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A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland

Author: Francis Orpen Morris
Publisher:
ISBN:
Category : Castles
Languages : en
Pages : 248

Book Description

A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland

Author: Francis Orpen Morris
Publisher:
ISBN:
Category : Castles
Languages : en
Pages : 254

Book Description

A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland

Author: Francis Orpen Morris
Publisher:
ISBN:
Category : Castles
Languages : en
Pages : 248

Book Description

The Book of British Topography. A Classified Catalogue of the Topographical Works in the Library of the British Museum Relating to Great Britain and Ireland

Author: John Parker Anderson
Publisher: BoD – Books on Demand
ISBN: 3385430135
Category : Fiction
Languages : en
Pages : 494

Book Description
Reprint of the original, first published in 1881.

Piccadilly Series

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 172

Book Description

The Book of British Topography

Author: John Parker Anderson
Publisher:
ISBN:
Category : British Isles
Languages : en
Pages : 496

Book Description

Catalogue of the Books in the Reference Department

Author: Blackburn (England). Public Library, Museum and Art Gallery
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 646

Book Description

Grammars of Approach

Author: Cynthia Wall
Publisher: University of Chicago Press
ISBN: 022646783X
Category : Literary Criticism
Languages : en
Pages : 355

Book Description
In Grammars of Approach, Cynthia Wall offers a close look at changes in perspective in spatial design, language, and narrative across the late eighteenth and early nineteenth centuries that involve, literally and psychologically, the concept of “approach.” In architecture, the term “approach” changed in that period from a verb to a noun, coming to denote the drive from the lodge at the entrance of an estate “through the most interesting part of the grounds,” as landscape designer Humphrey Repton put it. The shift from the long straight avenue to the winding approach, Wall shows, swung the perceptual balance away from the great house onto the personal experience of the visitor. At the same time, the grammatical and typographical landscape was shifting in tandem, away from objects and Things (and capitalized common Nouns) to the spaces in between, like punctuation and the “lesser parts of speech”. The implications for narrative included new patterns of syntactical architecture and the phenomenon of free indirect discourse. Wall examines the work of landscape theorists such as Repton, John Claudius Loudon, and Thomas Whately alongside travel narratives, topographical views, printers’ manuals, dictionaries, encyclopedias, grammars, and the novels of Defoe, Richardson, Burney, Radcliffe, and Austen to reveal a new landscaping across disciplines—new grammars of approach in ways of perceiving and representing the world in both word and image.