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Author: Richard Bauman Publisher: John Wiley & Sons ISBN: 1405143614 Category : Social Science Languages : en Pages : 200
Book Description
Drawing on his work in Iceland, Ireland, Scotland, North America, Ghana, and Fiji, linguistic anthropologist and folklorist Richard Bauman presents a series of ethnographic case studies that offer a sparkling look at intertextuality as communicative practice. A fascinating perspective on intertextuality: the idea that written and spoken texts speak to one another, e.g. through genre or allusions. Presents a series of ethnographic case studies to illustrate the topic. Draws on a broad range of oral performances and literary records from across the world. The author’s introduction sets a framework for the analysis of genre, perform and intertextuality. Shows how performers blend genres, e.g., telling stories about riddles or legends about magical verses, or constructing sales pitches.
Author: Richard Bauman Publisher: John Wiley & Sons ISBN: 1405143614 Category : Social Science Languages : en Pages : 200
Book Description
Drawing on his work in Iceland, Ireland, Scotland, North America, Ghana, and Fiji, linguistic anthropologist and folklorist Richard Bauman presents a series of ethnographic case studies that offer a sparkling look at intertextuality as communicative practice. A fascinating perspective on intertextuality: the idea that written and spoken texts speak to one another, e.g. through genre or allusions. Presents a series of ethnographic case studies to illustrate the topic. Draws on a broad range of oral performances and literary records from across the world. The author’s introduction sets a framework for the analysis of genre, perform and intertextuality. Shows how performers blend genres, e.g., telling stories about riddles or legends about magical verses, or constructing sales pitches.
Author: Michael R. Collings Publisher: Wildside Press LLC ISBN: 1434457923 Category : Literary Criticism Languages : en Pages : 312
Book Description
This collection of 25 essays of literary criticism includes pieces on British poet John Milton, British fantasy writer C. S. Lewis, American horror writer Stephen King, American SF and fantasy writer Orson Scott Card, British horror writer Clive Barker, and several others. Complete with bibliography and index.
Author: Franco Moretti Publisher: Princeton University Press ISBN: 0691243743 Category : Literary Criticism Languages : en Pages : 1320
Book Description
Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where modernity itself is unimaginable without the genre. By viewing the novel as much more than an aesthetic form, this landmark collection demonstrates how the genre has transformed human emotions and behavior, and the very perception of reality. Historical, statistical, and formal analyses show the novel as a complex literary system, in which new forms proliferate in every period and place. Volume 2: Forms and Themes, views the novel primarily from the inside, examining its many formal arrangements and recurrent thematic manifestations, and looking at the plurality of the genre and its lineages. These books will be essential reading for all students and scholars of literature.
Author: Jonas Rosenbrück Publisher: State University of New York Press ISBN: 1438499728 Category : Literary Criticism Languages : en Pages : 359
Book Description
The sense of smell has long been the most neglected of the human senses in literature. Common Scents sets out to undo this forgetting of olfactory sense-making by tracing the appearance of odors in modern German and French poetry. Jonas Rosenbrück argues that smell's persistence undermines modernity's self-image as an ocular age and shows how scents index a veritable "revolution of the senses." Such a revolution, as a redistribution of the senses, would make the common and shared character of our existence in scented atmospheres perceptible. Bringing contemporary ecocritical interest in atmospheres, air, and the senses into dialogue with literary criticism, theories of modernity, and political philosophy, Common Scents provides novel interpretations of figures such as Friedrich Hölderlin, Charles Baudelaire, Friedrich Nietzsche, and Bertolt Brecht. These readings demonstrate how all terrestrial life is interlinked in the aerial commons that escapes the privatizing grasp of what Karl Marx called the "sense of having." Reformulating Bruno Latour, Rosenbrück argues that we have never been deodorized. In attending to this fact, Common Scents reconfigures subjectivity, corporeality, and politics.
Author: John Briggs Publisher: Wipf and Stock Publishers ISBN: 1725261626 Category : Poetry Languages : en Pages : 88
Book Description
Contrary to Plato’s teaching, we need poets, not this Quarrel of Philosopher Kings arguing over who owns what. It was God’s poetic speech, the “Let there be. . .” that created, from nothing, the very world philosopher kings fuss over. It was the poetic speech of Jesus that fed the masses with a couple of fish and a bit of bread. It was his poetry in the beatitudes and parables that opened our eyes to the fat world. And it was his death on the cross that opened a way between our transactional, skinny world and his transformational, fat one. The poems in this book chronicle one man’s journey between these worlds. This journey is not the easy, transactional one prose natters on about (“Just say and do this or that and you will be saved”). This journey requires us to let go of the landmarks that guided us through the skinny world and to have the faith to embrace the fat one. The trip is dangerous, frightening, and requires the poet in us to rise and cry, “I, too, create!” But this journey is also crucial to becoming fully human and, thereby, the Friends of God rather than just his followers.
