Author: Roger M. Walker
Publisher: Tamesis
ISBN: 9780900411861
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Published by Boydell & Brewer Inc.
Tradition and Technique in El Libro Del Cavallero Zifar
Author: Roger M. Walker
Publisher: Tamesis
ISBN: 9780900411861
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Published by Boydell & Brewer Inc.
Publisher: Tamesis
ISBN: 9780900411861
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Published by Boydell & Brewer Inc.
Medieval Arthurian Literature
Author: Norris J. Lacy
Publisher: Routledge
ISBN: 1317656946
Category : Literary Criticism
Languages : en
Pages : 359
Book Description
The focus of this book is medieval vernacular literature in Western Europe. Chapters are written by experts in the area and present the current scholarship at the time this book was originally published in 1996. Each chapter has a bibliography of important works in that area as well. This is a thorough and reliable guide to trends in research on medieval Arthuriana.
Publisher: Routledge
ISBN: 1317656946
Category : Literary Criticism
Languages : en
Pages : 359
Book Description
The focus of this book is medieval vernacular literature in Western Europe. Chapters are written by experts in the area and present the current scholarship at the time this book was originally published in 1996. Each chapter has a bibliography of important works in that area as well. This is a thorough and reliable guide to trends in research on medieval Arthuriana.
Historical Linguistics 1987
Author: Henning Andersen
Publisher: John Benjamins Publishing
ISBN: 9027278326
Category : Language Arts & Disciplines
Languages : en
Pages : 590
Book Description
The volume contains 37 papers originally presented at the 8th International Conference on Historical Linguistics in Lille, France. The papers bring historical data to bear on issues in theoretical linguistics, both descriptive and diachronic or deal with specific questions in the history of individual languages. The theoretical issues range from phonology over morphology and syntax to the lexicon, as well as questions of historical dialectology, language contact, the theory of linguistic change, and problems of comparative reconstruction. The languages discussed are Finno-Ugric and Indo-European, most of the papers dealing with Germanic and Romance languages (especially English and French), but some being devoted to Greek, Celtic, Slavic, and Hittite.
Publisher: John Benjamins Publishing
ISBN: 9027278326
Category : Language Arts & Disciplines
Languages : en
Pages : 590
Book Description
The volume contains 37 papers originally presented at the 8th International Conference on Historical Linguistics in Lille, France. The papers bring historical data to bear on issues in theoretical linguistics, both descriptive and diachronic or deal with specific questions in the history of individual languages. The theoretical issues range from phonology over morphology and syntax to the lexicon, as well as questions of historical dialectology, language contact, the theory of linguistic change, and problems of comparative reconstruction. The languages discussed are Finno-Ugric and Indo-European, most of the papers dealing with Germanic and Romance languages (especially English and French), but some being devoted to Greek, Celtic, Slavic, and Hittite.
Songs in the Plays of Lope de Vega
Author: Gustavo Umpierre
Publisher: Tamesis
ISBN: 9780900411977
Category : Literary Criticism
Languages : en
Pages : 136
Book Description
Published by Boydell & Brewer Inc.
Publisher: Tamesis
ISBN: 9780900411977
Category : Literary Criticism
Languages : en
Pages : 136
Book Description
Published by Boydell & Brewer Inc.
A Companion to the Libro de Buen Amor
Author: Louise M. Haywood
Publisher: Boydell & Brewer
ISBN: 1855660946
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Severin), and the application to the Libro of modern critical approaches, drawing on Mikhail Bakhtin, folklore studies, chaos theory, and reader-reception theory (Elizabeth Drayson, Laurence de Looze, Louise O. Vasvari)."--BOOK JACKET.
Publisher: Boydell & Brewer
ISBN: 1855660946
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Severin), and the application to the Libro of modern critical approaches, drawing on Mikhail Bakhtin, folklore studies, chaos theory, and reader-reception theory (Elizabeth Drayson, Laurence de Looze, Louise O. Vasvari)."--BOOK JACKET.
