Author: Raymond FieldingPublisher: Univ of California Press
ISBN: 9780520004115
Category : Cinematography
Languages : en
Pages : 274
Book Description
A Technological History of Motion Pictures and Television
Author: Raymond FieldingPublisher: Univ of California Press
ISBN: 9780520004115
Category : Cinematography
Languages : en
Pages : 274
Book Description
A Technological History of Motion Pictures and Television; an Anthology from the Pages of 'Journal of the Society of Motion Picture and Television Engineers'; Edited, with an Introduction by Raymond Fielding
Author: Society of Motion Picture and Television Engineers (N.Y.)Publisher:
ISBN:
Category :
Languages : en
Pages : 2223
Book Description
A Technological History of Motion Pictures and Television
Author: Raymond FieldingPublisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 0
Book Description
A Technological History of Motion Pictures and Television
Author: Raymond FieldingPublisher: Univ of California Press
ISBN: 9780520039810
Category : Photography
Languages : en
Pages : 276
Book Description
A technical history of motion pictures and television : an anthology from the pages of the Journal of the Society of Motion Picture and Television Engineers
Author: Raymond FieldingA Technological History of Motion Pictures and Television
Author: Raymond FieldingPublisher:
ISBN:
Category : Cinema
Languages : en
Pages : 255
Book Description
A history of motion pictures from a technical standpoint
A Technological History of Motion Pictures and Telivision
Author: Raymond FieldingPublisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 276
Book Description
The Oxford Handbook of Film Theory
Author: Kyle StevensPublisher: Oxford University Press
ISBN: 0190873922
Category : Motion pictures
Languages : en
Pages : 713
Book Description
Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, this collection narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.
How the Movies Got a Past
Author: Dimitrios LatsisPublisher: Oxford University Press
ISBN: 0197689272
Category : Performing Arts
Languages : en
Pages : 409
Book Description
How the Movies Got a Past presents a comprehensive survey of the rise of historiographical discourse on cinema in North America as it is reflected in publications, exhibitions, lectures, and films about the cinema as a technology, artform, and source of entertainment, from its inception up to 1930. With a wealth of case studies and illustrations, this book will appeal to media historians, silent movie buffs, film archivists, and students alike.
Chasing Sound
Author: Susan Schmidt HorningPublisher: JHU Press
ISBN: 1421410222
Category : Business & Economics
Languages : en
Pages : 322
Book Description
The recording studio, she argues, is at the center of musical culture in the twentieth century.--Emily Thompson, Princeton University "Science"