Author: James Hogg
Publisher: e-artnow
ISBN:
Category : Fiction
Languages : en
Pages : 639
Book Description
This historical novel is set in the Scottish Borders during the reign of Robert II, King of Scots (1371-1390). The story features the English Sir Philip Musgrave who captures Roxburgh castle and is committed to hold it for a specified period to satisfy his mistress Lady Jane Howard. James, Earl of Douglas, takes up a challenge by Robert's daughter Princess Margaret to recapture it within the same period. Sir Walter Scott of Rankleburn assists Douglas indirectly by harassing the English supply chain, to his own advantage. On the other hand, both Jane and Margaret assume male disguise in order to keep an eye on their respective lovers...
The Three Perils of Man: War, Women, and Witchcraft (Vol.1-3)
Author: James Hogg
Publisher: e-artnow
ISBN:
Category : Fiction
Languages : en
Pages : 639
Book Description
This historical novel is set in the Scottish Borders during the reign of Robert II, King of Scots (1371-1390). The story features the English Sir Philip Musgrave who captures Roxburgh castle and is committed to hold it for a specified period to satisfy his mistress Lady Jane Howard. James, Earl of Douglas, takes up a challenge by Robert's daughter Princess Margaret to recapture it within the same period. Sir Walter Scott of Rankleburn assists Douglas indirectly by harassing the English supply chain, to his own advantage. On the other hand, both Jane and Margaret assume male disguise in order to keep an eye on their respective lovers...
Publisher: e-artnow
ISBN:
Category : Fiction
Languages : en
Pages : 639
Book Description
This historical novel is set in the Scottish Borders during the reign of Robert II, King of Scots (1371-1390). The story features the English Sir Philip Musgrave who captures Roxburgh castle and is committed to hold it for a specified period to satisfy his mistress Lady Jane Howard. James, Earl of Douglas, takes up a challenge by Robert's daughter Princess Margaret to recapture it within the same period. Sir Walter Scott of Rankleburn assists Douglas indirectly by harassing the English supply chain, to his own advantage. On the other hand, both Jane and Margaret assume male disguise in order to keep an eye on their respective lovers...
Publishers' circular and booksellers' record
Tao: The Three Treasures, Vol 1
Author: Osho
Publisher: Fivestar
ISBN:
Category : Religion
Languages : en
Pages : 156
Book Description
Talks on Fragments from Lao Tzu’s Tao Te Ching . Originally the ”Three Treasures” series was published as two volumes, later republished as four volumes.
Publisher: Fivestar
ISBN:
Category : Religion
Languages : en
Pages : 156
Book Description
Talks on Fragments from Lao Tzu’s Tao Te Ching . Originally the ”Three Treasures” series was published as two volumes, later republished as four volumes.
Shakespeare Lexicon and Quotation Dictionary, Vol. 1
Author: Alexander Schmidt
Publisher: Courier Corporation
ISBN: 0486130754
Category : Literary Collections
Languages : en
Pages : 769
Book Description
Volume 1 of massive work by a leading Shakespeare scholar and lexicographer, a standard in the field, provides full definitions, locations, and shades of meaning in every word in Shakespeare's plays and poems.
Publisher: Courier Corporation
ISBN: 0486130754
Category : Literary Collections
Languages : en
Pages : 769
Book Description
Volume 1 of massive work by a leading Shakespeare scholar and lexicographer, a standard in the field, provides full definitions, locations, and shades of meaning in every word in Shakespeare's plays and poems.
The Mind Has No Sex?
