Author: John Fisher Sewell
Publisher:
ISBN:
Category : Plettenberg Bay (South Africa)
Languages : en
Pages : 246
Book Description
A Victorian Pepys at Plettenberg Bay 1875-1897
Author: John Fisher Sewell
Publisher:
ISBN:
Category : Plettenberg Bay (South Africa)
Languages : en
Pages : 246
Book Description
Publisher:
ISBN:
Category : Plettenberg Bay (South Africa)
Languages : en
Pages : 246
Book Description
Everyone’s Theater
Author: Michael Meeuwis
Publisher: University of Michigan Press
ISBN: 0472125796
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
Nearly all residents of England and its colonies between 1860 and 1914 were active theatergoers, and many participated in the amateur theatricals that defined late Victorian life. The Victorian theater was not an abstract figuration of the world as a stage, but a media system enmeshed in mass lived experience that fulfilled in actuality the concept of a theatergoing nation. Everyone’s Theater turns to local history, the words of everyday Victorians found in their diaries and production records, to recover this lost chapter of theater history in which amateur drama domesticates the stage. Professional actors and playwrights struggled to make their productions compatible with ideas and techniques that could be safely reproduced in the home—and in amateur performances from Canada to India. This became the first true English national theater: a society whose myriad classes found common ground in theatrical display. Everyone’s Theater provides new ways to extend Victorian literature into the dimension of voice, sound, and embodiment, and to appreciate the pleasures of Victorian theatricality.
Publisher: University of Michigan Press
ISBN: 0472125796
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
Nearly all residents of England and its colonies between 1860 and 1914 were active theatergoers, and many participated in the amateur theatricals that defined late Victorian life. The Victorian theater was not an abstract figuration of the world as a stage, but a media system enmeshed in mass lived experience that fulfilled in actuality the concept of a theatergoing nation. Everyone’s Theater turns to local history, the words of everyday Victorians found in their diaries and production records, to recover this lost chapter of theater history in which amateur drama domesticates the stage. Professional actors and playwrights struggled to make their productions compatible with ideas and techniques that could be safely reproduced in the home—and in amateur performances from Canada to India. This became the first true English national theater: a society whose myriad classes found common ground in theatrical display. Everyone’s Theater provides new ways to extend Victorian literature into the dimension of voice, sound, and embodiment, and to appreciate the pleasures of Victorian theatricality.
The Journal of Commonwealth Literature
Author:
Publisher:
ISBN:
Category : Commonwealth literature (English)
Languages : en
Pages : 568
Book Description
One number each year includes Annual bibliography of Commonwealth literature.
Publisher:
ISBN:
Category : Commonwealth literature (English)
Languages : en
Pages : 568
Book Description
One number each year includes Annual bibliography of Commonwealth literature.
American Book Publishing Record
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1714
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1714
Book Description
Kaapse bibliotekaris
Author:
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 354
Book Description
Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 354
Book Description
Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-
Bengal, Past & Present
The Freer Family
Pastoral Care
Author: Pope Gregory I
Publisher: e-artnow
ISBN:
Category : Religion
Languages : en
Pages : 198
Book Description
Pastoral Care, or The Book of the Pastoral Rule, is a treatise on the responsibilities of the clergy written by Pope Gregory I in which he contrasted the role of bishops as pastors of their flock with their position as nobles of the church: the definitive statement of the nature of the episcopal office. Gregory enjoined parish priests to possess strict personal, intellectual and moral standards which were considered, in certain quarters, to be unrealistic and beyond ordinary capacities. The influence of the book, however, was vast and became one of the most influential works on the topic ever written. It was translated and distributed to every bishop within the Byzantine Empire.
Publisher: e-artnow
ISBN:
Category : Religion
Languages : en
Pages : 198
Book Description
Pastoral Care, or The Book of the Pastoral Rule, is a treatise on the responsibilities of the clergy written by Pope Gregory I in which he contrasted the role of bishops as pastors of their flock with their position as nobles of the church: the definitive statement of the nature of the episcopal office. Gregory enjoined parish priests to possess strict personal, intellectual and moral standards which were considered, in certain quarters, to be unrealistic and beyond ordinary capacities. The influence of the book, however, was vast and became one of the most influential works on the topic ever written. It was translated and distributed to every bishop within the Byzantine Empire.