Author: Guido Mazzoni Publisher: Harvard University Press ISBN: 0674974034 Category : Literary Criticism Languages : en Pages : 403
Book Description
The novel is the most important form of Western art. It aims to represent the totality of life; it is the flagship that literature sends out against the systematic thought of science and philosophy. Indebted to Lukács and Bakhtin, to Auerbach and Ian Watt, Guido Mazzoni’s Theory of the Novel breaks new ground, building a historical understanding of how the novel became the modern book of life: one of the best representations of our experience of the world. The genre arose during a long metamorphosis of narrative forms that took place between 1550 and 1800. By the nineteenth century it had come to encompass a corpus of texts distinguished by their freedom from traditional formal boundaries and by the particularity of their narratives. Mazzoni explains that modern novels consist of stories told in any way whatsoever, by narrators who exist—like us—as contingent beings within time and space. They therefore present an interpretation, not a copy, of the world. Novels grant new importance to the stories of ordinary men and women and allow readers to step into other lives and other versions of truth. As Theory of the Novel makes clear, this art form narrates an epoch and a society in which individual experiences do not converge but proliferate, in which the common world has fragmented into a plurality of small, local worlds, each absolute in its particularity.
Author: Na'ama Rokem Publisher: Northwestern University Press ISBN: 0810166399 Category : Literary Criticism Languages : en Pages : 244
Book Description
In her penetrating new study, Na’ama Rokem observes that prose writing—more than poetry, drama, or other genres—came to signify a historic rift that resulted in loss and disenchantment. In Prosaic Conditions, Rokem treats prose as a signifying practice—that is, a practice that creates meaning. During the nineteenth and twentieth centuries, prose emerges in competition with other existing practices, specifically, the practice of performance. Using Zionist literature as a test case, Rokem examines the ways in which Zionist authors put prose to use, both as a concept and as a literary mode. Writing prose enables these authors to grapple with historical, political, and spatial transformations and to understand the interrelatedness of all of these changes.
Author: Richard A. Lanham Publisher: Paul Dry Books ISBN: 1589882555 Category : Language Arts & Disciplines Languages : en Pages : 222
Book Description
“A necessary manual for those interested in the perpetuation, and the possibilities, of good English prose.”—Harper’s Magazine “[Lanham’s] style is notable for its audacity, liveliness, and grace.”—The Times Literary Supplement “The most applicably provocative book on the subject of prose style available. Imperative reading for all teachers and students of writing.”—Choice This humorous and accessible classic on style calls for the return of wordplay and delight to writing instruction. Richard Lanham argues that many tomes on writing, with their trio of platitudes—clarity, plainness, sincerity—lie “upon the spirit like wet cardboard.” "People seldom write to be clear. They have designs on their fellow men. Pure prose is as rare as pure virtue, and for the same reasons…The Books [Lanham’s term for misguided composition textbooks], written for a man and world yet unfallen, depict a ludicrous process like this: 'I have an idea. I want to present this gift to my fellow man. I fix this thought clearly in mind. I follow the rules. Out comes a prose that gift-wraps thought in transparent paper.' If this sounds like a travesty, it’s because it is one. Yet it dominates prose instruction in America."—from Chapter 1
Author: Publisher: BRILL ISBN: 9004682198 Category : Literary Criticism Languages : en Pages : 351
Book Description
Georg Brandes (1842-1927) was one of the leading literary critics in Europe of his time. His Main Currents of Nineteenth Century Literature (1872-1890) was a foundational text to the field of comparative literature and extolled by Thomas Mann as the “Bible of the young intellectual Europe at the turn of the century.” Georg Brandes eventually developed into a truly global public intellectual, living by his pen and public lectures. On the eve of World War I, he was one of the most sought-after commentators, vigorously opposing all conflicting factions. This book seeks to understand Brandes’ trajectory, to evaluate Brandes’ significance for current discussions of literary criticism and public engagement, and to introduce Brandes to an international audience. It consists of 15 original chapters commissioned from experts in the field.
Author: Richard Bauman
Author: Richard Bauman
Author: Michael R. Collings
Author: Franco Moretti
Author: Jonas Rosenbrück
Author: John Briggs
Author: Guido Mazzoni
Author: Na'ama Rokem
Author: Ben Agger
Author: Richard A. Lanham
Author: