Author: Edward Ledger
Publisher:
ISBN:
Category : Actors, English
Languages : en
Pages : 234
Book Description
The Era Almanack, Dramatic & Musical
Author: Edward Ledger
Publisher:
ISBN:
Category : Actors, English
Languages : en
Pages : 234
Book Description
Publisher:
ISBN:
Category : Actors, English
Languages : en
Pages : 234
Book Description
The Era Almanack
The Play Pictorial
The Era Annual
The Music of Hamish Maccunn
Author: Alasdair Jamieson
Publisher: Author House
ISBN: 1477235051
Category : Music
Languages : en
Pages : 477
Book Description
For many people, Hamish MacCunns name is forever associated with one work The Land of the Mountain and the Flood. Yet, in his short life (1868 1916) he wrote other equally fi ne orchestral works, cantatas, two grand operas and over 100 songs. This book is the fi rst detailed examination of his output, providing a contextual basis for, and a stylistic analysis of his major works. In this way it seeks to establish informed criteria by which a truer assessment of MacCunns signifi cance may be made, challenging the sovereignty of The Land of the Mountain and the Flood in the publics reckoning, and hence revealing it to be not an isolated peak but one summit among many.
Publisher: Author House
ISBN: 1477235051
Category : Music
Languages : en
Pages : 477
Book Description
For many people, Hamish MacCunns name is forever associated with one work The Land of the Mountain and the Flood. Yet, in his short life (1868 1916) he wrote other equally fi ne orchestral works, cantatas, two grand operas and over 100 songs. This book is the fi rst detailed examination of his output, providing a contextual basis for, and a stylistic analysis of his major works. In this way it seeks to establish informed criteria by which a truer assessment of MacCunns signifi cance may be made, challenging the sovereignty of The Land of the Mountain and the Flood in the publics reckoning, and hence revealing it to be not an isolated peak but one summit among many.
Early Broadway Sheet Music
Author: Donald J. Stubblebine
Publisher: McFarland
ISBN: 1476605602
Category : Music
Languages : en
Pages : 417
Book Description
This work, a companion to the author's Broadway Sheet Music: A Comprehensive Listing of Published Music from Broadway and Other Stage Shows, 1918 through 1993 (McFarland 1996), provides information about all sheet music published (1843-1918) from all Broadway productions--plus music from local shows, minstrel shows, night club acts, vaudeville acts, touring companies, and shows on the road that never made it to Broadway--and all the major musicals from Chicago.
Publisher: McFarland
ISBN: 1476605602
Category : Music
Languages : en
Pages : 417
Book Description
This work, a companion to the author's Broadway Sheet Music: A Comprehensive Listing of Published Music from Broadway and Other Stage Shows, 1918 through 1993 (McFarland 1996), provides information about all sheet music published (1843-1918) from all Broadway productions--plus music from local shows, minstrel shows, night club acts, vaudeville acts, touring companies, and shows on the road that never made it to Broadway--and all the major musicals from Chicago.
THE INDIAN RADIO TIMES
Author: All India Radio (AIR), New Delhi
Publisher: PRASAR BHARATI CENTRAL ARCHIVES
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 86
Book Description
THE INDIAN RADIO TIMES was the first programme journal of ALL INDIA RADIO, formerly known as The Indian State Broadcasting Service, Bombay, it was started publishing from 16 July, 1927. Later, it has been renamed to The Indian Listener w.e.f. 22 December, 1935. It used to serve the listener as a Bradshaw of broadcasting, and used to give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information about major changes in the policy and service of the organisation. NAME OF THE JOURNAL: THE INDIAN RADIO TIMES LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 22-11-1935 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 86 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 1689,1705,1721 VOLUME NUMBER: Vol. IX, No. 23 ARTICLE: Education And Entertainment in Broadacasting Document ID: IRT-1934-35(J-D)-VOL-I -23
Publisher: PRASAR BHARATI CENTRAL ARCHIVES
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 86
Book Description
THE INDIAN RADIO TIMES was the first programme journal of ALL INDIA RADIO, formerly known as The Indian State Broadcasting Service, Bombay, it was started publishing from 16 July, 1927. Later, it has been renamed to The Indian Listener w.e.f. 22 December, 1935. It used to serve the listener as a Bradshaw of broadcasting, and used to give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information about major changes in the policy and service of the organisation. NAME OF THE JOURNAL: THE INDIAN RADIO TIMES LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 22-11-1935 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 86 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 1689,1705,1721 VOLUME NUMBER: Vol. IX, No. 23 ARTICLE: Education And Entertainment in Broadacasting Document ID: IRT-1934-35(J-D)-VOL-I -23
The London Stage 1900-1909
Author: J. P. Wearing
Publisher: Scarecrow Press
ISBN: 0810892944
Category : Performing Arts
Languages : en
Pages : 731
Book Description
For centuries, London theatre has celebrated a rich and influential history, and in 1976, the first volume of J. P. Wearing’s reference series provided scholars and other researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The London Stage 1900-1909 A Calendar of Productions, Performers, and Personnel, Second Edition provides a chronological calendar of London shows from January 1900 through December 1909. The volume chronicles more than 3,000 productions at 35 selected, major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and references to reviews. A comment section includes other interesting information, such as a plot description, the first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Candida, His House in Order, The Only Way, The Playboy of the Western World, Raffles (The Amateur Cracksman), and The Scarlet Pimpernel, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original, well-received calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are indexed fully by title, genre, and theatre. A general index also includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, ticket prices, or other relevant subjects. An authoritative reference providing essential details, this work will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Publisher: Scarecrow Press
ISBN: 0810892944
Category : Performing Arts
Languages : en
Pages : 731
Book Description
For centuries, London theatre has celebrated a rich and influential history, and in 1976, the first volume of J. P. Wearing’s reference series provided scholars and other researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The London Stage 1900-1909 A Calendar of Productions, Performers, and Personnel, Second Edition provides a chronological calendar of London shows from January 1900 through December 1909. The volume chronicles more than 3,000 productions at 35 selected, major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and references to reviews. A comment section includes other interesting information, such as a plot description, the first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Candida, His House in Order, The Only Way, The Playboy of the Western World, Raffles (The Amateur Cracksman), and The Scarlet Pimpernel, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original, well-received calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are indexed fully by title, genre, and theatre. A general index also includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, ticket prices, or other relevant subjects. An authoritative reference providing essential details, this work will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
The London Stage 1930-1939
Author: J. P. Wearing
Publisher: Rowman & Littlefield
ISBN: 0810893045
Category : Performing Arts
Languages : en
Pages : 1133
Book Description
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Publisher: Rowman & Littlefield
ISBN: 0810893045
Category : Performing Arts
Languages : en
Pages : 1133
Book Description
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.