Ernest Cole: House of Bondage
Author:
Publisher: Aperture
ISBN: 9781597115339
Category : Photography
Languages : en
Pages : 0
Book Description
One of the frankest books ever done on South Africa. -Robert Cromie, Chicago Tribune First published in the US in 1967 and in Britain in 1968, House of Bondage presented images from South Africa that shocked the world. The young African photographer Ernest Cole had left his country at 26 to find an audience for his stunning exposure of the system of racial dominance known as apartheid. In 185 photographs, Cole's book showed from the vantage point of the oppressed how the system closely regulated and controlled the lives of the black majority. He saw every aspect of this oppression with a searching eye and a passionate heart. House of Bondage is a milestone in the history of documentary photography, even though it was immediately banned in South Africa. In a Chicago Tribune review, Robert Cromie described it as "one of the frankest books ever done on South Africa--with photographs by a native of that country who would be most unwise to attempt to return for some years." Cole died in exile in 1990 as the regime was collapsing, never knowing when his portrait of his homeland would finally find its way home. Not until the Apartheid Museum in Johannesburg mounted enlarged pages of the book on its walls in 2001 were his people able to view these pictures, which are as powerful and provocative today as they were 50 years ago. Ernest Cole was born near Pretoria, South Africa, in 1940. Leaving school at 17 to become a photographer, he secured staff jobs and freelance assignments for newspapers and magazines for black people--honing his skills with a correspondence course from the New York Institute of Photography. Inspired by Henri Cartier-Bresson's book The People of Moscow, in 1960 Cole embarked on a project to document the lives of his people, which resulted in House of Bondage.
Publisher: Aperture
ISBN: 9781597115339
Category : Photography
Languages : en
Pages : 0
Book Description
One of the frankest books ever done on South Africa. -Robert Cromie, Chicago Tribune First published in the US in 1967 and in Britain in 1968, House of Bondage presented images from South Africa that shocked the world. The young African photographer Ernest Cole had left his country at 26 to find an audience for his stunning exposure of the system of racial dominance known as apartheid. In 185 photographs, Cole's book showed from the vantage point of the oppressed how the system closely regulated and controlled the lives of the black majority. He saw every aspect of this oppression with a searching eye and a passionate heart. House of Bondage is a milestone in the history of documentary photography, even though it was immediately banned in South Africa. In a Chicago Tribune review, Robert Cromie described it as "one of the frankest books ever done on South Africa--with photographs by a native of that country who would be most unwise to attempt to return for some years." Cole died in exile in 1990 as the regime was collapsing, never knowing when his portrait of his homeland would finally find its way home. Not until the Apartheid Museum in Johannesburg mounted enlarged pages of the book on its walls in 2001 were his people able to view these pictures, which are as powerful and provocative today as they were 50 years ago. Ernest Cole was born near Pretoria, South Africa, in 1940. Leaving school at 17 to become a photographer, he secured staff jobs and freelance assignments for newspapers and magazines for black people--honing his skills with a correspondence course from the New York Institute of Photography. Inspired by Henri Cartier-Bresson's book The People of Moscow, in 1960 Cole embarked on a project to document the lives of his people, which resulted in House of Bondage.
