Author: Sridevi Selvaraj
Publisher: Notion Press
ISBN:
Category : History
Languages : en
Pages : 258
Book Description
The kings sponsored culture a few centuries back, and still, the poets transcended the framework and have produced immortal verses. Now the consumer sponsors culture, and still, the artist transcends the rigid framework of market conditions. A Poetic Encounter with Identity speaks about Tamil consciousness as exemplified by popular culture. It is an attempt to re-understand these areas of thought from the perspective of popular culture. Viewers and readers decide the sale of movies and books; the creative genius of the artist decides art’s longevity. Even under rigid circumstances, art survives. States use popular culture as a tool for communicating their ideologies in a democratic government, as scholars argue. Tamil Nadu’s intellectual legacy stays behind the popular electorate, and its embedded ideologies and thought processes are the continuations of the great Tamil classical tradition – it can be assumed. It directs the philosophical writings too. Its desire for urbanisation and industrialisation reflects the people’s policies. Tamil Nadu accommodated a variety of aggressive approaches to its language, culture and social structure from various quarters. The multiple nuances in its expressions show us how the state has dealt with colonialism, nationalism and globalisation.
A Poetic Encounter With Identity
Author: Sridevi Selvaraj
Publisher: Notion Press
ISBN:
Category : History
Languages : en
Pages : 258
Book Description
The kings sponsored culture a few centuries back, and still, the poets transcended the framework and have produced immortal verses. Now the consumer sponsors culture, and still, the artist transcends the rigid framework of market conditions. A Poetic Encounter with Identity speaks about Tamil consciousness as exemplified by popular culture. It is an attempt to re-understand these areas of thought from the perspective of popular culture. Viewers and readers decide the sale of movies and books; the creative genius of the artist decides art’s longevity. Even under rigid circumstances, art survives. States use popular culture as a tool for communicating their ideologies in a democratic government, as scholars argue. Tamil Nadu’s intellectual legacy stays behind the popular electorate, and its embedded ideologies and thought processes are the continuations of the great Tamil classical tradition – it can be assumed. It directs the philosophical writings too. Its desire for urbanisation and industrialisation reflects the people’s policies. Tamil Nadu accommodated a variety of aggressive approaches to its language, culture and social structure from various quarters. The multiple nuances in its expressions show us how the state has dealt with colonialism, nationalism and globalisation.
Publisher: Notion Press
ISBN:
Category : History
Languages : en
Pages : 258
Book Description
The kings sponsored culture a few centuries back, and still, the poets transcended the framework and have produced immortal verses. Now the consumer sponsors culture, and still, the artist transcends the rigid framework of market conditions. A Poetic Encounter with Identity speaks about Tamil consciousness as exemplified by popular culture. It is an attempt to re-understand these areas of thought from the perspective of popular culture. Viewers and readers decide the sale of movies and books; the creative genius of the artist decides art’s longevity. Even under rigid circumstances, art survives. States use popular culture as a tool for communicating their ideologies in a democratic government, as scholars argue. Tamil Nadu’s intellectual legacy stays behind the popular electorate, and its embedded ideologies and thought processes are the continuations of the great Tamil classical tradition – it can be assumed. It directs the philosophical writings too. Its desire for urbanisation and industrialisation reflects the people’s policies. Tamil Nadu accommodated a variety of aggressive approaches to its language, culture and social structure from various quarters. The multiple nuances in its expressions show us how the state has dealt with colonialism, nationalism and globalisation.
Skin, Inc.
Author: Thomas Sayers Ellis
Publisher: Graywolf Press
ISBN: 9781555976507
Category : Poetry
Languages : en
Pages : 0
Book Description
The brilliant and provocative second book of poems by Thomas Sayers Ellis, now available in paperback Skin, Inc. is Thomas Sayers Ellis's ambitious argument in sound and image for an America whose identity is in need of repair. In lyric sequences and with his own photographs, Ellis traverses the African American and American literary landscapes and performs tributes for the Godfather of Soul, James Brown; the King of Pop, Michael Jackson; and the election of President Barack Obama. This book assures Ellis's place as one of the most audacious poets now writing.
