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Author: Gail Levin Publisher: Watson-Guptill Publications ISBN: Category : Art Languages : en Pages : 192
Book Description
"Published in conjunction with an exhibition at the Heckscher Museum in Huntington, New York, Aaron Copland's America is a collaboration between two well-known and highly esteemed scholars, art historian Gail Levin and musicologist Judith Tick, whose complementary essays focus on, respectively, Copland's interactions with the art world (visual and otherwise) and on his music. The book documents Copland's friendships with painters such as Georgia O'Keeffe and Diego Rivera; photographers Alfred Stieglitz and Paul Strand; composers Virgil Thomson and Igor Stravinsky; choreographers Martha Graham and Agnes de Mille; and writers Hart Crane and Gertrude Stein, exploring the direct exchange of ideas these relationships engendered and examining esthetic and intellectual parallels between their work and Copland's. At the same time, it looks at how Copland's fascination with folk and popular culture, native arts, jazz, cinema, and the search for an American national art gave form to his music, which sprang not only from his personal talent but also from connections to the powerful creative forces around him."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Gail Levin Publisher: Watson-Guptill Publications ISBN: Category : Art Languages : en Pages : 192
Book Description
"Published in conjunction with an exhibition at the Heckscher Museum in Huntington, New York, Aaron Copland's America is a collaboration between two well-known and highly esteemed scholars, art historian Gail Levin and musicologist Judith Tick, whose complementary essays focus on, respectively, Copland's interactions with the art world (visual and otherwise) and on his music. The book documents Copland's friendships with painters such as Georgia O'Keeffe and Diego Rivera; photographers Alfred Stieglitz and Paul Strand; composers Virgil Thomson and Igor Stravinsky; choreographers Martha Graham and Agnes de Mille; and writers Hart Crane and Gertrude Stein, exploring the direct exchange of ideas these relationships engendered and examining esthetic and intellectual parallels between their work and Copland's. At the same time, it looks at how Copland's fascination with folk and popular culture, native arts, jazz, cinema, and the search for an American national art gave form to his music, which sprang not only from his personal talent but also from connections to the powerful creative forces around him."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Carol A. Hess Publisher: University of Illinois Press ISBN: 0252054008 Category : Music Languages : en Pages : 245
Book Description
Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad. Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland’s diaries inform Carol A. Hess’s in-depth examination of the composer’s approach to cultural diplomacy. As Hess shows, Copland’s tours facilitated an exchange of music and ideas with Latin American composers while capturing the tenor of United States diplomatic efforts at various points in history. In Latin America, Copland’s introduced works by U.S. composers (including himself) through lectures, radio broadcasts, live performance, and conversations. Back at home, he used his celebrity to draw attention to regional composers he admired. Hess’s focus on Latin America’s reception of Copland provides a variety of outside perspectives on the composer and his mission. She also teases out the broader meanings behind reviews of Copland and examines his critics in the context of their backgrounds, training, aesthetics, and politics.
Author: Howard Pollack Publisher: Henry Holt and Company ISBN: 1627798498 Category : Biography & Autobiography Languages : en Pages : 708
Book Description
A candid and fascinating portrait of the American composer. The son of Russian-Jewish immigrants, Aaron Copland (1900-1990) became one of America's most beloved and esteemed composers. His work, which includes Fanfare for the Common Man, A Lincoln Portrait, and Appalachian Spring, has been honored by a huge following of devoted listeners. But the full richness of Copland's life and accomplishments has never, until now, been documented or understood. Howard Pollack's meticulously researched and engrossing biography explores the symphony of Copland's life: his childhood in Brooklyn; his homosexuality; Paris in the early 1920s; the Alfred Stieglitz circle; his experimentation with jazz; the communist witch trials; Hollywood in the forties; public disappointment with his later, intellectual work; and his struggle with Alzheimer's disease. Furthermore, Pollack presents informed discussions of Copland's music, explaining and clarifying its newness and originality, its aesthetic and social aspects, its distinctive and enduring personality. "Not only a success in its own right, but a valuable model of what biography can and probably should be. " - Kirkus Reviews
Author: Matthew Mugmon Publisher: Eastman Studies in Music ISBN: 1580469647 Category : History Languages : en Pages : 242
Book Description
Reveals how Aaron Copland's complex relationship with the music of Gustav Mahler shaped his vision for American music in the twentieth century.
Author: Carol J. Oja Publisher: Princeton University Press ISBN: 0691186154 Category : Biography & Autobiography Languages : en Pages : 528
Book Description
Aaron Copland and His World reassesses the legacy of one of America's best-loved composers at a pivotal moment--as his life and work shift from the realm of personal memory to that of history. This collection of seventeen essays by distinguished scholars of American music explores the stages of cultural change on which Copland's long life (1900 to 1990) unfolded: from the modernist experiments of the 1920s, through the progressive populism of the Great Depression and the urgencies of World War II, to postwar political backlash and the rise of serialism in the 1950s and the cultural turbulence of the 1960s. Continually responding to an ever-changing political and cultural panorama, Copland kept a firm focus on both his private muse and the public he served. No self-absorbed recluse, he was very much a public figure who devoted his career to building support systems to help composers function productively in America. This book critiques Copland's work in these shifting contexts. The topics include Copland's role in shaping an American school of modern dance; his relationship with Leonard Bernstein; his homosexuality, especially as influenced by the writings of André Gide; and explorations of cultural nationalism. Copland's rich correspondence with the composer and critic Arthur Berger, who helped set the parameters of Copland's reception, is published here in its entirety, edited by Wayne Shirley. The contributors include Emily Abrams, Paul Anderson, Elliott Antokoletz, Leon Botstein, Martin Brody, Elizabeth Crist, Morris Dickstein, Lynn Garafola, Melissa de Graaf, Neil Lerner, Gail Levin, Beth Levy, Vivian Perlis, Howard Pollack, and Larry Starr.
