A Treatise on the Theory and Practice of Music; with the principles of harmony and composition, etc PDF Download

Author: John SMITH (Composer to the Chapel Royal, Dublin.)
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Andrew Jackson Downing
Publisher:
ISBN:
Category : Landscape gardening
Languages : en
Pages : 668

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Author: Joseph Gehot
Publisher: Forgotten Books
ISBN: 9781391818139
Category : Music
Languages : en
Pages : 82

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Excerpt from A Treatise on the Theory and Practice of Music in Three Parts, Vol. 8 A Direct is made thus wt and is always placed at the end of {i'lluyt' to thew the place ofthe iii-{t note in the next Starr. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: John Smith
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 228

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Author: Pierre Schaeffer
Publisher: Univ of California Press
ISBN: 0520967461
Category : Music
Languages : en
Pages : 614

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The Treatise on Musical Objects is regarded as Pierre Schaeffer’s most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer’s essay summarizes his theoretical and practical work in music composition. Translators Christine North and John Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music.

Author: Cesare Mussolini
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Richard Sorce
Publisher: Scarecrow Press
ISBN: 1461664209
Category : Music
Languages : en
Pages : 576

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Written as a music theory text that not only addresses the important fundamental syntax of music in the classical sense but also relates this syntax to current practices and styles, this book should be particularly well-suited to musicians focusing on aspects of the music business and of popular culture.

Author: William Jones
Publisher: Legare Street Press
ISBN: 9781020005770
Category :
Languages : en
Pages : 0

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This is a comprehensive guide to the theory and practice of music. It covers the elements of harmony and melody, and provides numerous examples of musical notation from the works of great composers. The book is intended as a course of lectures, and is an invaluable resource for anyone studying music or music theory. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Nicola Vicentino
Publisher: Yale University Press
ISBN: 9780300066012
Category : Music
Languages : en
Pages : 562

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First published in Rome in 1555, Nicola Vicentino's treatise was one of the most influential music theory texts of the sixteenth century. This translation by Maria Rika Maniates is the first English-language edition of Vicentino's important work. Unlike most early theorists, Vicentino did not simply summarize the practice of his time. His aim was to change how composers wrote and how musicians thought about music. His best-known contribution is the adaptation of the ancient Greek chromatic and enharmonic genera to modern polyphonic practice. But he also expressed the avant-garde's position on the relation between music and the subject matter and feelings of a secular or sacred text. He challenged the view that part writing always had to conform to the rules of counterpoint, asserting that license was permissible in order to express the feelings of a verbal text. In this he anticipated the manifestos of Vincenzo Galilei and Claudio Monteverdi. Maniates' introduction discusses Vicentino's life and work, the sources of his ideas in earlier theoretical literature, and the contemporary humanists from whom he may have learned.

Author: Robert Stawell Ball
Publisher:
ISBN:
Category : Algebra
Languages : en
Pages : 584

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