Publisher: Graywolf Press
ISBN: 9781555976507
Category : Poetry
Languages : en
Pages : 0
Book Description
The brilliant and provocative second book of poems by Thomas Sayers Ellis, now available in paperback Skin, Inc. is Thomas Sayers Ellis's ambitious argument in sound and image for an America whose identity is in need of repair. In lyric sequences and with his own photographs, Ellis traverses the African American and American literary landscapes and performs tributes for the Godfather of Soul, James Brown; the King of Pop, Michael Jackson; and the election of President Barack Obama. This book assures Ellis's place as one of the most audacious poets now writing.
Heart Like a Window, Mouth Like a Cliff
Author: Sara Borjas
Publisher: Noemi Press
ISBN: 9781934819791
Category : Poetry
Languages : en
Pages : 0
Book Description
Poetry. California Interest. Latinx Studies. HEART LIKE A WINDOW, MOUTH LIKE A CLIFF is a transgressive, yet surprisingly tender confrontation of what it means to want to flee the thing you need most. The speaker struggles through cultural assimilation and the pressure to "act" Mexican while dreaming of the privileges of whiteness. Borjas holds cultural traditions accountable for the gendered denial of Chicanas to individuate and love deeply without allowing one's love to consume the self. This is nothing new. This is colonization working through relationships within Chicanx families--how we learn love and perform it, how we filter it though alcohol abuse--how ultimately, we oppress the people we love most. This collection simultaneously reveres and destroys nostalgia, slips out of the story after a party where the reader can find God "drunk and dreaming." Think golden oldiez meets the punk attitude of No Doubt. Think pochas sipping gin martinis in lowriders cruising down Who Gives a Fuck Boulevard.
Publisher: Noemi Press
ISBN: 9781934819791
Category : Poetry
Languages : en
Pages : 0
Book Description
Poetry. California Interest. Latinx Studies. HEART LIKE A WINDOW, MOUTH LIKE A CLIFF is a transgressive, yet surprisingly tender confrontation of what it means to want to flee the thing you need most. The speaker struggles through cultural assimilation and the pressure to "act" Mexican while dreaming of the privileges of whiteness. Borjas holds cultural traditions accountable for the gendered denial of Chicanas to individuate and love deeply without allowing one's love to consume the self. This is nothing new. This is colonization working through relationships within Chicanx families--how we learn love and perform it, how we filter it though alcohol abuse--how ultimately, we oppress the people we love most. This collection simultaneously reveres and destroys nostalgia, slips out of the story after a party where the reader can find God "drunk and dreaming." Think golden oldiez meets the punk attitude of No Doubt. Think pochas sipping gin martinis in lowriders cruising down Who Gives a Fuck Boulevard.
Seam
Author: Tarfia Faizullah
Publisher: SIU Press
ISBN: 0809333260
Category : Poetry
Languages : en
Pages : 81
Book Description
The poems in this captivating collection weave beauty with violence, the personal with the historic as they recount the harrowing experiences of the two hundred thousand female victims of rape and torture at the hands of the Pakistani army during the 1971 Liberation War. As the child of Bangladeshi immigrants, the poet in turn explores her own losses, as well as the complexities of bearing witness to the atrocities these war heroines endured. Throughout the volume, the narrator endeavors to bridge generational and cultural gaps even as the victims recount the horror of grief and personal loss. As we read, we discover the profound yet fragile seam that unites the fields, rivers, and prisons of the 1971 war with the poet’s modern-day hotel, or the tragic death of a loved one with the holocaust of a nation. Moving from West Texas to Dubai, from Virginia to remote villages in Bangladesh and back again, the narrator calls on the legacies of Willa Cather, César Vallejo, Tomas Tranströmer, and Paul Celan to give voice to the voiceless. Fierce yet loving, devastating and magical at once, Seam is a testament to the lingering potency of memory and the bravery of a nation’s victims. Winner, Great Lakes Colleges Association New Writers Award, 2014 Winner, Binghamton University Milt Kessler Poetry Book Award, 2015 Winner, Drake University Emerging Writers Award, 2015
Publisher: SIU Press
ISBN: 0809333260
Category : Poetry
Languages : en
Pages : 81
Book Description
