie, Agha Shahid Ali, Cyril Dabydeen, Bernardine Evaristo, Amitav Ghosh, James Goonewardene, Romesh Gunesekera, Abdulrazak Gurnah, Janette Turner Hospital, Penelope Lively, Fatima Mernissi, Michael Ondaatje, Shyam Selvadurai, M.G. Vassanji, and Rudy Wiebe to strikingly similar myths of fulfilment. In writing, directly or indirectly, about the experience of migration, all project paradises as places of origin or destination, as homes left or not yet found, as objects of nostalgic recollection or hopeful anticipation. Yet in locating such places, quite specifically, in Egypt, Zanzibar, Kashmir, Sri Lanka, the Sundarbans, Canada, the Caribbean, Queensland, Morocco, Tuscany, Russia, the Arctic, the USA, and England, they also subvert received fantasies of paradise as a pleasurable land rich with natural beauty. Projections of Paradise explores what happens to these fantasies and what remains of them as postcolonial writings call them into question and expose the often hellish realities from which popular dreams of ideal elsewheres are commonly meant to provide an escape. Contributors: Vera Alexander, Gerd Bayer, Derek Coyle, Geetha Ganapathy-Doré, Evelyne Hanquart-Turner, Ursula Kluwick, Janne Korkka, Marta Mamet-Michalkiewicz, Sofia Muñoz-Valdieso, Susanne Pichler, Helga Ramsey-Kurz, Ulla Ratheiser, Petra Tournay-Thedotou.
Imperial Debris
Author: Ann Laura Stoler
Publisher: Duke University Press
ISBN: 082235361X
Category : Social Science
Languages : en
Pages : 378
Book Description
Imperial Debris redirects critical focus from ruins as evidence of the past to "ruination" as the processes through which imperial power occupies the present. Ann Laura Stoler's introduction is a manifesto, a compelling call for postcolonial studies to expand its analytical scope to address the toxic but less perceptible corrosions and violent accruals of colonial aftermaths, as well as their durable traces on the material environment and people's bodies and minds. In their provocative, tightly focused responses to Stoler, the contributors explore subjects as seemingly diverse as villages submerged during the building of a massive dam in southern India, Palestinian children taught to envision and document ancestral homes razed by the Israeli military, and survival on the toxic edges of oil refineries and amid the remains of apartheid in Durban, South Africa. They consider the significance of Cold War imagery of a United States decimated by nuclear blast, perceptions of a swath of Argentina's Gran Chaco as a barbarous void, and the enduring resonance, in contemporary sexual violence, of atrocities in King Leopold's Congo. Reflecting on the physical destruction of Sri Lanka, on Detroit as a colonial metropole in relation to sites of ruination in the Amazon, and on interactions near a UNESCO World Heritage Site in the Brazilian state of Bahia, the contributors attend to present-day harms in the occluded, unexpected sites and situations where earlier imperial formations persist. Contributors. Ariella Azoulay, John F. Collins, Sharad Chari, E. Valentine Daniel, Gastón Gordillo, Greg Grandin, Nancy Rose Hunt, Joseph Masco, Vyjayanthi Venuturupalli Rao, Ann Laura Stoler
Publisher: Duke University Press
ISBN: 082235361X
Category : Social Science
Languages : en
Pages : 378
Book Description
Imperial Debris redirects critical focus from ruins as evidence of the past to "ruination" as the processes through which imperial power occupies the present. Ann Laura Stoler's introduction is a manifesto, a compelling call for postcolonial studies to expand its analytical scope to address the toxic but less perceptible corrosions and violent accruals of colonial aftermaths, as well as their durable traces on the material environment and people's bodies and minds. In their provocative, tightly focused responses to Stoler, the contributors explore subjects as seemingly diverse as villages submerged during the building of a massive dam in southern India, Palestinian children taught to envision and document ancestral homes razed by the Israeli military, and survival on the toxic edges of oil refineries and amid the remains of apartheid in Durban, South Africa. They consider the significance of Cold War imagery of a United States decimated by nuclear blast, perceptions of a swath of Argentina's Gran Chaco as a barbarous void, and the enduring resonance, in contemporary sexual violence, of atrocities in King Leopold's Congo. Reflecting on the physical destruction of Sri Lanka, on Detroit as a colonial metropole in relation to sites of ruination in the Amazon, and on interactions near a UNESCO World Heritage Site in the Brazilian state of Bahia, the contributors attend to present-day harms in the occluded, unexpected sites and situations where earlier imperial formations persist. Contributors. Ariella Azoulay, John F. Collins, Sharad Chari, E. Valentine Daniel, Gastón Gordillo, Greg Grandin, Nancy Rose Hunt, Joseph Masco, Vyjayanthi Venuturupalli Rao, Ann Laura Stoler
Saint Lucian Literature and Theatre
Author: John Robert Lee
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 392
Book Description
Memories of the Classical Underworld in Irish and Caribbean Literature
Author: Madeleine Scherer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110675153
Category : Literary Criticism
Languages : en
Pages : 323
Book Description
Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canonical points of reception in later ages. When investigating such a popular and widespread set of narratives, characters, and images like those that remain of Graeco-Roman antiquity, terms like ‘adaptation’ and ‘reception’ could and should be nuanced further to allow us to understand the complex interactions between modern works and classical antiquity in more detail, particularly when it pertains to postcolonial or post-digital classical reception. In Classical Memories, I propose that understanding certain types of adaptations as intertextual memories allows us to do just that.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110675153
Category : Literary Criticism
Languages : en
Pages : 323
Book Description
Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canonical points of reception in later ages. When investigating such a popular and widespread set of narratives, characters, and images like those that remain of Graeco-Roman antiquity, terms like ‘adaptation’ and ‘reception’ could and should be nuanced further to allow us to understand the complex interactions between modern works and classical antiquity in more detail, particularly when it pertains to postcolonial or post-digital classical reception. In Classical Memories, I propose that understanding certain types of adaptations as intertextual memories allows us to do just that.