Author: John Corry
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 230
Book Description
A Satirical View of London; Or, A Descriptive Sketch of the English Metropolis
Author: John Corry
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 230
Book Description
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 230
Book Description
A Satirical View of London
Author: John Corry
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 276
Book Description
A Catalogue of the Library of the Corporation of the City of London
Author: Guildhall Library (London, England)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 396
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 396
Book Description
A Catalogue of the Library of the Corporation of the City of London, Instituted in the Year 1824
Author: Guildhall Library (London, England)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 218
Book Description
A Catalogue of the Library of the Corporation of the City of London
Author: Corporation of London. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 222
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 222
Book Description
“A” Catalogue of the Library of the Corporation of London, Instituted in the Year 1824 with an Alphabetical List of Authors Annexed
Author: City of London. Corporation
Publisher:
ISBN:
Category :
Languages : en
Pages : 666
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 666
Book Description
The Business of Satirical Prints in Late-Georgian England
Author: James Baker
Publisher: Springer
ISBN: 3319499890
Category : History
Languages : en
Pages : 240
Book Description
This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis – a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.
Publisher: Springer
ISBN: 3319499890
Category : History
Languages : en
Pages : 240
Book Description
This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis – a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.
Literary History Writing, 1770-1820
Author: April London
Publisher: Springer
ISBN: 0230283330
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
This investigation of literary history writing between 1770 and 1820 identifies the mode's distinction from canon formation as central to its cultural vitality. Using secret history, memoir and the novel, amongst other sources, it invites a re-thinking of literary history's place in late eighteenth and early nineteenth-century print culture.
Publisher: Springer
ISBN: 0230283330
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
This investigation of literary history writing between 1770 and 1820 identifies the mode's distinction from canon formation as central to its cultural vitality. Using secret history, memoir and the novel, amongst other sources, it invites a re-thinking of literary history's place in late eighteenth and early nineteenth-century print culture.
British Museum Catalogue of printed Books
A Catalogue of the Library of the Corporation of London
Author: Guildhall Library (London, England)
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 712
Book Description