Author: Yamanaka & CompanyPublisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 158
Book Description
Orientalia
Author: Publisher:
ISBN:
Category : Middle Eastern philology
Languages : en
Pages : 708
Book Description
The Connoisseur
Author: The Athenaeum
Author: Splendid Legacy
Author: Alice Cooney FrelinghuysenPublisher: Metropolitan Museum of Art
ISBN: 0870996649
Category : Art
Languages : en
Pages : 433
Book Description
Issued in conjunction with the exhibition at The Metropolitan Museum of Art of over 450 works of art from the legendary Havemeyer collection, formed at the turn of the century by pioneering American patrons of art Henry O. and Louisine Havemeyer, this lavishly illustrated catalogue combines 800 illustration (176 in color) with the collaborative efforts of 27 authors who examine the various aspects of the collection in summarizing essays and in entries on individual works. In addition, one essay is devoted to the Manhattan residence designed for the Havemeyers by Tiffany and Colman. An exhaustive 90-page chronology offers a perspective on the formation of the collection, outlining the roles of friend and advisor Mary Cassatt and a succession of dealers, and focusing on the history of the family and its business interests. 9.25x12.25" Annotation copyright by Book News, Inc., Portland, OR
The Athenaeum
Author: James Silk BuckinghamPublisher:
ISBN:
Category :
Languages : en
Pages : 924
Book Description
The Antiquarian
Author: The Burlington Magazine for Connoisseurs
Author: An Illustrated Catalogue of an Interesting Collection of Fine & Rare Books, Beautiful Bindings, Manuscripts, Autographs, First Editions, Standard Library Sets, Art Books, Together with a Selection of Miscellaneous Literature at Bargain Prices
Author: Charles James SawyerPublisher:
ISBN:
Category :
Languages : en
Pages : 144
Book Description
Art of Far East
Author: Alfred SalmonyPicturing the Floating World
Author: Julie Nelson DavisPublisher: University of Hawaii Press
ISBN: 0824889339
Category : Art
Languages : en
Pages : 225
Book Description
Today we think of ukiyo-e—“the pictures of the floating world”—as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World, Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, and described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers—both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e’s history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.