The Smithsonian Collection of Newspaper Comics PDF Download

Author: Smithsonian Institution
Publisher: ABRAMS
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 348

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Book Description
Examples from the Yellow Kid of 1896 to Peanuts, B.C., and Doonesbury.

Author: Michael Barrier
Publisher: ABRAMS
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 348

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Book Description

Author: J. Michael Barrier
Publisher:
ISBN:
Category : Comic books, strips, etc
Languages : en
Pages : 336

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Book Description

Author: Cord A Scott
Publisher: Naval Institute Press
ISBN: 1612514782
Category : History
Languages : en
Pages : 214

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Book Description
Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book, which emerged in its modern form in the 1930s, was another form of visual entertainment that gave readers, especially children, a form of escape. As World War II began, however, comic books became a part of propaganda as well, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism, adventure through war stories, and eventually to tell of the horrors of combat—from World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century. This book also examines how war-and patriotically-themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. These comic books generally reflected patriotic fervor, but sometimes they advanced a specific cause. As war comic books evolved along with American society, many also served as a form of protest against United States foreign and military policy. During the country’s most recent wars, however, patriotism has made a comeback, at the same time that the grim realities of combat are depicted more realistically than ever before. The focus of the book is not only on the development of the comic book medium, but also as a bell-weather of society at the same time. How did they approach the news of the war? Were people in favor or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? All of these questions were important to the research, and serve as a focal point for what has been researched only in limited form previously. The conclusions of the book show that comic books are more than mere forms of entertainment. Comic books were also a way of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era, the comic books have returned to their propagandistic/patriotic roots.

Author: J. Michael Barrier
Publisher:
ISBN:
Category :
Languages : en
Pages : 336

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Book Description

Author: John Carlin
Publisher: Yale University Press
ISBN: 030011317X
Category : Art
Languages : en
Pages : 341

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Book Description
Presents the work of America's most popular and influential comic artists, and includes critical essays accompanying each artist's drawings.

Author: Michael Barrier
Publisher: Univ of California Press
ISBN: 0520283902
Category : Art
Languages : en
Pages : 432

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Book Description
Funnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, “Dell Comics Are Good Comics” was more than a slogan—it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.

Author: Bradford W. Wright
Publisher: JHU Press
ISBN: 9780801874505
Category : Art
Languages : en
Pages : 364

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Book Description
A history of comic books from the 1930s to 9/11.

Author: Harvey Kurtzman
Publisher: Fantagraphics Books
ISBN: 1606995456
Category : Comics & Graphic Novels
Languages : en
Pages : 241

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Book Description
EC reprint series kicks off with war-story masterpieces from the legendary Harvey Kurtzman. The creation of MAD would have been enough to cement Harvey Kurtzman’s reputation as one of the titans of American comics, but Kurtzman also created two other comics landmarks: the scrupulously-researched and superbly-crafted war comics Two-Fisted Tales and Frontline Combat. Here were finally war comics without heroic, cigar-chomping sergeants, wisecracking privates from Brooklyn, or cartoon Nazis and “Japs” to be mowed down by the Yank heroes, but an unflinching look at the horror and madness of combat throughout history.

Author: Milt Gross
Publisher: Gefen Books
ISBN: 9781600105463
Category : American wit and humor, Pictorial
Languages : en
Pages : 0

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Book Description
Contains reprints of the comic art of Milt Gross and a detailed biography of the artist with rare cartoons, advertisements, still photographs, and more. Features a fold-in introduction by "Mad" magazine's Al Jaffee.