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Author: Jens Hoffmann Publisher: National Geographic Books ISBN: 0262517612 Category : Art Languages : en Pages : 0
Book Description
The evolution of studio—and “post-studio”—practice over the last half century. With the emergence of conceptual art in the mid-1960s, the traditional notion of the studio became at least partly obsolete. Other sites emerged for the generation of art, leading to the idea of “post-studio practice.” But the studio never went away; it was continually reinvented in response to new realities. This collection, expanding on current critical interest in issues of production and situation, looks at the evolution of studio—and “post-studio”—practice over the last half century. In recent decades many artists have turned their studios into offices from which they organize a multiplicity of operations and interactions. Others use the studio as a quasi-exhibition space, or work on a laptop computer—mobile, flexible, and ready to follow the next commission. Among the topics surveyed here are the changing portrayal and experience of the artist's role since 1960; the diversity of current studio and post-studio practice; the critical strategies of artists who have used the studio situation as the subject or point of origin for their work; the insights to be gained from archival studio projects; and the expanded field of production that arises from responding to new conditions in the world outside the studio. The essays and artists' statements in this volume explore these questions with a focus on examining the studio's transition from a workshop for physical production to a space with potential for multiple forms of creation and participation.
Author: Jens Hoffmann Publisher: National Geographic Books ISBN: 0262517612 Category : Art Languages : en Pages : 0
Book Description
The evolution of studio—and “post-studio”—practice over the last half century. With the emergence of conceptual art in the mid-1960s, the traditional notion of the studio became at least partly obsolete. Other sites emerged for the generation of art, leading to the idea of “post-studio practice.” But the studio never went away; it was continually reinvented in response to new realities. This collection, expanding on current critical interest in issues of production and situation, looks at the evolution of studio—and “post-studio”—practice over the last half century. In recent decades many artists have turned their studios into offices from which they organize a multiplicity of operations and interactions. Others use the studio as a quasi-exhibition space, or work on a laptop computer—mobile, flexible, and ready to follow the next commission. Among the topics surveyed here are the changing portrayal and experience of the artist's role since 1960; the diversity of current studio and post-studio practice; the critical strategies of artists who have used the studio situation as the subject or point of origin for their work; the insights to be gained from archival studio projects; and the expanded field of production that arises from responding to new conditions in the world outside the studio. The essays and artists' statements in this volume explore these questions with a focus on examining the studio's transition from a workshop for physical production to a space with potential for multiple forms of creation and participation.
Author: Vilém Flusser Publisher: Reaktion Books ISBN: 1780232365 Category : Art Languages : en Pages : 129
Book Description
This book presents for the first time in English an array of essays on design by the seminal media critic and philosopher Vilém Flusser. It puts forward the view that our future depends on design. In a series of insightful essays on such ordinary "things" as wheels, carpets, pots, umbrellas and tents, Flusser emphasizes the interrelationships between art and science, theology and technology, and archaeology and architecture. Just as formal creativity has produced both weapons of destruction and great works of art, Flusser believed that the shape of things (and the designs behind them) represents both a threat and an opportunity for designers of the future.
