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Author: Charlotta Palmstierna Einarsson Publisher: Ibidem Press ISBN: 9783838210681 Category : Art Languages : en Pages : 199
Book Description
Combining phenomenological analysis and affect theory, this book takes stock of the various ways in which the body in Samuel Beckett's drama participates in the affective ecology of performance. If the post-human innovation up until the present has worked to decentre the 'human', by rendering notions of thinking, experience, and affect impersonal and by developing new models of expression and communication, then this innovation seems to be already underway in Beckett's theatre of affect where the assault against language is made possible through the thematising of the body as a mode of encountering presence. The corporeal turn in Beckett's drama therefore has far-reaching implications for the production of meaning in his work.
Author: Charlotta Palmstierna Einarsson Publisher: Ibidem Press ISBN: 9783838210681 Category : Art Languages : en Pages : 199
Book Description
Combining phenomenological analysis and affect theory, this book takes stock of the various ways in which the body in Samuel Beckett's drama participates in the affective ecology of performance. If the post-human innovation up until the present has worked to decentre the 'human', by rendering notions of thinking, experience, and affect impersonal and by developing new models of expression and communication, then this innovation seems to be already underway in Beckett's theatre of affect where the assault against language is made possible through the thematising of the body as a mode of encountering presence. The corporeal turn in Beckett's drama therefore has far-reaching implications for the production of meaning in his work.
Author: Peta Tait Publisher: Routledge ISBN: 1000464431 Category : Performing Arts Languages : en Pages : 262
Book Description
Forms of Emotion analyses how drama, theatre and contemporary performance present emotion and its human and nonhuman diversity. This book explores the emotions, emotional feelings, mood, and affect, which make up a spectrum of ‘emotion’, to illuminate theatrical knowledge and practice and reflect the distinctions and debates in philosophy, neuroscience, psychology, and other disciplines. This study asserts that specific forms of emotion are intentionally unified in drama, theatre, and performance to convey meaning, counteract separation and subversively champion emotional freedom. The book progressively shows that the dramatic and theatrical representation of the nonhuman reveals how human dominance is offset by emotional connection with birds, animals, and the natural environment. This book will be of great interest to students and researchers interested in the emotions and affect in dramatic literature, theatre studies, performance studies, psychology, and philosophy as well as artists working with emotionally expressive performance.
Author: Ronda Arab Publisher: Routledge ISBN: 1317690699 Category : Literary Criticism Languages : en Pages : 284
Book Description
This collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the early modern theater. While historicist and materialist inquiry has dominated early modern theater studies in recent years, the historically specific dimensions of affect and emotion remain underexplored. This volume brings together these lines of inquiry for the first time, exploring the critical turn to affect in literary studies from a historicist perspective to demonstrate how the early modern theater showcased the productive interconnections between historical contingencies and affective attachments. Considering well-known plays such as Shakespeare’s Antony and Cleopatra and Thomas Dekker’s The Shoemaker’s Holiday together with understudied texts such as court entertainments, and examining topics ranging from dramatic celebrity to women’s political agency to the parental emotion of grief, this volume provides a fresh and at times provocative assessment of the "historical affects"—financial, emotional, and socio-political—that transformed Renaissance theater. Instead of treating history and affect as mutually exclusive theoretical or philosophical contexts, the essays in this volume ask readers to consider how drama emplaces the most personal, unspeakable passions in matrices defined in part by financial exchange, by erotic desire, by gender, by the material body, and by theatricality itself. As it encourages this conversation to take place, the collection provides scholars and students alike with a series of new perspectives, not only on the plays, emotions, and histories discussed in its pages, but also on broader shifts and pressures animating literary studies today.
Author: J. Thompson Publisher: Springer ISBN: 0230242421 Category : Performing Arts Languages : en Pages : 211
Book Description
Performance Affects explores performance projects in disaster and war zones to argue that joy, beauty and celebration should be the inspiration for the politics of community-based or participatory performance practice, seeking to realign the field of Applied Theatre away from effects towards an affective role, connected to sensations of pleasure.
Author: Mireia Aragay Publisher: Springer Nature ISBN: 3030584860 Category : Performing Arts Languages : en Pages : 285
Book Description
This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Adebayo, Mike Bartlett, Alice Birch, Caryl Churchill, Tim Crouch and Andy Smith, Rachel De-lahay, Reginald Edmund, James Fritz, David Greig, Idris Goodwin, Zinnie Harris, Kieran Hurley, Lucy Kirkwood, Anders Lustgarten, Yolanda Mercy, Anthony Neilson, Lucy Prebble, Sh!t Theatre, Penelope Skinner, Stef Smith, Kae Tempest and debbie tucker green. The interpretations identify significant areas of tension as they relate affects to the fields of cognition, politics and hope. In this, the chapters uncover interrelations of thought, intention and empathy; they reveal the nexus between identities, institutions and ideology; and, finally, they explore how theatre can accomplish the transition from a sense of crisis to utopian visions.
Author: Joseph Masco Publisher: Duke University Press ISBN: 0822375990 Category : Social Science Languages : en Pages : 386
Book Description
How did the most powerful nation on earth come to embrace terror as the organizing principle of its security policy? In The Theater of Operations, Joseph Masco locates the origins of the present-day U.S. counterterrorism apparatus in the Cold War's "balance of terror." He shows how, after the attacks of 9/11, the U.S. global War on Terror mobilized a wide range of affective, conceptual, and institutional resources established during the Cold War to enable a new planetary theater of operations. Tracing how specific aspects of emotional management, existential danger, state secrecy, and threat awareness have evolved as core aspects of the American social contract, Masco draws on archival, media, and ethnographic resources to offer a new portrait of American national security culture. Undemocratic and unrelenting, this counterterror state prioritizes speculative practices over facts, and ignores everyday forms of violence across climate, capital, and health in an unprecedented effort to anticipate and eliminate terror threats—real, imagined, and emergent.
Author: Lisa Zunshine Publisher: Oxford University Press, USA ISBN: 0199978069 Category : Literary Criticism Languages : en Pages : 681
Book Description
The Oxford Handbook of Cognitive Literary Studies applies developments in cognitive science to a wide range of literary texts that span multiple historical periods and numerous national literary traditions.
Author: Marla Carlson Publisher: University of Michigan Press ISBN: 0472053825 Category : Art Languages : en Pages : 275
Book Description
Explores the emotional responses of audiences to neurodiverse characters and non-human animals on stage to question the boundaries of the human
Author: Charlotta Palmstierna Einarsson
Author: Charlotta Palmstierna Einarsson
Author: Erin Hurley
Author: Peta Tait
Author: Bess Rowen
Author: Ronda Arab
Author: J. Thompson
Author: Mireia Aragay
Author: Joseph Masco
Author: Lisa Zunshine
Author: Marla Carlson