A View of Early Typography PDF Download

Author: Harry Carter
Publisher:
ISBN:
Category : Caractères d'imprimerie - Histoire
Languages : en
Pages : 137

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Book Description

Author: Harry Carter
Publisher:
ISBN:
Category :
Languages : en
Pages : 137

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Book Description

Author: Berthold Wolpe
Publisher:
ISBN:
Category :
Languages : de
Pages : 4

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Book Description

Author: Harry Carter
Publisher: Oxford : Clarendon P.
ISBN:
Category : Design
Languages : en
Pages : 206

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Book Description

Author: Harry Carter
Publisher: Hyphen Press
ISBN:
Category : Architecture
Languages : en
Pages : 224

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Book Description
This book examines the production and use of type in Europe from c1450-1600. Topics covered include the technicalities of the production of type, the diversity of letterforms (blackletter, roman, italic, and more), the tensions between Latin and the vernacular languages, and the establishment of standards and norms in type design.

Author: Sir Irvine Masson
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 5

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Book Description

Author: Harry Graham Carter
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 137

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Book Description

Author: Rachel Stenner
Publisher: Taylor & Francis
ISBN: 1317012879
Category : Literary Criticism
Languages : en
Pages : 207

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Book Description
The typographic imaginary is an aesthetic linking authors from William Caxton to Alexander Pope, this study centrally contends. Early modern English literature engages imaginatively with printing and this book both characterizes that engagement and proposes the typographic imaginary as a framework for its analysis. Certain texts, Rachel Stenner states, describe the people, places, concerns, and processes of printing in ways that, over time, generate their own figurative authority. The typographic imaginary is posited as a literary phenomenon shared by different writers, a wider cultural understanding of printing, and a critical concept for unpicking the particular imaginative otherness that printing introduced to literature. Authors use the typographic imaginary to interrogate their place in an evolving media environment, to assess the value of the printed text, and to analyse the roles of other text-producing agents. This book treats a broad array of authors and forms: printers’ manuals; William Caxton’s paratexts; the pamphlet dialogues of Robert Copland and Ned Ward; poetic miscellanies; the prose fictions of William Baldwin, George Gascoigne, and Thomas Nashe; the poetry and prose of Edmund Spenser; writings by John Taylor and Alexander Pope. At its broadest, this study contributes to an understanding of how technology changes cultures. Located at the crossroads between literary, material, and book historical research, the particular intervention that this work makes is threefold. In describing the typographic imaginary, it proposes a new framework for analysis of print culture. It aims to focus critical engagement on symbolic representations of material forms. Finally, it describes a lineage of late medieval and early modern authors, stretching from the mid-fifteenth to the mid-eighteenth centuries, that are linked by their engagement of a particular aesthetic.

Author: William Skeen
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 442

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Book Description

Author: Jane Desborough
Publisher: Springer
ISBN: 3030153533
Category : Science
Languages : en
Pages : 292

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Book Description
This book provides a reinterpretation of early modern clock and watch dials on the basis of use. Between 1550 and the emergence of a standard format in 1770, dials represented combinations of calendrical, lunar and astronomical information using multiple concentric rings, subsidiary dials and apertures. Change was gradual, but significant. Over the course of eight chapters and with reference to thirty-five exceptional images, this book unlocks the meaning embedded within these early combinations. The true significance of dial change can only be fully understood by comparing dials with printed paper sources such as almanacs, diagrams and craft pamphlets. Clock and watch makers drew on traditional communication methods, utilised different formats to generate trust in their work, and tried to be help users in different contexts. The calendar, lunar and astronomical functions were useful as a memory prompt for astrology up until the mid-late seventeenth century. After the decline of this practice, the three functions continued to be useful for other purposes, but eventually declined.