The poems in this captivating collection weave beauty with violence, the personal with the historic as they recount the harrowing experiences of the two hundred thousand female victims of rape and torture at the hands of the Pakistani army during the 1971 Liberation War. As the child of Bangladeshi immigrants, the poet in turn explores her own losses, as well as the complexities of bearing witness to the atrocities these war heroines endured. Throughout the volume, the narrator endeavors to bridge generational and cultural gaps even as the victims recount the horror of grief and personal loss. As we read, we discover the profound yet fragile seam that unites the fields, rivers, and prisons of the 1971 war with the poet’s modern-day hotel, or the tragic death of a loved one with the holocaust of a nation. Moving from West Texas to Dubai, from Virginia to remote villages in Bangladesh and back again, the narrator calls on the legacies of Willa Cather, César Vallejo, Tomas Tranströmer, and Paul Celan to give voice to the voiceless. Fierce yet loving, devastating and magical at once, Seam is a testament to the lingering potency of memory and the bravery of a nation’s victims. Winner, Great Lakes Colleges Association New Writers Award, 2014 Winner, Binghamton University Milt Kessler Poetry Book Award, 2015 Winner, Drake University Emerging Writers Award, 2015
Fireflies
Author: David P. Owen, Jr.
Publisher: Springer
ISBN: 9463511490
Category : Education
Languages : en
Pages : 138
Book Description
Fireflies is a book about how writing poetry can help us explore memory and identity, and it is also a book of poetry that explores memory and identity. This work is an example of the “liminal” scholarship advocated in The Need for Revision (2011, by the same author), occupying a space in the academic world’s “windows and doorways,” not exactly in any one field but rather in the “spaces-between where the inside and outside commingle”; it seeks to trouble the boundaries between teacher and writer, critic and artist, writer and reader, and teacher and student in a way from which all parties might benefit. Fireflies aims for a different kind of scholarship, and hopes to offer new ways for teachers to be professional and academic. The second section of the book is a full-length poetry text— the author’s own exploration of the notions that people who teach writing should also be writers, and that poetry is more something you do than something you are. The book says we should write poems not because of some inborn gift for it, but because the act of writing poetry is good for us, and helps us understand ourselves better; it is a book written in the hopes that other books will be written. Maybe by you. “David Owen has taken his understanding of currere, the root of curriculum, to a new level with his demonstration of the value of reading and writing poetry. He argues that writing poetry develops an ‘attitude of adventure’ into everydayness. As his first chapter ‘Songs of Ourselves’ suggests, we all can be Whitman’s if we take up our pens to celebrate what lives around us as well as in us. Owen demonstrates this theory with a calendar of poems he wrote that share small frozen moments of the seasons of a year. Connecting his memories with forays into night skies and fireflies and ‘the fractals that God makes,’ David Owen’s poetic images suggest that our deep connection with Earth can be recovered if we let a little more ‘oak in the voice’ of our words.” – Mary Aswell Doll, author of The Mythopoetics of Currere
Publisher: Springer
ISBN: 9463511490
Category : Education
Languages : en
Pages : 138
Book Description
Fireflies is a book about how writing poetry can help us explore memory and identity, and it is also a book of poetry that explores memory and identity. This work is an example of the “liminal” scholarship advocated in The Need for Revision (2011, by the same author), occupying a space in the academic world’s “windows and doorways,” not exactly in any one field but rather in the “spaces-between where the inside and outside commingle”; it seeks to trouble the boundaries between teacher and writer, critic and artist, writer and reader, and teacher and student in a way from which all parties might benefit. Fireflies aims for a different kind of scholarship, and hopes to offer new ways for teachers to be professional and academic. The second section of the book is a full-length poetry text— the author’s own exploration of the notions that people who teach writing should also be writers, and that poetry is more something you do than something you are. The book says we should write poems not because of some inborn gift for it, but because the act of writing poetry is good for us, and helps us understand ourselves better; it is a book written in the hopes that other books will be written. Maybe by you. “David Owen has taken his understanding of currere, the root of curriculum, to a new level with his demonstration of the value of reading and writing poetry. He argues that writing poetry develops an ‘attitude of adventure’ into everydayness. As his first chapter ‘Songs of Ourselves’ suggests, we all can be Whitman’s if we take up our pens to celebrate what lives around us as well as in us. Owen demonstrates this theory with a calendar of poems he wrote that share small frozen moments of the seasons of a year. Connecting his memories with forays into night skies and fireflies and ‘the fractals that God makes,’ David Owen’s poetic images suggest that our deep connection with Earth can be recovered if we let a little more ‘oak in the voice’ of our words.” – Mary Aswell Doll, author of The Mythopoetics of Currere
A Stranger's Journey
Author: David Mura
Publisher: University of Georgia Press
ISBN: 082035368X
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Book Description
Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as James Baldwin, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Garrett Hongo, while making compelling connections to Mura's own life and work as a Japanese American writer. In A Stranger's Journey, Mura poses two central questions. The first involves identity: How is writing an exploration of who one is and one's place in the world? Mura examines how the myriad identities in our changing contemporary canon have led to new challenges regarding both craft and pedagogy. Here, like Toni Morrison's Playing in the Dark or Jeff Chang's Who We Be, A Stranger's Journey breaks new ground in our understanding of the relationship between the issues of race, literature, and culture. The book's second central question involves structure: How does one tell a story? Mura provides clear, insightful narrative tools that any writer may use, taking in techniques from fiction, screenplays, playwriting, and myth. Through this process, Mura candidly explores the newly evolved aesthetic principles of memoir and how questions of identity occupy a central place in contemporary memoir.
Publisher: University of Georgia Press
ISBN: 082035368X
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Book Description
Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as James Baldwin, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Garrett Hongo, while making compelling connections to Mura's own life and work as a Japanese American writer. In A Stranger's Journey, Mura poses two central questions. The first involves identity: How is writing an exploration of who one is and one's place in the world? Mura examines how the myriad identities in our changing contemporary canon have led to new challenges regarding both craft and pedagogy. Here, like Toni Morrison's Playing in the Dark or Jeff Chang's Who We Be, A Stranger's Journey breaks new ground in our understanding of the relationship between the issues of race, literature, and culture. The book's second central question involves structure: How does one tell a story? Mura provides clear, insightful narrative tools that any writer may use, taking in techniques from fiction, screenplays, playwriting, and myth. Through this process, Mura candidly explores the newly evolved aesthetic principles of memoir and how questions of identity occupy a central place in contemporary memoir.
Displacement, Identity and Belonging
Author: Alexandra J. Cutcher
Publisher: Springer
ISBN: 9463000704
Category : Education
Languages : en
Pages : 264
Book Description
Displacement, Identity and Belonging is a book about difference. It deals with ethnicity, migration, place, marginalisation, memory and constructions of the self. The arts-based and auto/biographical performance of the many voices in the text compliment and interrupt each other to create a polyvocal rendition of experience. The text unfolds through fiction, memoir, legend, artworks, photographs, poetry and theory, historical, cultural and political perspectives. As such, it is a book that confronts what an academic text can be. Written in the present tense, it weaves its narrative around one small Hungarian migrant family in Australia, who are not particularly special or extraordinary. Their experience may appear, at least on first blush, to be paralleled by the post-war diasporic experience for a range of nations and peoples. However in many ways, this is not necessarily so. It is this crucial aspect, of the idiosyncrasies of difference that is at the core of this work. The layering of stories and artworks build upon each other in an engaging and accessible reading that appeals to a multitude of audiences and purposes. The book makes significant contributions to the literature on qualitative research, and in particular to arts-based research, auto/biographical research and autoethnographic research. Displacement, Identity and Belonging is in itself an experience of journey in the reading, powerfully demonstrating a life forever in transit. This work can be used as a core reading in a range of courses in education, teacher education, ethnicity studies, cultural studies, sociology, psychology, history and communication or simply for pleasure. “Displacement, Identity and Belonging offers an excellent example of the use of novel approaches to social research that are designed to raise important questions and provide unique insights. The multigenerational perspective of Hungarian migrants to, and immigrants in, Australia, disclosed and examined herein, is not merely a fascinating and urgent topic in itself. It also encourages and enables the reader to imagine analogous social phenomena in other places and times. This fact, in conjunction with an extraordinarily effective format, is what makes this, for readers of all sorts, an important and empowering book – one that I heartily recommend. – Tom Barone, Professor Emeritus, Arizona State University (USA) Dr Alexandra Cutcher is a multi-award winning academic at Southern Cross University, Australia. Her research focuses on what the Arts can be and do educationally, expressively, as research method, language, catharsis, reflective instrument and documented form. These understandings inform Alexandra’s teaching and her spirited advocacy for Arts education.
