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Author: Ben Markley Publisher: Alfred Music ISBN: 9781562242954 Category : Music Languages : en Pages : 0
Book Description
Learn how to create your own etudes in the style of your favorite musicians! Doing so reveals their favorite phrases and stylistic tendencies, allowing you to better understand and absorb their approach and concept (plus, there are unique, hip etudes that will be fun to play and share with your friends and students). Well-known pianist David Hazeltine used this method to develop his own style and refined it over the years to help his students. Now, it is available in book form for all who want to master the art of better phrasing. This is not a piano book. This is a single-line approach designed for all instrumentalists, including piano. David Hazeltine is, quite simply, one of the finest musicians I've had the chance to perform with in my two-plus decades as a professional musician. Over the years, I've asked Dave to show me some of his harmonic and melodic concepts. Most times, he'll present me with a portion of one of his etudes that he's come up with. I've found them all to be tremendously informative. They are crafted in a way that makes the concepts contained in each exercise very organic, and readily accessible to me in my own improvisations. Dave's meticulous study of the masters of his instrument has yielded a treasure trove of information. His etudes are designed to maximize the internalization of particular styles and modern Jazz language in general. I'm confident that this book will provide countless hours---years even---of enjoyment and learning to all who take the time to look into the mind and the learning process of this brilliant musician." ---Eric Alexander"
Author: Ben Markley Publisher: Alfred Music ISBN: 9781562242954 Category : Music Languages : en Pages : 0
Book Description
Learn how to create your own etudes in the style of your favorite musicians! Doing so reveals their favorite phrases and stylistic tendencies, allowing you to better understand and absorb their approach and concept (plus, there are unique, hip etudes that will be fun to play and share with your friends and students). Well-known pianist David Hazeltine used this method to develop his own style and refined it over the years to help his students. Now, it is available in book form for all who want to master the art of better phrasing. This is not a piano book. This is a single-line approach designed for all instrumentalists, including piano. David Hazeltine is, quite simply, one of the finest musicians I've had the chance to perform with in my two-plus decades as a professional musician. Over the years, I've asked Dave to show me some of his harmonic and melodic concepts. Most times, he'll present me with a portion of one of his etudes that he's come up with. I've found them all to be tremendously informative. They are crafted in a way that makes the concepts contained in each exercise very organic, and readily accessible to me in my own improvisations. Dave's meticulous study of the masters of his instrument has yielded a treasure trove of information. His etudes are designed to maximize the internalization of particular styles and modern Jazz language in general. I'm confident that this book will provide countless hours---years even---of enjoyment and learning to all who take the time to look into the mind and the learning process of this brilliant musician." ---Eric Alexander"
Author: Michael Titlebaum Publisher: Routledge ISBN: 9780367854751 Category : Music Languages : en Pages : 300
Book Description
Jazz Improvisation Using Simple Melodic Embellishment teaches fundamental concepts of jazz improvisation, highlighting the development of performance skills through embellishment techniques. Written with the college-level course in mind, this introductory textbook is both practical and comprehensive, ideal for the aspiring improviser, focused not on scales and chords but melodic embellishment. It assumes some basic theoretical knowledge and level of musicianship while introducing multiple techniques, mindful that improvisation is a learned skill as dependent on hard work and organized practice as it is on innate talent. This jargon-free textbook can be used in both self-guided study and as a course book, fortified by an array of interactive exercises and activities: musical examples performance exercises written assignments practice grids resources for advanced study and more! Nearly all musical exercises--presented throughout the text in concert pitch and transposed in the appendices for E-flat, B-flat, and bass clef instruments--are accompanied by backing audio tracks, available for download via the Routledge catalog page along with supplemental instructor resources such as a sample syllabus, PDFs of common transpositions, and tutorials for gear set-ups. With music-making at its core, Jazz Improvisation Using Simple Melodic Embellishment implores readers to grab their instruments and play, providing musicians with the simple melodic tools they need to "jazz it up."
Author: Davy Mooney Publisher: Mel Bay Publications ISBN: 161911934X Category : Music Languages : en Pages : 68
Book Description
This method book is designed to help intermediate to advanced jazz students incorporate classic jazz vocabulary into their original improvisations. Using a series of standard and modern chord progressions, guitarist Davy Mooney provides several short passages that are meant to be played exactly as written within an otherwise improvised solo; students are expected to adapt this written material to their own purposes by improvising into and out of it. In an effort to overcome the disconnect between developing a unique sound and learning the language of past jazz masters, the author eloquently analyzes several phrases and chord changes and comments on various aspects of improvisation, referencing the styles and specific recordings of many outstanding jazz artists. This is the method that Mooney used as a student to personalize his own jazz vocabulary and learn to express himself within the context of the jazz tradition. Mooney proves he has both the vocabulary and the chops to deliver generously repeated guitar/bass/drums backup tracks for student use; he then demonstrates the method by providing transcriptions of his own improvisations, incorporating the same phrases and chord progressions required of the student. The firm message conveyed by this book is that, “you can do it too.” Written in standard notation only. Includes access to online audio.
Author: Richie Vitale Publisher: Lulu.com ISBN: 0557157870 Category : Art Languages : en Pages : 98
Book Description
For Preview click on ""Preview"" link below book. This is a definitive book on ""How to Improvise"" explained clearly and succinctly by trumpeter Richie Vitale. Richie has taught Master Classes and Clinics at the Eastman School of Music and is currently teaching at New Jersey City University (NJCU). This book, though written by a trumpet player, applies to all instruments and all people looking for a comprehensive book on the theory and thought process behind jazz improvisation. (Also available ""Spiral Bound"" to sit flat on music stand.)
Author: Publisher: ISBN: 9781847615060 Category : Music Languages : en Pages : 0
Book Description
(Schott). Volume 1 introduces the intermediate pianist to the basic chord-types used in jazz, from major and minor triads to seventh and ninth chords. Other topics include: Chord/scale relationships, modes, broken chord and scale patterns, pentatonic and blues scales, walking bass lines, Latin rhythms and bass lines, the diatonic cycle, secondary dominants, II-V-I sequences, horizontal and vertical improvisation, tritone substitution, two-handed voicings, rootless voicings, technical exercises and fingering, accompaniment styles, ear-training, discography (suggested listening). 28 pieces by the author appear alongside special arrangements of well-known jazz standards, including: Autumn Leaves * Fly Me to the Moon * In a Sentimental Mood * Mannenberg * On Green Dolphin St (Part 1) * Ornithology * Song for My Father * Straight No Chaser * Take the A Train. Also included are transcribed solos by Thelonious Monk and Horace Silver, an invaluable source of authentic jazz techniques. Also includes audio files for download, containing erformances of all pieces, played by Tim alone or with his trio of Dominic Howles (bass) and Matt Home (drums). Play-along tracks are also included, in which the piano is panned to one speaker, providing rhythm section accompaniment if desired by turning the amplifier's balance control. Copious examples of improvisation are accompanied by numerous assignments, with guidance to hand on every page. Audio is accessed online.
Author: Ben Markley
Author: Ben Markley
Author: Michael Titlebaum
Author: Tom Hall
Author: Davy Mooney
Author: Richie Vitale
Author: Jason Goldman
Author: Lionel Grigson
Author: Joe Riposo
Author: Darmon Meader
Author: