A Survey of the Sacred Choral Works of Joseph Jongen with a Conductor's Analysis of the Mass, Op. 130 PDF Download
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Author: Jeffrey M. Alban Publisher: ISBN: Category : Languages : en Pages :
Book Description
The manuscripts and published editions of the sacred choral works by Belgian composer Joseph Jongen sacred choral music were collected and listed, detailing the discernable pertinent characteristics of each work. Jongen is predominantly known for his organ works, but his choral works constituent a worthy contribution to the vocal music repertoire, especially his Mass, Op. 130. Jongen2s music reflects the Impressionistic style while stemming from the school of Cšar Franck. Choral directors and other musicians interested in Jongen2s sacred choral works can use this work when exploring new repertoire. A short overview of Jongen2s life is included based upon the information given in John Scott Whiteley2s comprehensive book, Joseph Jongen and His Organ Music. The conductor2s analysis provides a complete description of the Mass, Op. 130 with rehearsal and performance considerations. Phrase analysis graphs enhance the written analysis, and a discography of Jongen2s sacred choral music completes this work.
Author: Jeffrey M. Alban Publisher: ISBN: Category : Languages : en Pages :
Book Description
The manuscripts and published editions of the sacred choral works by Belgian composer Joseph Jongen sacred choral music were collected and listed, detailing the discernable pertinent characteristics of each work. Jongen is predominantly known for his organ works, but his choral works constituent a worthy contribution to the vocal music repertoire, especially his Mass, Op. 130. Jongen2s music reflects the Impressionistic style while stemming from the school of Cšar Franck. Choral directors and other musicians interested in Jongen2s sacred choral works can use this work when exploring new repertoire. A short overview of Jongen2s life is included based upon the information given in John Scott Whiteley2s comprehensive book, Joseph Jongen and His Organ Music. The conductor2s analysis provides a complete description of the Mass, Op. 130 with rehearsal and performance considerations. Phrase analysis graphs enhance the written analysis, and a discography of Jongen2s sacred choral music completes this work.
Author: Stephanie Rocke Publisher: Routledge ISBN: 1000300196 Category : Music Languages : en Pages : 207
Book Description
The mass is an extraordinary musical form. Whereas other Western art music genres from medieval times have fallen out of favour, the mass has not merely survived but flourished. A variety of historical forces within religious, secular, and musical arenas saw the mass expand well beyond its origins as a cycle of medieval chants, become concertised and ultimately bifurcate. Even as Western societies moved away from their Christian origins to become the religiously plural and politically secular societies of today, and the Church itself moved in favour of congregational singing, composers continued to compose masses. By the early twentieth century two forms of mass existed: the liturgical mass composed for church services, and the concert mass composed for secular venues. Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, explains how and why the split occurred, and provides examples that demonstrate composers’ gradual appropriation of the genre as a vehicle for personal expression on serious issues. By the end of the twentieth century the concert mass had become a repository for an eclectic range of theological and political ideas.