A Study of the Bel Canto Style of Singing in the Golden Age (1600-1750) Compared with the Concept of Bel Canto in the Twentieth Century PDF Download

Author: Julianna M. Wrycza
Publisher:
ISBN:
Category : Bel canto
Languages : en
Pages : 110

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Author: Philip A. Duey
Publisher: Read Books Ltd
ISBN: 1446547094
Category : Music
Languages : en
Pages : 296

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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Author: James Stark
Publisher: University of Toronto Press
ISBN: 1442690925
Category : Music
Languages : en
Pages : 356

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Book Description
In this well documented and highly readable book, James Stark provides a history of vocal pedagogy from the beginning of the bel canto tradition of solo singing in the late sixteenth and early seventeenth centuries to the present. Using a nineteenth-century treatise by Manuel Garcia as his point of reference, Stark analyses the many sources that discuss singing techniques and selects a number of primary vocal 'problems' for detailed investigation. He also presents data from a series of laboratory experiments carried out to demonstrate the techniques of bel canto. The discussion deals extensively with such topics as the emergence of virtuoso singing, the castrato phenomenon, national differences in singing styles, controversies regarding the perennial decline in the art of singing, and the so-called secrets of bel canto. Stark offers a new definition of bel canto which reconciles historical and scientific descriptions of good singing. His is a refreshing and profound discussion of issues important to all singers and voice teachers.

Author: Edward Foreman
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 506

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Author: Rodolfo Celletti
Publisher: OUP Oxford
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 236

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Book Description
This history of bel canto singing in Italian opera of the eighteenth and early nineteenth centuries includes a discussion of the style's links to the operatic ideals of the Baroque, the role of the singers in the style's development, the evolution of the style in various composers' works, a chapter on the Castrato, and a look at bel canto since Rossini.

Author: Robert Toft
Publisher:
ISBN: 0199832315
Category : Music
Languages : en
Pages : 276

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Book Description
Bel canto, or 'beautiful singing, ' remains one of the most elusive performance styles vocalists strive to master. During the eighteenth and early nineteenth centuries, composers routinely left the final shaping of recitatives, arias, and songs to performers, and singers treated scores freely so that inexpressively notated music could be turned into passionate declamation. In other words, vocalists saw their role more as one of re-creation than of simple interpretation. Familiarity with the range of strategies prominent singers of the past employed to unlock the eloquent expression hidden in scores enables modern performers to take a similar re-creative approach to enhancing the texts before them. In this first ever guide to bel canto, author Robert Toft provides singers with the tools they need not only to complete the creative process the composer began but also to bring scores to life in an historically-informed manner. Replete with illustrations based on excerpts from Italianate recitatives and arias by composers ranging from Handel to Rossini, the book offers discussions of the fundamental principles of expressive singing, each section including a practical application of the techniques involved. Drawing on a wealth of documents from the era, including treatises, scores, newspaper reviews, and letters, this book captures the breadth of practices singers used in the bel canto period. Complete with six scores (recitatives and/or arias) for performers to personalize through the old methods, and a companion website offering demonstrations of the principles involved, Bel Canto is an essential resource for any singer or vocal instructor wishing to explore and master historical techniques of interpretation and re-creation from the eighteenth and early nineteenth centuries.

Author: Hermann Klein
Publisher: London : Oxford University Press
ISBN:
Category : Music
Languages : en
Pages : 64

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Book Description

Author: Massimo Zicari
Publisher: Open Book Publishers
ISBN: 1800643357
Category : Music
Languages : en
Pages : 250

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Book Description
The fields of performance studies, empirical musicology, and the musicology of recordings have seen a tremendous development in recent years, shedding new light on the recent history of our performing tradition and conveying essential information to music practitioners, critics and audiences. This innovative work considers the notion of bel canto and the manner in which this vibrant tradition lives in the records of Luisa Tetrazzini (1871-1940), one of the most celebrated sopranos ever. Tetrazzini, whose discographic career includes about 120 recordings, belongs to that generation of inspirational performers who heralded the dawn of a new era of music appreciation, alongside such iconic figures as Enrico Caruso, Adelina Patti and Nellie Melba. Drawing on a vast body of scholarship and a number of contemporary reviews, Massimo Zicari establishes Tetrazzini’s role in the Italian operatic tradition and its much disputed set of performing conventions. His transcriptions of her recorded interpretations from Rossini, Donizetti, Bellini and Verdi will prove invaluable to singers and conductors interested in a tradition that goes back to legendary figures such as Jenny Lind and Maria Malibran. The author also discusses her voice quality and technique, tempo flexibility, her use of vibrato and portamento—features of musical performance that question several widely-held, normative views about aesthetics and interpretative tradition. The volume includes eighty-eight musical examples and its closing section consists of the vocal scores of thirteen operatic arias. The musical material (both examples and transcriptions) is entirely original. This unique approach seeks to combine an academic perspective with the making of the music, in the hope that the plea for originality may be enhanced by models from the past.

Author: Giovanni Battista Lamperti
Publisher:
ISBN:
Category : Voice culture
Languages : en
Pages : 54

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Author: Edward Foreman
Publisher:
ISBN:
Category : Bel canto
Languages : en
Pages : 120

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