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Author: Albert Castel Publisher: University Press of Kansas ISBN: 0700614346 Category : History Languages : en Pages : 192
Book Description
Nowhere was the Civil War as savage as it was in Missouri-and nowhere did it produce a killer more savage than William Anderson. For a brief but dramatic period, "Bloody Bill" played the leading role in the most violent arena of the entire war--and did so with a vicious abandon that spread fear throughout the land. A name associated with William Quantrill and Jesse James, Bloody Bill Anderson was known for never taking prisoners. A former horse thief turned bushwhacker, he became the scourge of Kansas and Missouri with a reputation for unspeakable atrocities. Sometimes he left the bodies of dead Federal soldiers scalped, skinned, and castrated. Sometimes he decapitated them and rearranged their heads. Wherever Bloody Bill rode, the Grim Reaper rode alongside. In telling this story of bitter bloodshed, historians Castel and Goodrich track Bloody Bill's reign of terror over increasingly violent raids. He rode with Quantrill in the infamous sack of Lawrence and killed more victims than any other raider. Then he led the brutal Centralia Massacre, a blood-soaked nightmare recounted here hour-by-hour from firsthand accounts. More than compiling a chronicle of horrors, Castel and Goodrich have produced the first full-fledged account of Anderson's career. They examine his prewar life, explain how he became a guerrilla, then describe the war that he and his men waged against Union soldiers and defenseless civilians alike. The authors' disagreements on many aspects of Anderson's gruesome career add a fascinating dimension to the book. Only 26 when he was killed charging an ambush, Bloody Bill Anderson had already become a legend. This book takes readers behind the legend and provides a closer look at the man-and at the face of terror.
Author: Albert Castel Publisher: University Press of Kansas ISBN: 0700614346 Category : History Languages : en Pages : 192
Book Description
Nowhere was the Civil War as savage as it was in Missouri-and nowhere did it produce a killer more savage than William Anderson. For a brief but dramatic period, "Bloody Bill" played the leading role in the most violent arena of the entire war--and did so with a vicious abandon that spread fear throughout the land. A name associated with William Quantrill and Jesse James, Bloody Bill Anderson was known for never taking prisoners. A former horse thief turned bushwhacker, he became the scourge of Kansas and Missouri with a reputation for unspeakable atrocities. Sometimes he left the bodies of dead Federal soldiers scalped, skinned, and castrated. Sometimes he decapitated them and rearranged their heads. Wherever Bloody Bill rode, the Grim Reaper rode alongside. In telling this story of bitter bloodshed, historians Castel and Goodrich track Bloody Bill's reign of terror over increasingly violent raids. He rode with Quantrill in the infamous sack of Lawrence and killed more victims than any other raider. Then he led the brutal Centralia Massacre, a blood-soaked nightmare recounted here hour-by-hour from firsthand accounts. More than compiling a chronicle of horrors, Castel and Goodrich have produced the first full-fledged account of Anderson's career. They examine his prewar life, explain how he became a guerrilla, then describe the war that he and his men waged against Union soldiers and defenseless civilians alike. The authors' disagreements on many aspects of Anderson's gruesome career add a fascinating dimension to the book. Only 26 when he was killed charging an ambush, Bloody Bill Anderson had already become a legend. This book takes readers behind the legend and provides a closer look at the man-and at the face of terror.
Author: James Dickerson Publisher: Rowman & Littlefield ISBN: 0815411952 Category : Women jazz musicians Languages : en Pages : 273
Book Description
Lillian Lil Hardin was a pioneer for women in jazz. After studying at Fisk University, the Chicago College of Music, and the New York College of Music, Lil joined Sugar Johnny's Creole Orchestra and then moved on to Freddie Keppard's Original Creole Orchestra. In the 1920's Lil began playing in King Oliver's world-famous Creole Jazz Band, becoming the first female jazz musician of renown. She was well-established in Chicago as a pianist, composer, arranger, and bandleader before she met and married Louis Armstrong in 1924. She was the only member of Armstrong's group that could read music. Based on extensive research, Dickerson's stunning biography is the first to examine this musical iconoclast's life and career.
Author: Publisher: ISBN: Category : Languages : en Pages : 116
Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Author: T.M. Goodman Publisher: Рипол Классик ISBN: 5871965210 Category : Languages : en Pages : 67
Book Description
The only survivor of the inhuman massacre at Centralia, Mo., Sepyember 27, 1864; and an eye-witness of the brutal and barbarous treatment by the guerrillas of the dead, wounded, and captured of Major Johnson's command. Edited and prepared for the press by Capt. Harry A. Houston.
Author: Mike Evans Publisher: Simon and Schuster ISBN: 1645178161 Category : Antiques & Collectibles Languages : en Pages : 256
Book Description
This history of the LP is a must-have for any music connoisseur! When vinyl LP records took over the music industry in the late 1950s, a new era began. No longer bound by the time constraints of the shellac 78s that had been in use since the 1910s, recording artists could now present an entire album—rather than a lone three-minute single—on a vinyl LP, giving listeners a completely new way to experience their music. In recent years, vinyl has found a second life as an art form, collected and appreciated by music connoisseurs across the world. Vinyl: The Art of Making Records examines the origins of the vinyl format and its evolution throughout the 20th century, and also provides an in-depth look at how vinyl LPs are manufactured and packaged—often with striking artwork that makes them beloved by music enthusiasts today. Also included are four removable art prints, each representing a sample of album covers from the 1960s, 1970s, 1980s, and 1990s.
Author: Bruce Iglauer Publisher: University of Chicago Press ISBN: 022658187X Category : Music Languages : en Pages : 346
Book Description
Best Blues Book of the Year, Living Blues Readers’ Poll: “A fascinating look at one of the great independent record labels, and producers, of our time.” —Library Journal It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence’s Lounge in Chicago’s South Side and was overwhelmed by the joyous, raw music of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog’s debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer’s memoir of a life immersed in the blues—and the business of the blues. No one person was present at the creation of more great contemporary blues music: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. Here, he takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, in an intimate and unvarnished look at what it’s like to work with the greats of the blues. It’s a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America’s music to life. It’s also an expansive history of half a century of blues in Chicago and around the world, tracing the business through massive transitions as a genre originally created by and for black southerners adapted to an influx of white fans and musicians and found a global audience. Most of the smoky bars and packed clubs that fostered the Chicago blues scene have disappeared. But their soul lives on, and so does their sound. As real and audacious as the music that shaped it, this is a raucous journey through the world of Genuine Houserockin’ Music. “A coming-of-age story; an elegy for a bygone, grittier Chicago; and a case study on the many ways the color barrier was crossed musically in the mid-twentieth century.” —Booklist
Author: Albert Castel
Author: Albert Castel
Author: James Dickerson
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Author: T.M. Goodman
Author: United States. Congress
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Author: Mike Evans
Author: Bruce Iglauer
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