Author: Eli Rozik Publisher: Liverpool University Press ISBN: 1802071326 Category : Performing Arts Languages : en Pages : 399
Book Description
Offers a theory and methodology of performance analysis as an alternative to traditional play-analysis. This book carries an underlying theme that theatre performance is a descriptive text generated by the theatre medium and that the process of generating meaning takes place in the actual encounter between a theatre performance and the spectator.
Author: Bree Hadley Publisher: Springer ISBN: 3319548824 Category : Performing Arts Languages : en Pages : 261
Book Description
This book offers the first broad-based survey of the way artists, audiences and society at large are making use of social media, and how the emergence of social media platforms that allow two-way interaction between these groups has been held up as a ‘game changer’ by many in the theatre industry. The first book to analyse aesthetic, critical, audience development, marketing and assessment uptake of social media in the theatre industry in an integrated fashion, Theatre, Social Media and Meaning Making examines examples from the USA, UK, Europe and Australasia to provide a snapshot of this emerging niche within networked, telematic, immersive and participatory theatre production and reception practices. A vital new resource for the field, this book will appeal to scholars, students, and industry practitioners alike.
Author: John O'Toole Publisher: Routledge ISBN: 1134891008 Category : Art Languages : en Pages : 269
Book Description
An original and invaluable model of the elements of drama in context. O'Toole demonstrates how dramatic meaning emerges, shaped by its multiple contexts, and illuminates the importance of all participants to the dramatic process.
Author: Patrice Pavis Publisher: University of Toronto Press ISBN: 9780802081636 Category : Performing Arts Languages : en Pages : 492
Book Description
An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
Author: Nadja Masura Publisher: Springer Nature ISBN: 303055628X Category : Performing Arts Languages : en Pages : 300
Book Description
Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder’s Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today’s artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded.
Author: Anne Bogart Publisher: Bloomsbury Publishing ISBN: 1350155918 Category : Performing Arts Languages : en Pages : 185
Book Description
What is artistic resonance and how can it be linked to one's life and one's art? This latest book of essays from legendary theatre director Anne Bogart, considers the creation of resonance in the artistic endeavour, with a focus on the performing arts. The word 'resonance' comes from the Latin meaning to 're-sound' or 'sound together'. From music to physics, resonance is a common thread that evokes a response and, in general, is understood as a quality that makes something personally meaningful and valuable. For Bogart, curiosity is a key personal quality to be nurtured throughout life and that very same curiosity, as an artist, thinker and human being. Creating pathways between performance theory, art history, neuroscience, music, architecture and the visual arts, and consistently forging new thought-paths, the writing draws upon Anne Bogart's own life and artistic journeys to illuminate potent philosophical ideas. Woven with personal anecdotes, stories and reflections, this is a book that will be of interest to any theatre artist and anyone who reflects on the power of the arts, of theatre-making and what it means to be engaged in the artistic process.
Author: Cedric J. Robinson Publisher: UNC Press Books ISBN: 1469606755 Category : Social Science Languages : en Pages : 454
Book Description
Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.
Author: Anthony Jackson Publisher: ISBN: Category : Art Languages : en Pages : 324
Book Description
Art or Instrument? studies theatre's educational role during the 20th and 21st centuries. It examines the ways theatre's educational potential has been harnessed, the claims made for its value, and the tension between theatre as education and theatre as "art." Following key theoretical approaches to aesthetics, the study is organized into two chronological periods: early developments in European and American theatre up to the end of world war two and participatory theatre and education since world war two. Topics covered include an early use of theatre to campaign for prison reform; workers' theatre, agit-pop, and American living newspapers in the 1930s; theatre's response to the dropping of the atom bomb; post-war theatre in education; theatre in prisons; and the use of performance in historic sites.
Author: Howard Barker Publisher: Manchester University Press ISBN: 9780719039980 Category : Literary Criticism Languages : en Pages : 196
Book Description
Howard Barker, author of over thirty plays, has long been an implacable foe of the liberal British establishment, and champion of radical theatre world-wide. His best-known plays include The Castle, Scenes from an Execution and The Possibilities. All of his plays are emotionally highly charged, intellectually stimulating and far removed from the theatrical conventions of what he terms 'the Establishment Theatre'. These fragments, essays, thoughts and poems on the nature of theatre likewise reject the constraints of 'objective' academic theatre criticism. They explore the collision (and collusion) of intellect and artistry in the creative act. This book is more than a collection of essays: it is a cultural manifesto for Barker's own 'Theatre of Catastrophe'.
Author: Eli Rozik
Author: Gay McAuley
Author: Bree Hadley
Author: John O'Toole
Author: Patrice Pavis
Author: Nadja Masura
Author: Anne Bogart
Author: Cedric J. Robinson
Author: Anthony Jackson
Author: Howard Barker