Southern Cross
Author: Reinhard Zimmermann
Publisher: Oxford University Press
ISBN: 9780198260875
Category : History
Languages : en
Pages : 1218
Book Description
This book provides a history of some of the main institutions of South African private law and in so doing explores the process through which integration of the English common law and the continental civil law came about in that jurisdiction. Here is a book aimed at both European and South African audiences. For European lawyers it provides a stimulating insight into the way the process of harmonization of private law has occurred in South Africa and may occur within the European Union. By analysing the historical evolution of the most important institutions of the law of obligations and the law of property the book demonstrates how the two legal traditions have been accommodated within one system. The starting point for each essay is the "pure" Roman-Dutch law as it was transplanted to the Cape of Good Hope in the years following 1652 (and as it has been examined in considerable detail in another volume edited by Robert Feenstra and Reinhard Zimmerman, published in 1992). The analysis focuses on how the Roman-Dutch law has been preserved, changed, modified or replaced in the course of the nineteenth century when the Cape became a British colony; and on what happened after the creation of the union of South Africa in 1910. Each essay therefore attempts, in the field of law with which it is dealing, to answer questions such as: what was the level of interaction between the civil law and the common law? What were the mechanisms that brought about the particular form of competition, coexistence or fusion that exists in that area of law? Is the process complete or is it still continuing? Is it possible to observe the emergence, from these two routes, of a genuinely South African private law? How is the result to be evaluated? In establishing reception patterns at the level of specific areas of law, they go beyond generalization about the compatibility of the two traditions and present evidence of a possible symbiosis of English and Continental law. For South African readers the principal value of the book is that it offers essays by the most prominent South African private lawyers refelecting on the history of their subjects. It therefore constitutes the first stage in the writing of a history of substantive private law in South Africa. So far the focus has mainly been on the so called "external history" of South African law, and such texts as there are on the development of the institutions of private law are often in Afrikaans and mainly to be found in unpublished theses. Thus this book fulfils a real need for those teaching South African private law and legal history. Although the volume investigates a specific aspect of the making of modern South African law it is imperative not to lose sight of the fact that private law in that country, as every way else did not develop in a vacuum, but as part of a wider political and social prcess. For this reason the book opens with an essay which contextualizes the contributions that follow, giving a view of the "setting" in which the development of South Africa took place: colonial domination, cultural imperialism, and racial and nationalistic ideologies. Two further introductory essays pay specific attention to the impact of the procedural framework on the substantive private law and to the "architects" of the mixed system.
Publisher: Oxford University Press
ISBN: 9780198260875
Category : History
Languages : en
Pages : 1218
Book Description
This book provides a history of some of the main institutions of South African private law and in so doing explores the process through which integration of the English common law and the continental civil law came about in that jurisdiction. Here is a book aimed at both European and South African audiences. For European lawyers it provides a stimulating insight into the way the process of harmonization of private law has occurred in South Africa and may occur within the European Union. By analysing the historical evolution of the most important institutions of the law of obligations and the law of property the book demonstrates how the two legal traditions have been accommodated within one system. The starting point for each essay is the "pure" Roman-Dutch law as it was transplanted to the Cape of Good Hope in the years following 1652 (and as it has been examined in considerable detail in another volume edited by Robert Feenstra and Reinhard Zimmerman, published in 1992). The analysis focuses on how the Roman-Dutch law has been preserved, changed, modified or replaced in the course of the nineteenth century when the Cape became a British colony; and on what happened after the creation of the union of South Africa in 1910. Each essay therefore attempts, in the field of law with which it is dealing, to answer questions such as: what was the level of interaction between the civil law and the common law? What were the mechanisms that brought about the particular form of competition, coexistence or fusion that exists in that area of law? Is the process complete or is it still continuing? Is it possible to observe the emergence, from these two routes, of a genuinely South African private law? How is the result to be evaluated? In establishing reception patterns at the level of specific areas of law, they go beyond generalization about the compatibility of the two traditions and present evidence of a possible symbiosis of English and Continental law. For South African readers the principal value of the book is that it offers essays by the most prominent South African private lawyers refelecting on the history of their subjects. It therefore constitutes the first stage in the writing of a history of substantive private law in South Africa. So far the focus has mainly been on the so called "external history" of South African law, and such texts as there are on the development of the institutions of private law are often in Afrikaans and mainly to be found in unpublished theses. Thus this book fulfils a real need for those teaching South African private law and legal history. Although the volume investigates a specific aspect of the making of modern South African law it is imperative not to lose sight of the fact that private law in that country, as every way else did not develop in a vacuum, but as part of a wider political and social prcess. For this reason the book opens with an essay which contextualizes the contributions that follow, giving a view of the "setting" in which the development of South Africa took place: colonial domination, cultural imperialism, and racial and nationalistic ideologies. Two further introductory essays pay specific attention to the impact of the procedural framework on the substantive private law and to the "architects" of the mixed system.