Arthurian Legend and Literature: The Middle Ages
Author: Edmund Reiss
Publisher: Scholarly Title
ISBN:
Category : History
Languages : en
Pages : 496
Book Description
Publisher: Scholarly Title
ISBN:
Category : History
Languages : en
Pages : 496
Book Description
Dialogo Dos Montes
Author: Rehuel Jessurun
Publisher: Tamesis
ISBN: 9780900411953
Category : Literary Criticism
Languages : en
Pages : 210
Book Description
Publisher: Tamesis
ISBN: 9780900411953
Category : Literary Criticism
Languages : en
Pages : 210
Book Description
The Book of Count Lucanor and Patronio
Author: Juan Manuel
Publisher: University Press of Kentucky
ISBN: 0813186250
Category : Fiction
Languages : en
Pages : 238
Book Description
Don Juan Manuel, nephew of King Alfonso X, The Wise, knew well the appeal of exempla (moralized tales), which he believed should entertain if they were to provide ways and means for solving life's problems. His fourteenth-century book, known as El Conde lucanor, is considered by many to be the purest Spanish prose before the immortal Don Quixote of Cervantes written two centuries later. He found inspiration for his tales in classical and eastern literatures, Spanish history, and folklore. His stories are not translations, but are his retelling of some of the best stories in existence. The translation succeeds in making the author speak as clearly to the modern reader as to readers of his own time.
Publisher: University Press of Kentucky
ISBN: 0813186250
Category : Fiction
Languages : en
Pages : 238
Book Description
Don Juan Manuel, nephew of King Alfonso X, The Wise, knew well the appeal of exempla (moralized tales), which he believed should entertain if they were to provide ways and means for solving life's problems. His fourteenth-century book, known as El Conde lucanor, is considered by many to be the purest Spanish prose before the immortal Don Quixote of Cervantes written two centuries later. He found inspiration for his tales in classical and eastern literatures, Spanish history, and folklore. His stories are not translations, but are his retelling of some of the best stories in existence. The translation succeeds in making the author speak as clearly to the modern reader as to readers of his own time.
The Manuscripts, the Wagner Edition, and the Prologue of the Cauallero Zifar
The Ethics of Reading in Manuscript Culture
Author: John Dagenais
Publisher: Princeton University Press
ISBN: 140082107X
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
Reexamining the roles played by author, reader, scribe, and text in medieval literary practice, John Dagenais argues that the entire physical manuscript must be the basis of any discussion of how meaning was made. Medievalists, he maintains, have relied too heavily on critical editions that seek to create a single, definitive text reflecting an author's intentions. In reality, manuscripts bear not only authorial texts but also a variety of elements added by scribes and readers: glosses, marginal notes, pointing hands, illuminations, and fragments of other, seemingly unrelated works. Using the surviving manuscripts of the fourteenth-century Libro de buen amor, a work that has been read both as didactic treatise on spiritual love and as a celebration of sensual pleasures, Dagenais shows how consideration of the physical manuscripts and their cultural context can shed new light on interpretive issues that have puzzled modern readers. Dagenais also addresses the theory and practice of reading in the Middle Ages, showing that for medieval readers the text on the manuscript leaf, including the text of the Libro, was primarily rhetorical and ethical in nature. It spoke to them directly, individually, always in the present moment. Exploring the margins of the manuscripts of the Libro and of other Iberian works, Dagenais reveals how medieval readers continually reshaped their texts, both physically and ethically as they read, and argues that the context of medieval manuscript culture forces us to reconsider such comfortable received notions as "text" and "literature" and the theories we have based upon them.
Publisher: Princeton University Press
ISBN: 140082107X
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
Reexamining the roles played by author, reader, scribe, and text in medieval literary practice, John Dagenais argues that the entire physical manuscript must be the basis of any discussion of how meaning was made. Medievalists, he maintains, have relied too heavily on critical editions that seek to create a single, definitive text reflecting an author's intentions. In reality, manuscripts bear not only authorial texts but also a variety of elements added by scribes and readers: glosses, marginal notes, pointing hands, illuminations, and fragments of other, seemingly unrelated works. Using the surviving manuscripts of the fourteenth-century Libro de buen amor, a work that has been read both as didactic treatise on spiritual love and as a celebration of sensual pleasures, Dagenais shows how consideration of the physical manuscripts and their cultural context can shed new light on interpretive issues that have puzzled modern readers. Dagenais also addresses the theory and practice of reading in the Middle Ages, showing that for medieval readers the text on the manuscript leaf, including the text of the Libro, was primarily rhetorical and ethical in nature. It spoke to them directly, individually, always in the present moment. Exploring the margins of the manuscripts of the Libro and of other Iberian works, Dagenais reveals how medieval readers continually reshaped their texts, both physically and ethically as they read, and argues that the context of medieval manuscript culture forces us to reconsider such comfortable received notions as "text" and "literature" and the theories we have based upon them.