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Author: Mozart Alberto Bonazzi da Costa Publisher: ISBN: Category : Church decoration and ornament Languages : en Pages : 240
Book Description
The city of Salvador, the capital of the state of Bahia (in the 18th century the capital of the vice-reign of Brazil) contains diverse monuments of baroque style; the church of the convent of San Francis of Assisi is its most extraordinary example. This amazing Franciscan temple and convent located in the Terreiro de Jesus, mixes a sober and grandiose architecture with the refined blue and golden tile decorations and the protuberant golden and polychrome ornamental carving that features the glorious reign of dom Joao V in Portugal. Sculptor end researcher Mozart Alberto Bonazzi Da Costa presents a study of the "archaeology of past trades that should be conserved" (p. 17). In a first section the author reviews the historical aspects, the carving techniques and instruments used, the different styles and the aesthetic and symbolic aspects of the decorative carvings and in a second part includes a detailed analysis of the Church (the central nave, the pulpits, chancel, etc.) and the ornamental Repertory.
Author: Mozart Alberto Bonazzi da Costa Publisher: ISBN: Category : Church decoration and ornament Languages : en Pages : 240
Book Description
The city of Salvador, the capital of the state of Bahia (in the 18th century the capital of the vice-reign of Brazil) contains diverse monuments of baroque style; the church of the convent of San Francis of Assisi is its most extraordinary example. This amazing Franciscan temple and convent located in the Terreiro de Jesus, mixes a sober and grandiose architecture with the refined blue and golden tile decorations and the protuberant golden and polychrome ornamental carving that features the glorious reign of dom Joao V in Portugal. Sculptor end researcher Mozart Alberto Bonazzi Da Costa presents a study of the "archaeology of past trades that should be conserved" (p. 17). In a first section the author reviews the historical aspects, the carving techniques and instruments used, the different styles and the aesthetic and symbolic aspects of the decorative carvings and in a second part includes a detailed analysis of the Church (the central nave, the pulpits, chancel, etc.) and the ornamental Repertory.
Author: GauvinAlexander Bailey Publisher: Routledge ISBN: 1351540378 Category : Art Languages : en Pages : 455
Book Description
A groundbreaking approach to Rococo religious d?r and spirituality in Europe and South America, The Spiritual Rococo addresses three basic conundrums that impede our understanding of eighteenth-century aesthetics and culture. Why did the Rococo, ostensibly the least spiritual style in the pre-Modern canon, transform into one of the world?s most important modes for adorning sacred spaces? And why is Rococo still treated as a decadent nemesis of the Enlightenment when the two had fundamental characteristics in common? This book seeks to answer these questions by treating Rococo as a global phenomenon for the first time and by exploring its moral and spiritual dimensions through the lens of populist French religious literature of the day-a body of work the author calls the ?Spiritual Rococo? and which has never been applied directly to the arts. The book traces Rococo?s development from France through Central Europe, Portugal, Brazil, and South America by following a chain of interlocking case studies, whether artistic, literary, or ideological, and it also considers the parallel diffusion of the literature of the Spiritual Rococo in these same regions, placing particular emphasis on unpublished primary sources such as inventories. One of the ultimate goals of this study is to move beyond the clich?f Rococo?s frivolity and acknowledge its essential modernity. Thoroughly interdisciplinary, The Spiritual Rococo not only integrates different art historical fields in novel ways but also interacts with church and social history, literary and post-colonial studies, and anthropology, opening up new horizons in these fields.
Author: Nicholas of Cusa Publisher: Cosimo Classics ISBN: 1616409894 Category : Religion Languages : en Pages : 113
Book Description
Known for his deeply mystical writings about Christianity, Nicholas of Cusa wrote this, his most popular work, against a backdrop of widespread Church corruption. God, he believed, is found in all things, and thus cannot be perceived by man's senses and intellect alone. The path to ultimate knowledge, then, begins in recognizing our own ignorance. Deeply influenced by Saint Augustine, Nicholas mixes the metaphysical with the personal to create a deeply felt work, first published in 1453, designed to restore faith in even the most jaded.
Author: Mozart Alberto Bonazzi da Costa
Author: Mozart Alberto Bonazzi da Costa
Author: GauvinAlexander Bailey
Author: Sylvio de Vasconcellos
Author: Craig Hugh Smyth
Author: Nicholas of Cusa