Author: Londa Schiebinger
Publisher: Harvard University Press
ISBN: 067425600X
Category : Science
Languages : en
Pages : 372
Book Description
As part of his attempt to secure a place for women in scientific culture, the Cartesian François Poullain de la Barre asserted as long ago as 1673 that “the mind has no sex.” In this rich and comprehensive history of women’s contributions to the development of early modern science, Londa Schiebinger examines the shifting fortunes of male and female equality in the sphere of the intellect. Schiebinger counters the “great women” mode of history and calls attention to broader developments in scientific culture that have been obscured by time and changing circumstance. She also elucidates a larger issue: how gender structures knowledge and power. It is often assumed that women were automatically excluded from participation in the scientific revolution of early modern Europe, but in fact powerful trends encouraged their involvement. Aristocratic women participated in the learned discourse of the Renaissance court and dominated the informal salons that proliferated in seventeenth-century Paris. In Germany, women of the artisan class pursued research in fields such as astronomy and entomology. These and other women fought to renegotiate gender boundaries within the newly established scientific academies in order to secure their place among the men of science. But for women the promises of the Enlightenment were not to be fulfilled. Scientific and social upheavals not only left women on the sidelines but also brought about what the author calls the “scientific revolution in views of sexual difference.” While many aspects of the scientific revolution are well understood, what has not generally been recognized is that revolution came also from another quarter—the scientific understanding of biological sex and sexual temperament (what we today call gender). Illustrations of female skeletons of the ideal woman—with small skulls and large pelvises—portrayed female nature as a virtue in the private realm of hearth and home, but as a handicap in the world of science. At the same time, seventeenth- and eighteenth-century women witnessed the erosion of their own spheres of influence. Midwifery and medical cookery were gradually subsumed into the newly profess ionalized medical sciences. Scientia, the ancient female personification of science, lost ground to a newer image of the male researcher, efficient and solitary—a development that reflected a deeper intellectual shift. By the late eighteenth century, a self-reinforcing system had emerged that rendered invisible the inequalities women suffered. In reexamining the origins of modern science, Schiebinger unearths a forgotten heritage of women scientists and probes the cultural and historical forces that continue to shape the course of scientific scholarship and knowledge.
Publisher: Harvard University Press
ISBN: 067425600X
Category : Science
Languages : en
Pages : 372
Book Description
As part of his attempt to secure a place for women in scientific culture, the Cartesian François Poullain de la Barre asserted as long ago as 1673 that “the mind has no sex.” In this rich and comprehensive history of women’s contributions to the development of early modern science, Londa Schiebinger examines the shifting fortunes of male and female equality in the sphere of the intellect. Schiebinger counters the “great women” mode of history and calls attention to broader developments in scientific culture that have been obscured by time and changing circumstance. She also elucidates a larger issue: how gender structures knowledge and power. It is often assumed that women were automatically excluded from participation in the scientific revolution of early modern Europe, but in fact powerful trends encouraged their involvement. Aristocratic women participated in the learned discourse of the Renaissance court and dominated the informal salons that proliferated in seventeenth-century Paris. In Germany, women of the artisan class pursued research in fields such as astronomy and entomology. These and other women fought to renegotiate gender boundaries within the newly established scientific academies in order to secure their place among the men of science. But for women the promises of the Enlightenment were not to be fulfilled. Scientific and social upheavals not only left women on the sidelines but also brought about what the author calls the “scientific revolution in views of sexual difference.” While many aspects of the scientific revolution are well understood, what has not generally been recognized is that revolution came also from another quarter—the scientific understanding of biological sex and sexual temperament (what we today call gender). Illustrations of female skeletons of the ideal woman—with small skulls and large pelvises—portrayed female nature as a virtue in the private realm of hearth and home, but as a handicap in the world of science. At the same time, seventeenth- and eighteenth-century women witnessed the erosion of their own spheres of influence. Midwifery and medical cookery were gradually subsumed into the newly profess ionalized medical sciences. Scientia, the ancient female personification of science, lost ground to a newer image of the male researcher, efficient and solitary—a development that reflected a deeper intellectual shift. By the late eighteenth century, a self-reinforcing system had emerged that rendered invisible the inequalities women suffered. In reexamining the origins of modern science, Schiebinger unearths a forgotten heritage of women scientists and probes the cultural and historical forces that continue to shape the course of scientific scholarship and knowledge.
The Publishers' Circular and General Record of British and Foreign Literature
Publishers' Circular and General Record of British and Foreign Literature, and Booksellers' Record
Women Medievalists and the Academy, Volume 1
Author: Jane Chance
Publisher: Wipf and Stock Publishers
ISBN: 166675451X
Category : History
Languages : en
Pages : 598
Book Description
Long overlooked in standard reference works, pioneering women medievalists finally receive their due in Women Medievalists and the Academy. This comprehensive edited volume brings to life a diverse collection of inspiring figures through memoirs, biographical essays, and interviews. Covering many different nationalities and academic disciplines—including literature, philology, history, archaeology, art history, theology or religious studies, and philosophy—each essay delves into one woman’s life, intellectual contributions, and efforts to succeed in a male-dominated field. Together, these extraordinary personal histories constitute a new standard reference that speaks to a growing interest in women’s roles in the development of scholarship and the academy. The collection begins in the eighteenth century with Elizabeth Elstob and continues to the present, and includes—among more than seventy profiles—such important figures as Anna Jameson, Lina Eckenstein, Georgiana Goddard King, Eileen Power, Dorothy L. Sayers, Dorothy Whitelock, Susan Mosher Stuard, Marcia Colish, and Caroline Walker Bynum, among others.
