Author: John Christopher Pepusch
Publisher: Georg Olms Verlag
ISBN: 9783487407319
Category :
Languages : en
Pages : 242
Book Description
A Treatise on Harmony
Author: John Christopher Pepusch
Publisher: Georg Olms Verlag
ISBN: 9783487407319
Category :
Languages : en
Pages : 242
Book Description
Publisher: Georg Olms Verlag
ISBN: 9783487407319
Category :
Languages : en
Pages : 242
Book Description
A Treatise on Harmony
Author: Charles-Simon Catel
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 168
Book Description
A Treatise on Harmony
Author: Frederick Arthur Gore Ouseley
Publisher:
ISBN: 9780722257500
Category : Music
Languages : en
Pages : 269
Book Description
Publisher:
ISBN: 9780722257500
Category : Music
Languages : en
Pages : 269
Book Description
A Treatise on Harmony
A Treatise on Harmony
Author: Frederick Arthur Gore Ouseley
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 292
Book Description
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 292
Book Description
Harmonic Experience
Author: W. A. Mathieu
Publisher: Simon and Schuster
ISBN: 1620554011
Category : Music
Languages : en
Pages : 724
Book Description
An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
Publisher: Simon and Schuster
ISBN: 1620554011
Category : Music
Languages : en
Pages : 724
Book Description
An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
TREATISE ON HARMONY
A Treatise on Harmony
Author: John Christopher Pepusch
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
A Treatise on Harmony
Heinrich Schenker's Conception of Harmony
Author: Robert W. Wason
Publisher: Boydell & Brewer
ISBN: 1580465757
Category : Music
Languages : en
Pages : 515
Book Description
The first detailed study of Schenker's pathbreaking 1906 treatise, showing how it reflected 2500 years of thinking about harmony and presented a vigorous reaction to Austro-Germanic music theory ca. 1900.
Publisher: Boydell & Brewer
ISBN: 1580465757
Category : Music
Languages : en
Pages : 515
Book Description
The first detailed study of Schenker's pathbreaking 1906 treatise, showing how it reflected 2500 years of thinking about harmony and presented a vigorous reaction to Austro-Germanic music theory ca. 1900.