Author: Oscar P. Fitzgerald Publisher: Fox Chapel Publishing ISBN: Category : Antiques & Collectibles Languages : en Pages : 232
Book Description
Exquisitely photographed and beautifully designed, this complementary catalog of America's finest studio furniture highlights 84 pieces from the Smithsonian's Renwick Gallery. Inside, the pages reveal the importance of wooden furniture in the modern American craft arena, and how first- and second-generation artists shaped the studio furniture movement. Artist statements accompany gorgeous photography of the Renwick collection and provide insight into the makers' training and professional experience, theories on art, artistic techniques, and even personal inspirations. Such artists include the patriarch of studio furniture, Wharton Esherick, and Wendle Castle, the maker of the most popular piece among gallery visitors-the infamous Ghost Clock. The treasures of the Renwick collection-Judy's McKee's Monkey Settee, Sam Maloof's Rocking Chair, John Cederquist's Ghost Boy, and George Nakashima's Conoid Bench-are also included among the many pieces from makers whose work is functional, artistic, and of the finest craftsmanship. About the Authors Dr. Oscar Fitzgerald earned his M.A. and Ph.D. in history from Georgetown University and served as director of the Navy Museum in Washington, D.C., until he decided to pursue full time his passion as a furniture historian and decorative arts consultant. He is currently on the faculty of the Smithsonian Institution/Corcoran School Master's Program in the Decorative Arts where he developed and teaches a core course on the studio furniture movement. His book, Four Centuries of American Furniture, which includes coverage of the studio furniture movement, is the standard reference work in the field. In 2004, he was awarded a prestigious James Renwick Research Fellowship, which funded research for an essay published in the 2005 issue of Furniture Studio. Paul Greenhalgh is a world-renowned scholar of the decorative arts and a leading figure in the international museum and academic world. He is currently director and president of the Corcoran Gallery of Art and the Corcoran College of Art and design, in Washington, D.C. His previous posts have included the presidency of NSCAL University, one of the leading Canadian institutions of art and design (2001-2006); head of research at the Victoria & Albert Museum (1992-94); deputy keeper of ceramics and glass at the V&A (1990-1992). Over the past two decades he has also written and edited a number of defining texts in the field of the crafts, decorative arts, and cultural history, including Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau, 1890-1914 (2000) The Persistence of Craft (200), and The Modern Ideal (2005). He also curated the seminal exhibition Art Nouveau, 1890-1914 at the V&A in 2000.
Author: Hossein Amirsadeghi Publisher: National Geographic Books ISBN: 050097053X Category : Antiques & Collectibles Languages : en Pages : 0
Book Description
Large-format and illustrated with original photography: a fresh look at the current scene for art lovers and a unique introduction to the art world for the novice For centuries, America's permutations of climate and landscape and its tantalizing suggestion of unlimited possibilities have inspired some of history's greatest minds to embark on both literal and imaginary journeys of exploration, none more so than its visual artists. Contrasting intimate visits to artists' studios with explorations of the country's sweeping landscapes of light and form that have inspired artists since the Luminists and the Hudson River School, here is a privileged look at the dreams, ideas, and thoughts of more than one hundred American artists who are active today. From established figures such as Marina Abramovic, John Baldessari, Chris Burden, Francesco Clemente Chuck Close, John Currin, Rachel Feinstein, Richard Prince, Robert Irwin, Kiki Smith, Bill Viola, and Lawrence Weiner to members of the new guard, including Diana Al-Hadid, Tauba Auerbach, Mark Bradford, Theaster Gates, Rashid Johnson, and Sterling Ruby, this profusely and beautifully illustrated journey through artists' studios provides an unprecedented look into the workings of one of the world's largest artistic communities. From New York's skyline to Southern California's sunny boardwalks, Art Studio America will embolden readers the chance to embark on transformative journeys of their own. The book includes essays by Robert Storr, Mark Godfrey, and Ben Genocchio.