Publisher: Springer
ISBN: 9463000704
Category : Education
Languages : en
Pages : 264
Book Description
Displacement, Identity and Belonging is a book about difference. It deals with ethnicity, migration, place, marginalisation, memory and constructions of the self. The arts-based and auto/biographical performance of the many voices in the text compliment and interrupt each other to create a polyvocal rendition of experience. The text unfolds through fiction, memoir, legend, artworks, photographs, poetry and theory, historical, cultural and political perspectives. As such, it is a book that confronts what an academic text can be. Written in the present tense, it weaves its narrative around one small Hungarian migrant family in Australia, who are not particularly special or extraordinary. Their experience may appear, at least on first blush, to be paralleled by the post-war diasporic experience for a range of nations and peoples. However in many ways, this is not necessarily so. It is this crucial aspect, of the idiosyncrasies of difference that is at the core of this work. The layering of stories and artworks build upon each other in an engaging and accessible reading that appeals to a multitude of audiences and purposes. The book makes significant contributions to the literature on qualitative research, and in particular to arts-based research, auto/biographical research and autoethnographic research. Displacement, Identity and Belonging is in itself an experience of journey in the reading, powerfully demonstrating a life forever in transit. This work can be used as a core reading in a range of courses in education, teacher education, ethnicity studies, cultural studies, sociology, psychology, history and communication or simply for pleasure. “Displacement, Identity and Belonging offers an excellent example of the use of novel approaches to social research that are designed to raise important questions and provide unique insights. The multigenerational perspective of Hungarian migrants to, and immigrants in, Australia, disclosed and examined herein, is not merely a fascinating and urgent topic in itself. It also encourages and enables the reader to imagine analogous social phenomena in other places and times. This fact, in conjunction with an extraordinarily effective format, is what makes this, for readers of all sorts, an important and empowering book – one that I heartily recommend. – Tom Barone, Professor Emeritus, Arizona State University (USA) Dr Alexandra Cutcher is a multi-award winning academic at Southern Cross University, Australia. Her research focuses on what the Arts can be and do educationally, expressively, as research method, language, catharsis, reflective instrument and documented form. These understandings inform Alexandra’s teaching and her spirited advocacy for Arts education.
Women Writers and Poetic Identity
Author: Margaret Homans
Publisher: Princeton University Press
ISBN: 1400855446
Category : Poetry
Languages : en
Pages : 273
Book Description
How does the consciousness of being a woman affect the workings of the poetic imagination? With this question Margaret Homans introduces her study of three nineteenth-century women poets and their response to a literary tradition that defines the poet as male. Her answer suggests why there were so few great women poets in an age when most of the great novelists were women. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400855446
Category : Poetry
Languages : en
Pages : 273
Book Description
How does the consciousness of being a woman affect the workings of the poetic imagination? With this question Margaret Homans introduces her study of three nineteenth-century women poets and their response to a literary tradition that defines the poet as male. Her answer suggests why there were so few great women poets in an age when most of the great novelists were women. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Lyric Poetry and Social Identity in Archaic Greece
Author: Jessica Romney
Publisher: University of Michigan Press
ISBN: 0472131850
Category : History
Languages : en
Pages : 265
Book Description
Lyric Poetry and Social Identity in Archaic Greece examines how Greek men presented themselves and their social groups to one another. The author examines identity rhetoric in sympotic lyric: how Greek poets constructed images of self for their groups, focusing in turn on the construction of identity in martial-themed poetry, the protection of group identities in the face of political exile, and the negotiation between individual and group as seen in political lyric. By conducting a close reading of six poems and then a broad survey of martial lyric, exile poetry, political lyric, and sympotic lyric as a whole, Jessica Romney demonstrates that sympotic lyric focuses on the same basic behaviors and values to construct social identities regardless of the content or subgenre of the poems in question. The volume also argues that the performance of identity depends on the context as well as the material of performance. Furthermore, the book demonstrates that sympotic lyric overwhelmingly prefers to use identity rhetoric that insists on the inherent sameness of group members. All non-English text and quotes are translated, with the original languages given alongside the translation or in the endnotes.
