Author: Publisher:
ISBN:
Category : Editions
Languages : en
Pages : 1146
Book Description
Guide to Reprints
Author: Catalogue of the Mercantile Library of Boston
Author: Catalogue of the Mercantile Library of Boston. [With supplement.]
![Catalogue of the Mercantile Library of Boston. [With supplement.] PDF](https://books.google.com/books/content/images/frontcover/86Ee5H4A4TcC?fife=w80-h100)
Author: Mercantile Library Association (BOSTON, Massachusetts)Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
American Book Publishing Record Cumulative, 1950-1977
Author: R.R. Bowker Company. Department of BibliographyPublisher:
ISBN:
Category : United States
Languages : en
Pages : 1400
Book Description
American Book Publishing Record
Author: Guide to Reprints, 1986
Author: Ann S. DavisPublisher: Guide to Reprints
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 1008
Book Description
Performing Arts/books in Print
Author: Performing Arts Books, 1876-1981
Author: Publisher: New York : R.R. Bowker Company
ISBN:
Category : Performing Arts
Languages : en
Pages : 1728
Book Description
Museum of Fine Arts Boston: 1870 To 2020
Author: Charles GiulianoPublisher:
ISBN: 9780996171571
Category :
Languages : en
Pages :
Book Description
In 1970 the Museum of Fine Arts commissioned a two-volume Centennial history by its trustee, Walter Muir Whitehill. That was a time of turmoil as then director Perry T. Rathbone was forced to resign resulting from the questionable acquisition of a portrait by Raphael later returned to Italy.Instability followed with the quick succession of acting director, Cornelius Vermeule, the ill-fated Merrill Rueppel, then Asiatic curator, Jan Fontein promoted from acting to full time director. Museum of Fine Arts Boston, 1870 to 2020: An Oral History is only the second publication chronicling 150 years of a great museum with aspects of its collection second to none. The book summarizes events of the first century with a vivid update of what has occurred since then.The fascinating story of a world-class museum is updated in the words of each of its directors from Perry T. Rathbone to Matthew Teitelbaum. There are also interviews with curators, trustees, art historians, administrators, and arts journalists.The founders were individuals of class and privilege who gave generously. The tone of Brahmin elitism changed by the 1950s as the museum expanded and become more costly to maintain. There was a search for new money and expansion of the board to include Jews and people of color. By the 1960s the museum drew broad criticism for its elitism and indifference to modern/ contemporary art and Boston's contemporary artists, including the Jewish Boston Expressionists. Charges of racism have accelerated in the past few years as they have for all cultural institutions. The MFA has been charged with a transition from the "Our Museum" of its founders to a "Museum for all the people of Boston" under current director Matthew Teitelbaum.As an observer and writer, Charles Giuliano is a consummate insider. In 1963 upon graduation from Brandeis University he worked for two and a half years as a conservation intern for the Egyptian Department. He later became one of Boston's most influential art critics covering the museum for a range of publications. This book is the culmination of that coverage since the 1960s.
Sex and War on the American Stage
Author: Emily KleinPublisher: Routledge
ISBN: 1135087725
Category : Drama
Languages : en
Pages : 206
Book Description
American adaptations of Aristophanes’ enduring comedy Lysistrata have used laughter to critique sex, war, and feminism for nearly a century. Unlike almost any other play circulating in contemporary theatres, Lysistrata has outlived its classical origins in 411 BCE and continues to shock and delight audiences to this day. The play’s "make love not war" message and bawdy humor render it endlessly appealing to college campuses, activist groups, and community theatres – so much so that none of Aristophanes’ plays are performed in the West as frequently as Lysistrata. Starting with the play’s first mainstream production in the U.S. in 1930, Emily B. Klein explores the varied iterations of Lysistrata that have graced the American stage, page, and screen since the Great Depression. These include the Federal Theatre’s 1936 Negro Repertory production, the 1955 movie musical The Second Greatest Sex and Spiderwoman Theater’s openly political Lysistrata Numbah!, as well as Douglas Carter Beane’s Broadway musical, Lysistrata Jones, and the international Lysistrata Project protests, which updated the classic in the contemporary context of the Iraq War. Although Aristophanes’ oeuvre has been the subject of much classical scholarship, Lysistrata has received little attention from feminist theatre scholars or performance theorists. In response, this book maps current debates over Lysistrata’s dubious feminist underpinnings and uses performance theory, cultural studies, and gender studies to investigate how new adaptations reveal the socio-political climates of their origins. Emily B. Klein is Assistant Professor of English and Drama at Saint Mary's College of California. Her work has appeared in Women and Performance and Frontiers as well as Political and Protest Theater After 9/11: Patriotic Dissent (Routledge, 2012).