Author: Sally Coulthard Publisher: Quarto Publishing Group USA ISBN: 1911127519 Category : House & Home Languages : en Pages : 347
Book Description
Discover what kind of stunning spaces for creative work you can build in your own home no matter your budget with this inspirational DIY guide. Art, craft and all things homemade have never been more popular and the trend for working from home continues apace. But it can be tricky to carve out a space in your house that lets you indulge your passion or earn a living from your creativity. Studio and study spaces are special places—full of creative spirit and practical potential—and there’s never been a greater demand for a book that shows you how to carve out a corner that allows you to not only practice your craft, but inspires and facilitates the very work you create. Real-life case studies from seven different countries, ranging from crafters, writers, designers and artists, show readers just what can be achieved on every budget. Many of the studio owners featured have a dedicated and ever-expanding social media following, including fashion designers Kiel James Patrick and Sarah Vickers, woodworker Ariele Alasko, designer Sarah Sherman Samuel, fine artist Lisa Congdon and decor blogger Holly Becker. Detailed chapters outline the vital pieces needed to create a functioning and inspirational studio space, while also taking an in-depth look into different styles of studios for craft and creative activities. With Studio, Sally Coulthard shows you that spaces for creativity can be easy to make, look beautiful, and fitted into any home. Praise for Studio “A visual feast of a sourcebook . . . features real-life home offices to inspire even the most spatially challenged of us.” —Fabric magazine “A fantastic and inspiring volume.” —Holly Becker “A lovely peek into lots of different creative studios, from potters to knitters, textile designers to fine artist, and every one is a delight.” —The Women’s Room “Working from home has never been so stylish.” —Ham & High
Author: Edward Winkleman Publisher: Simon and Schuster ISBN: 1621536572 Category : Art Languages : en Pages : 304
Book Description
“A comprehensive guide.” —Artspace. “Whether you are new to the business or a seasoned gallerist, it is always wise to remember the essentials.” —Leigh Conner, director, Conner Contemporary Art Aspiring and new art gallery owners can find everything they need to plan and operate a successful art gallery with How to Start and Run a Commercial Art Gallery. This new edition has been updated to mark the changes in market and technology over the past decade. Edward Winkleman and Patton Hindle draw on their years of experience to explain step by step how to start your new venture. From finding the ideal locale and renovating the space to writing business plans and securing start-up capital, this helpful guide has it all. Chapters detail how to: Manage cash flow Grow your new business Hire and manage staff Attract and retain artists and clients Represent your artists Promote your gallery and artists online Select the right art fair And more How to Start and Run a Commercial Art Gallery, Second Edition, also includes sample forms, helpful tips from veteran collectors and dealers, a large section on art fairs, and a directory of art dealer associations.
Author: Joe Fig Publisher: Chronicle Books ISBN: 1616891173 Category : Design Languages : en Pages : 240
Book Description
Inside an art gallery, it is easy to forget that the paintings there are the end products of a process involving not only creative inspiration, but also plenty of physical and logistical details. It is these "cruder," more mundane aspects of a painter's daily routine that motivated Brooklyn artist Joe Fig to embark almost ten years ago on a highly unorthodox, multilayered exploration of the working life of the professional artist. Determined to ground his research in the physical world, Fig began constructing a series of diorama-like miniature reproductions of the studios of modern art's most legendary painters, such as Jackson Pollock and Willem de Kooning. A desire for firsthand references led Fig to approach contemporary artists for access to their studios. Armed with a camera and a self-made "Artist's Questionnaire," Fig began a journey through the workspaces of some of today's most exciting contemporary artists.
Author: David M. Carroll Publisher: Houghton Mifflin Harcourt ISBN: 0618565841 Category : Biography & Autobiography Languages : en Pages : 195
Book Description
A renowned artist, author, and naturalist, David M. Carroll is exceptionally skilled at capturing nature on the page. In Self-Portrait with Turtles, he reflects on his own life, recounting the crucial moments that shaped his passions and abilities. Beginning with his first sighting of a wild turtle at age eight, Carroll describes his lifelong fascination with swamps and the creatures that inhabit them. He also traces his evolution as an artist, from the words of encouragement he received in high school to his college days in Boston to his life with his wife and family. Self-Portrait with Turtles is a remarkable memoir, a marvelous and exhilarating account of a life well lived.
Author: Jens Hoffmann
Author: Jens Hoffmann
Author: Studio Gallery 88 (NYC, NY)
Author: Vilém Flusser
Author: Oscar P. Fitzgerald
Author: Hossein Amirsadeghi
Author: Sally Coulthard
Author: Edward Winkleman
Author: Joe Fig
Author: 
Author: David M. Carroll