Author: Evamarii Alexandria JohnsonPublisher:
ISBN:
Category : Theater
Languages : en
Pages : 207
Book Description
A Production History of the Seattle Federal Theatre Project Negro Repertory Company
Author: Evamarii Alexandria JohnsonPublisher:
ISBN:
Category : Theater
Languages : en
Pages : 207
Book Description
The Federal Theatre Project
Author: Barry WithamPublisher: Cambridge University Press
ISBN: 9780521822596
Category : Drama
Languages : en
Pages : 220
Book Description
This 2003 book provides a detailed examination of the operations of the US Federal Theatre Project in the decade of the 1930s.
A History of African American Theatre
Author: Errol G. HillPublisher: Cambridge University Press
ISBN: 9780521624435
Category : Drama
Languages : en
Pages : 652
Book Description
Table of contents
Radical Black Theatre in the New Deal
Author: Kate DossettPublisher: UNC Press Books
ISBN: 1469654431
Category : History
Languages : en
Pages : 359
Book Description
Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community—a broad network of actors, dramatists, audiences, critics, and community activists—who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle. Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.
Waiting for Lefty
Author: Clifford OdetsPublisher: Dramatists Play Service Inc
ISBN: 9780822212157
Category : Drama
Languages : en
Pages : 36
Book Description
THE STORY: The action of the play is comprised of a series of varied, imaginatively conceived episodes, which blend into a powerful and stirring mosaic. The opening scene is a hiring hall where a union leader (obviously in the pay of the bosses) is trying to convince a committee of workers (who are waiting for their leader, Lefty, to arrive) not to strike. This is followed by a moving confrontation between a discouraged taxi driver, who cannot earn enough to live on, and his angry wife, who wants him to show some backbone and stand up to his employer; a revealing scene between a scheming boss and the young worker who refuses to spy on his fellow employees; a sad/funny episode centering on a young cabbie and his would-be bride, who lack the wherewithal to get married; a disturbing scene involving a senior doctor and the underpaid young intern (a labor activist) whom the doctor has been ordered to discharge; and, finally, a return to the union hall where the workers, learning that Lefty has been gunned down by the powers-that-be, resolve at last to stand up for their rights and to strike-and to stay off their jobs until their grievances are finally heard and acted upon by those who have so cynically exploited and misused them.
The African American Theatre Directory, 1816-1960
Author: Lena McPhatter GorePublisher: Bloomsbury Publishing USA
ISBN: 0313033323
Category : Performing Arts
Languages : en
Pages : 332
Book Description
A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. Included in the volume are the earliest organizations that existed before the Civil War, Black minstrel troupes, pioneer musical show companies, selected vaudeville and road show troupes, professional theatrical associations, booking agencies, stock companies, significant amateur and little theatre groups, Black units of the WPA Federal Theatre, and semi-professional groups in Harlem after the Federal Theatre. The A-Z entries are supplemented with a classified appendix that also includes additional organizations not listed in the main directory, a bibliography, and three indexes for shows, showpeople, and general subjects. Cross referencing makes related information easy to find.
Shaw and History
Author: Gale K. LarsonPublisher: Penn State Press
ISBN: 9780271019185
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
This special issue of Shaw offers ten articles that focus on the theme of "Shaw and History." That focus illuminates Shaw's concept of history as art and its uses for dramatic purposes. It is a focus that is broadly applied to the historical perspective. Views range from Shaw's uses of historical sources in the Shavianizing of history, his uses of historical, geographical, and political places and events in his work, to views that place selected Shavian works within a historical context. Stanley Weintraub discusses Shaw's references to Cetewayo, Zulu chieftain, in Cashel Byron's Profession as the first incorporation of a contemporary historical figure into his work. John Allett explores the liberal, socialist, and radical feminist views of prostitution in nineteenth-century England and demonstrates how those political views are developed within the unfolding action ofMrs Warren's Profession. Sidney P. Albert studies the Utopian movement, "The Garden City," to determine the extent to which that movement influenced Shaw's conception of Perivale St. Andres inMajor Barbara. He also narrates his personal attempt to identify the Ballycorus smelting works and its surroundings as well as the campanile, or Folly, at Faringdon as sites that provided the scenic sources for Perivale St. Andres inMajor Barbara. Gale K. Larson has edited a partially unpublished Shavian manuscript that addresses Shaw's relationship with Frank Harris and, among other matters, sets the historical record right as to who deserves the credit for attributing the identity of the Dark Lady of the Sonnets to Mary Fitton. He also examines the historical sources that influenced Shaw's views on Charles II, the "Merry Monarch," in"In Good King Charles's Golden Days" and demonstrates Shaw's reclamation of yet another historical figure from the traditional historians. David Gunby examines the first-night performance of O'Flaherty, V.C. for purposes of setting the historical record straight as to the facts of that production. Wendi Chen presents the stage history of the production of Mrs Warren's Professionin China during the early 1920s and argues its central role in shaping modern Chinese drama. Rodelle Weintraub assesses Too True to Be Good as a dream play within the context of the nightmarish times of World War I. Michael M. O'Hara surveys the Federal Theatre's productions of Androcles and the Lionin the 1930s to reveal the political and religious repressions that those productions underscore. Shaw 19 also includes three reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."
A history of the Chicago Federal Theatre Project Negro Unit, 1935-1939
Author: Vanita Marian VactorPublisher:
ISBN:
Category : African American theater
Languages : en
Pages : 488
Book Description
The Forging of a Black Community
Author: Quintard TaylorPublisher: University of Washington Press
ISBN: 0295802235
Category : Social Science
Languages : en
Pages : 377
Book Description
Through much of the twentieth century, black Seattle was synonymous with the Central District--a four-square-mile section near the geographic center of the city. Quintard Taylor explores the evolution of this community from its first few residents in the 1870s to a population of nearly forty thousand in 1970. With events such as the massive influx of rural African Americans beginning with World War II and the transformation of African American community leadership in the 1960s from an integrationist to a �black power� stance, Seattle both anticipates and mirrors national trends. Thus, the book addresses not only a particular city in the Pacific Northwest but also the process of political change in black America.
American Theatre Companies, 1931-1986
Author: Weldon B. DurhamPublisher: Greenwood
ISBN:
Category : Performing Arts
Languages : en
Pages : 616
Book Description
A series providing essential facts about resident acting companies in the United States spanning from 1749 through 1986. Information includes the company's location, history, personnel, and repertory,