Author: Carol J. Oja Publisher: Princeton University Press ISBN: 0691186154 Category : Biography & Autobiography Languages : en Pages : 528
Book Description
Aaron Copland and His World reassesses the legacy of one of America's best-loved composers at a pivotal moment--as his life and work shift from the realm of personal memory to that of history. This collection of seventeen essays by distinguished scholars of American music explores the stages of cultural change on which Copland's long life (1900 to 1990) unfolded: from the modernist experiments of the 1920s, through the progressive populism of the Great Depression and the urgencies of World War II, to postwar political backlash and the rise of serialism in the 1950s and the cultural turbulence of the 1960s. Continually responding to an ever-changing political and cultural panorama, Copland kept a firm focus on both his private muse and the public he served. No self-absorbed recluse, he was very much a public figure who devoted his career to building support systems to help composers function productively in America. This book critiques Copland's work in these shifting contexts. The topics include Copland's role in shaping an American school of modern dance; his relationship with Leonard Bernstein; his homosexuality, especially as influenced by the writings of André Gide; and explorations of cultural nationalism. Copland's rich correspondence with the composer and critic Arthur Berger, who helped set the parameters of Copland's reception, is published here in its entirety, edited by Wayne Shirley. The contributors include Emily Abrams, Paul Anderson, Elliott Antokoletz, Leon Botstein, Martin Brody, Elizabeth Crist, Morris Dickstein, Lynn Garafola, Melissa de Graaf, Neil Lerner, Gail Levin, Beth Levy, Vivian Perlis, Howard Pollack, and Larry Starr.
Author: Carol A. Hess Publisher: University of Illinois Press ISBN: 0252054008 Category : Music Languages : en Pages : 245
Book Description
Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad. Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland’s diaries inform Carol A. Hess’s in-depth examination of the composer’s approach to cultural diplomacy. As Hess shows, Copland’s tours facilitated an exchange of music and ideas with Latin American composers while capturing the tenor of United States diplomatic efforts at various points in history. In Latin America, Copland’s introduced works by U.S. composers (including himself) through lectures, radio broadcasts, live performance, and conversations. Back at home, he used his celebrity to draw attention to regional composers he admired. Hess’s focus on Latin America’s reception of Copland provides a variety of outside perspectives on the composer and his mission. She also teases out the broader meanings behind reviews of Copland and examines his critics in the context of their backgrounds, training, aesthetics, and politics.
Author: Gail Levin Publisher: Watson-Guptill Publications ISBN: Category : Art Languages : en Pages : 192
Book Description
"Published in conjunction with an exhibition at the Heckscher Museum in Huntington, New York, Aaron Copland's America is a collaboration between two well-known and highly esteemed scholars, art historian Gail Levin and musicologist Judith Tick, whose complementary essays focus on, respectively, Copland's interactions with the art world (visual and otherwise) and on his music. The book documents Copland's friendships with painters such as Georgia O'Keeffe and Diego Rivera; photographers Alfred Stieglitz and Paul Strand; composers Virgil Thomson and Igor Stravinsky; choreographers Martha Graham and Agnes de Mille; and writers Hart Crane and Gertrude Stein, exploring the direct exchange of ideas these relationships engendered and examining esthetic and intellectual parallels between their work and Copland's. At the same time, it looks at how Copland's fascination with folk and popular culture, native arts, jazz, cinema, and the search for an American national art gave form to his music, which sprang not only from his personal talent but also from connections to the powerful creative forces around him."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Howard Pollack Publisher: Henry Holt and Company ISBN: 1627798498 Category : Biography & Autobiography Languages : en Pages : 708
Book Description
A candid and fascinating portrait of the American composer. The son of Russian-Jewish immigrants, Aaron Copland (1900-1990) became one of America's most beloved and esteemed composers. His work, which includes Fanfare for the Common Man, A Lincoln Portrait, and Appalachian Spring, has been honored by a huge following of devoted listeners. But the full richness of Copland's life and accomplishments has never, until now, been documented or understood. Howard Pollack's meticulously researched and engrossing biography explores the symphony of Copland's life: his childhood in Brooklyn; his homosexuality; Paris in the early 1920s; the Alfred Stieglitz circle; his experimentation with jazz; the communist witch trials; Hollywood in the forties; public disappointment with his later, intellectual work; and his struggle with Alzheimer's disease. Furthermore, Pollack presents informed discussions of Copland's music, explaining and clarifying its newness and originality, its aesthetic and social aspects, its distinctive and enduring personality. "Not only a success in its own right, but a valuable model of what biography can and probably should be. " - Kirkus Reviews
Author: Gail Levin
Author: Gail Levin
Author: Carol A. Hess
Author: Howard Pollack
Author: Matthew Mugmon
Author: Carol J. Oja
Author: Archetype Press