Author: James Owen WilliamsPublisher:
ISBN:
Category :
Languages : en
Pages : 182
Book Description
A Study of William Faulkner's Moral Philosophy
Author: James Owen WilliamsFaulkner’s Ethics
Author: Michael WainwrightPublisher: Springer Nature
ISBN: 3030688720
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This book offers the first comprehensive investigation of ethics in the canon of William Faulkner. As the fundamental framework for its analysis of Faulkner’s fiction, this study draws on The Methods of Ethics, the magnum opus of the utilitarian philosopher Henry Sidgwick. While Faulkner’s Ethics does not claim that Faulkner read Sidgwick’s work, this book traces Faulkner’s moral sensitivity. It argues that Faulkner’s language is a moral medium that captures the ways in which people negotiate the ethical demands that life places on them. Tracing the contours of this evolving medium across six of the author’s major novels, it explores the basic precepts set out in The Methods of Ethics with the application of more recent contributions to moral philosophy, especially those of Jacques Derrida and Derek Parfit.
Faulkner's Ethics
Author: Michael WainwrightPublisher:
ISBN: 9783030688738
Category :
Languages : en
Pages : 0
Book Description
'Early Faulkner criticism often followed the trajectory of Faulkner's life, sometimes simply assuming that life had a moral compass. Later schools, for example historical materialism, sought the 'substratum' of material reality that underpinned the narrative, again only assuming that issues, such as the nature and economics of labor, had moral implications. Psychology, anthropology, mythology-all have had their day, often very useful days, often touching on ethical issues-but what has been lacking is ethics itself. Michael Wainwright's Faulkner's Ethics: An Intense Struggle will end that neglect and, I believe, spur a new interest in moral struggle, moral direction as it can be found in Faulkner's life and literature.' - Charles A. Peek, Professor Emeritus, Department of English, University of Nebraska Kearney, USA This book offers the first comprehensive investigation of ethics in the canon of William Faulkner. As the fundamental framework for its analysis of Faulkner's fiction, this study draws on The Methods of Ethics, the magnum opus of the utilitarian philosopher Henry Sidgwick. While Faulkner's Ethics does not claim that Faulkner read Sidgwick's work, this book traces Faulkner's moral sensitivity. It argues that Faulkner's language is a moral medium that captures the ways in which people negotiate the ethical demands that life places on them. Tracing the contours of this evolving medium across six of the author's major novels, it explores the basic precepts set out in The Methods of Ethics with the application of more recent contributions to moral philosophy, especially those of Jacques Derrida and Derek Parfit. .
The Single Vision
Author: Joseph GoldStudies in Faulkner
Author: Carnegie Institute of Technology. Department of EnglishPublisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 112
Book Description
Silence and the Impeccable Language
Author: Paul Raymond LillyA Study of William Faulkner's A Fable
Author: John Howard SladeObscurity's Myriad Components
Author: R. Rio-JelliffePublisher: Bucknell University Press
ISBN: 9780838754627
Category : Language Arts & Disciplines
Languages : en
Pages : 214
Book Description
On that paradoxical premise, Faulkner's theory addresses the writer's dilemma of having only the inadequate word to surmount itself; and the practice in fiction seeks to vanquish the enemy, not in the wordless, as it is often denoted, but in silence past the word."--BOOK JACKET.
Moral Philosophers and the Novel
Author: P. JohnsonPublisher: Springer
ISBN: 0230503373
Category : Philosophy
Languages : en
Pages : 212
Book Description
In this fascinating study, Peter Johnson makes explicit the issues involved in using the novel as a source in moral philosophy. The book pays close attention to questions of method, aesthetic accounts of the novel and the nature of ethical knowledge. The views of leading philosophers are examined and criticised in the light of the book's distinctive contribution to the current debate.
William Faulkner, William James, and the American Pragmatic Tradition
Author: David H. EvansPublisher: LSU Press
ISBN: 0807134236
Category : Literary Criticism
Languages : en
Pages : 302
Book Description
In William Faulkner, William James, and the American Pragmatic Tradition, David H. Evans pairs the writings of America's most intellectually challenging modern novelist, William Faulkner, and the ideas of America's most revolutionary modern philosopher, William James. Though Faulkner was dubbed an idealist after World War II, Evans demonstrates that Faulkner's writing is deeply connected to the emergence of pragmatism as an intellectual doctrine and cultural force in the early twentieth century. Tracing pragmatism to its very roots, Evans examines the nineteenth-century confidence man of antebellum literature as the original practitioner of the pragmatic principle that a belief can give rise to its own objects. He casts this figure as the missing link between Faulkner and James, giving him new prominence in the prehistory of pragmatism. Moving on to Jamesian pragmatism, Evans contends that James's central innovation was his ability to define truth in narrative terms -- just as the confidence man did -- as something subjective and personal that continually shapes reality, rather than a set of static, unchanging facts. In subsequent chapters Evans offers detailed interpretations of three of Faulkner's most important novels, Absalom, Absalom!, Go Down, Moses, and The Hamlet, revealing that Faulkner, too, saw truth as fluid. By avoiding conclusion and finality, these three novels embody the pragmatic belief that life and the world are unstable and constantly evolving. Absalom, Absalom! stages a conflict of historical discourses that -- much like the pragmatic concept of truth -- can never be ultimately resolved. Evans shows us how Faulkner explores the conventional and arbitrary status of racial identity in Go Down, Moses, in a way that is strikingly similar to James's criticism of the concept of identity in general. Finally, Evans reads The Hamlet, a work that is often used to support the idea that Faulkner is opposed to modernity, as a depiction of a distinctly pragmatic and modern world. With its creative coupling of James's philosophy and Faulkner's art, Evans's lively, engaging book makes a bold contribution to Faulkner studies and studies of southern literature.