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Author: Stephen Georgeson Hatherly Publisher: Forgotten Books ISBN: 9780331402438 Category : Music Languages : en Pages : 174
Book Description
Excerpt from A Treatise on Byzantine Music The student is requested, in perusing the work, to pass by no remark until its meaning is thoroughly comprehended. Also, excepting the fundamental 2 3 first principle of paragraph 8, on which the whole fabric is based, he is requested to take no single calculation for granted, but to verify each and all for himself. It will perhaps be found an advantage to read first the Summary in part VI., and refer back to the different paragraphs as marked therein. A learned friend and great traveller, who it was hoped would have furnished an Introduction on the history of Byzantine art in its various branches, has, through ill-health and multiplicity of engagements, been obliged to decline the task. This is a cause of regret to the writer, with which his readers would fully sympathise could they guage the extent of the loss sustained. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Stephen Georgeson Hatherly Publisher: Forgotten Books ISBN: 9780331402438 Category : Music Languages : en Pages : 174
Book Description
Excerpt from A Treatise on Byzantine Music The student is requested, in perusing the work, to pass by no remark until its meaning is thoroughly comprehended. Also, excepting the fundamental 2 3 first principle of paragraph 8, on which the whole fabric is based, he is requested to take no single calculation for granted, but to verify each and all for himself. It will perhaps be found an advantage to read first the Summary in part VI., and refer back to the different paragraphs as marked therein. A learned friend and great traveller, who it was hoped would have furnished an Introduction on the history of Byzantine art in its various branches, has, through ill-health and multiplicity of engagements, been obliged to decline the task. This is a cause of regret to the writer, with which his readers would fully sympathise could they guage the extent of the loss sustained. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Stephen Georgeson Hatherly Publisher: Theclassics.Us ISBN: 9781230469874 Category : Languages : en Pages : 38
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1892 edition. Excerpt: ...tetrachords, and one diminished fourth tetrachord; of the chromatic genus, one minor fourth tetrachord; and of the compound genus, the first two major fourth tetrachords of Example LI., as follows: --EXAMPLE LXXXVL 3 2 13 14 9 5 1 176. Only for the presence of the two compound tetrachords Nos. 13 and 14, the following family would claim, from the fact of possessing the three consonant diatonic minor fourth tetrachords, a higher degree of purity than the two families immediately preceding. 177. Class 10, which requires for its normal definition four sharps (c, g, d, and a) or one flat (g), consists of the same generic order of tetrachords as Class 9, though not of the same individual instances: Nos. 6; 8; and the third and fourth tetrachords of the compound genus at Example LI, Nos. 15 and 16, taking the places of Nos. 5; 9 j 13, and 14: while Nos. 1, 2, and 3 remain unaltered, as follows: --178. This family, being its true correlative, has the same claim to superiority as Class 9 over its two immediate predecessors at Examples LXXXIII. and LXXXV. 179. Class 11, which requires for its normal definition three sharps (c, d, and a) or two flats (a and G), contains, of the diatonic genus, two minor fourth tetrachords (No. 2 being omitted), and the two diminished fourth tetrachords; of the chromatic genus, one major fourth tetrachord; and of the compound genus, the first two major tetrachords of Example LI., as follows: --EXAMPLE XC. 6 5 13 14 11 1 3 180. We are here less influenced than in Classes 9 and 10 by the consonant diatonic minor fourth tctrachords, and consequently have lost somewhat more in purity. EXAMPLE XCI. Class 11. 181. Class 12, which requires for its normal definition two sharps (g and a) or three flats (e, D, and G), consists
Author: Stephen Georgeson 1827-1905 Hatherly Publisher: Wentworth Press ISBN: 9781371131852 Category : History Languages : en Pages : 178
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Stephen Georgeson Hatherly Publisher: Nabu Press ISBN: 9781295880041 Category : Languages : en Pages : 180
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author: Stephen Georgeson Hatherly
Author: Stephen Georgeson Hatherly
Author: Stephen Georgeson Hatherly
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Author: Stephen Georgeson Hatherly
Author: Stephen G. Hatherly
Author: Stephen Georgeson Hatherly
Author: Stephen Georgeson 1827-1905 Hatherly
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