Publisher: Wipf and Stock Publishers
ISBN: 166675451X
Category : History
Languages : en
Pages : 598
Book Description
Long overlooked in standard reference works, pioneering women medievalists finally receive their due in Women Medievalists and the Academy. This comprehensive edited volume brings to life a diverse collection of inspiring figures through memoirs, biographical essays, and interviews. Covering many different nationalities and academic disciplines—including literature, philology, history, archaeology, art history, theology or religious studies, and philosophy—each essay delves into one woman’s life, intellectual contributions, and efforts to succeed in a male-dominated field. Together, these extraordinary personal histories constitute a new standard reference that speaks to a growing interest in women’s roles in the development of scholarship and the academy. The collection begins in the eighteenth century with Elizabeth Elstob and continues to the present, and includes—among more than seventy profiles—such important figures as Anna Jameson, Lina Eckenstein, Georgiana Goddard King, Eileen Power, Dorothy L. Sayers, Dorothy Whitelock, Susan Mosher Stuard, Marcia Colish, and Caroline Walker Bynum, among others.
The Monument of Matrones Volume 1 (Lamps 1–3)
Author: Colin B. Atkinson
Publisher: Routledge
ISBN: 1351885626
Category : Literary Criticism
Languages : en
Pages : 492
Book Description
As its compiler Thomas Bentley writes, The Monument of Matrones (1582) is a 'domesticall librarie plentifullie stored and replenished'. This 1500-page book is one of a long line of books of secular prayer reaching from the Middle Ages through the sixteenth-century English compilations of prayer and meditations that grew out of the English Reformation. It is unique because it is addressed specifically to women and contains prayers and meditations written by women as well as for them. The Monument helped define women's roles in the Anglican Church and is intertwined with the whole nature of the Protestant Reformation and the place of women in it. The work is divided into seven numbered parts which Bentley titles 'Lamps'. This structural theme is based on a fusion of the imagery of the wise and foolish virgins and their lamps in Matthew 25:1-13 with the vision of the seven lampstands (or seven-branched candlestick) in Rev.1:20-2:1. In this facsimile edition Volume 1 contains Lamps 1-3, Volume 2 contains Lamp 4, and Volume 3 contains Lamps 5-7. The Introductory Note that appears in each of the three volumes provides an overview of the contents of The Monument which will help the reader to appreciate the riches of this immense book. It is also significant in identifying, for the first time, the compiler Thomas Bentley as the churchwarden of St Andrew Holborn, City of London. The copy reproduced in this edition is the British Library copy; where necessary, pages from The Huntington Library copy have been substituted.
Publisher: Routledge
ISBN: 1351885626
Category : Literary Criticism
Languages : en
Pages : 492
Book Description
As its compiler Thomas Bentley writes, The Monument of Matrones (1582) is a 'domesticall librarie plentifullie stored and replenished'. This 1500-page book is one of a long line of books of secular prayer reaching from the Middle Ages through the sixteenth-century English compilations of prayer and meditations that grew out of the English Reformation. It is unique because it is addressed specifically to women and contains prayers and meditations written by women as well as for them. The Monument helped define women's roles in the Anglican Church and is intertwined with the whole nature of the Protestant Reformation and the place of women in it. The work is divided into seven numbered parts which Bentley titles 'Lamps'. This structural theme is based on a fusion of the imagery of the wise and foolish virgins and their lamps in Matthew 25:1-13 with the vision of the seven lampstands (or seven-branched candlestick) in Rev.1:20-2:1. In this facsimile edition Volume 1 contains Lamps 1-3, Volume 2 contains Lamp 4, and Volume 3 contains Lamps 5-7. The Introductory Note that appears in each of the three volumes provides an overview of the contents of The Monument which will help the reader to appreciate the riches of this immense book. It is also significant in identifying, for the first time, the compiler Thomas Bentley as the churchwarden of St Andrew Holborn, City of London. The copy reproduced in this edition is the British Library copy; where necessary, pages from The Huntington Library copy have been substituted.
Impressionist and Post-impressionist Paintings in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870993178
Category : Impressionism (Art)
Languages : en
Pages : 256
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870993178
Category : Impressionism (Art)
Languages : en
Pages : 256
Book Description