Publisher: University of Michigan Press
ISBN: 0472131850
Category : History
Languages : en
Pages : 265
Book Description
Lyric Poetry and Social Identity in Archaic Greece examines how Greek men presented themselves and their social groups to one another. The author examines identity rhetoric in sympotic lyric: how Greek poets constructed images of self for their groups, focusing in turn on the construction of identity in martial-themed poetry, the protection of group identities in the face of political exile, and the negotiation between individual and group as seen in political lyric. By conducting a close reading of six poems and then a broad survey of martial lyric, exile poetry, political lyric, and sympotic lyric as a whole, Jessica Romney demonstrates that sympotic lyric focuses on the same basic behaviors and values to construct social identities regardless of the content or subgenre of the poems in question. The volume also argues that the performance of identity depends on the context as well as the material of performance. Furthermore, the book demonstrates that sympotic lyric overwhelmingly prefers to use identity rhetoric that insists on the inherent sameness of group members. All non-English text and quotes are translated, with the original languages given alongside the translation or in the endnotes.
A Fickle and Restless Weapon
Author: Jason Erik Lundberg
Publisher: Epigram Books
ISBN: 9814785474
Category : Fiction
Languages : en
Pages : 471
Book Description
Quek Zhou Ma, a performer who goes by the stage name Zed, returns to the island-nation of Tinhau after a long absence to attend the funeral of his older sister. As he deals with conflicting feelings about a homeland he hardly recognises, he decides to produce a lavish production with the Ministry of Culture, but opening night is marred by a bombing attributed to a local resistance group, Red Dhole. He meets Tara, a graphic designer with the Ministry of Culture who finds herself uneasily associated with Red Dhole. She is charged with bringing Zed over to the cause, but as the pair grow closer, she doubts whether she can complete her task. Meanwhile, Vahid Nabizadeh, Zed’s creative partner and a master puppeteer, finds a new home in Tinhau, but he becomes embroiled in political and financial intrigue that threatens to unbalance the stability of the government. As Zed, Tara and Vahid struggle with their disaffected identities, Tinhau is abruptly attacked by the Range, a mysterious cloud formation that appears without warning and destroys without mercy, a weapon as fickle and restless as the human mind.
Publisher: Epigram Books
ISBN: 9814785474
Category : Fiction
Languages : en
Pages : 471
Book Description
Quek Zhou Ma, a performer who goes by the stage name Zed, returns to the island-nation of Tinhau after a long absence to attend the funeral of his older sister. As he deals with conflicting feelings about a homeland he hardly recognises, he decides to produce a lavish production with the Ministry of Culture, but opening night is marred by a bombing attributed to a local resistance group, Red Dhole. He meets Tara, a graphic designer with the Ministry of Culture who finds herself uneasily associated with Red Dhole. She is charged with bringing Zed over to the cause, but as the pair grow closer, she doubts whether she can complete her task. Meanwhile, Vahid Nabizadeh, Zed’s creative partner and a master puppeteer, finds a new home in Tinhau, but he becomes embroiled in political and financial intrigue that threatens to unbalance the stability of the government. As Zed, Tara and Vahid struggle with their disaffected identities, Tinhau is abruptly attacked by the Range, a mysterious cloud formation that appears without warning and destroys without mercy, a weapon as fickle and restless as the human mind.