Author: Lawrence S. Rainey
Publisher: University of Michigan Press
ISBN: 9780472102327
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
A suggestive survey of new approaches to a twentieth-century classic
A Poem Containing History
Author: Lawrence S. Rainey
Publisher: University of Michigan Press
ISBN: 9780472102327
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
A suggestive survey of new approaches to a twentieth-century classic
Publisher: University of Michigan Press
ISBN: 9780472102327
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
A suggestive survey of new approaches to a twentieth-century classic
Poems Containing History
Author: Gary Grieve-Carlson
Publisher:
ISBN: 9781498550451
Category : Literary Collections
Languages : en
Pages : 232
Book Description
This book argues that twentieth-century American poetry has "contained" and helped its readers to think about history in a variety of provocative and powerful ways. This book shows that even as history evolves into a professional discipline in the late nineteenth century, twentieth-century American poets continue to take history as the subject of their poems.
Publisher:
ISBN: 9781498550451
Category : Literary Collections
Languages : en
Pages : 232
Book Description
This book argues that twentieth-century American poetry has "contained" and helped its readers to think about history in a variety of provocative and powerful ways. This book shows that even as history evolves into a professional discipline in the late nineteenth century, twentieth-century American poets continue to take history as the subject of their poems.
Poems Containing History
Author: Gary Grieve-Carlson
Publisher: Lexington Books
ISBN: 0739167561
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Ezra Pound’s definition of an epic as “a poem containing history” raises questions: how can a poem “contain” history? And if it can, does it help us to think about history in ways that conventional historiography cannot? Poems Containing History: Twentieth-Century American Poetry’s Engagement with the Past, by Gary Grieve-Carlson, argues that twentieth-century American poetry has “contained” and helped its readers to think about history in a variety of provocative and powerful ways. Tracing the discussion of the relationship between poetry and history from Aristotle’s Poetics to Norman Mailer’s The Armiesof the Night and Hayden White’s Metahistory, the book shows that even as history evolves into a professional, academic discipline in the late nineteenth century, and as its practitioners emphasize the scientific aspects of their work and minimize its literary aspects, twentieth-century American poets continue to take history as the subject of their major poems. Sometimes they endorse the views of mainstream historians, as Stephen Vincent Benét does in John Brown’s Body, but more often they challenge them, as do Robert Penn Warren in Brother to Dragons, Ezra Pound in TheCantos, or Charles Olson in TheMaximus Poems. In Conquistador, Archibald MacLeish illustrates Aristotle’s claim that poetry tells more philosophical truths about the past than history does, while in Paterson, William Carlos Williams develops a Nietzschean suspicion of history’s value. Three major American poets—T. S. Eliot in Four Quartets, Hart Crane in TheBridge, and Carolyn Forché in The Angel of History—present different challenges to professional historiography’s assumption that the past is best understood in strictly material terms. Poems Containing History devotes chapters to each of these poets and offers a clear sense of the seriousness with which American poetry has engaged the past, as well as the great variety of those engagements.
Publisher: Lexington Books
ISBN: 0739167561
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Ezra Pound’s definition of an epic as “a poem containing history” raises questions: how can a poem “contain” history? And if it can, does it help us to think about history in ways that conventional historiography cannot? Poems Containing History: Twentieth-Century American Poetry’s Engagement with the Past, by Gary Grieve-Carlson, argues that twentieth-century American poetry has “contained” and helped its readers to think about history in a variety of provocative and powerful ways. Tracing the discussion of the relationship between poetry and history from Aristotle’s Poetics to Norman Mailer’s The Armiesof the Night and Hayden White’s Metahistory, the book shows that even as history evolves into a professional, academic discipline in the late nineteenth century, and as its practitioners emphasize the scientific aspects of their work and minimize its literary aspects, twentieth-century American poets continue to take history as the subject of their major poems. Sometimes they endorse the views of mainstream historians, as Stephen Vincent Benét does in John Brown’s Body, but more often they challenge them, as do Robert Penn Warren in Brother to Dragons, Ezra Pound in TheCantos, or Charles Olson in TheMaximus Poems. In Conquistador, Archibald MacLeish illustrates Aristotle’s claim that poetry tells more philosophical truths about the past than history does, while in Paterson, William Carlos Williams develops a Nietzschean suspicion of history’s value. Three major American poets—T. S. Eliot in Four Quartets, Hart Crane in TheBridge, and Carolyn Forché in The Angel of History—present different challenges to professional historiography’s assumption that the past is best understood in strictly material terms. Poems Containing History devotes chapters to each of these poets and offers a clear sense of the seriousness with which American poetry has engaged the past, as well as the great variety of those engagements.
Ystradffin: a Descriptive Poem, with an Appendix, Containing Historical and Explanatory Notes
Newspaper Blackout
Author: Austin Kleon
Publisher: Harper Collins
ISBN: 0061989940
Category : Humor
Languages : en
Pages : 263
Book Description
Poet and cartoonist Austin Kleon has discovered a new way to read between the lines. Armed with a daily newspaper and a permanent marker, he constructs through deconstruction—eliminating the words he doesn't need to create a new art form: Newspaper Blackout poetry. Highly original, Kleon's verse ranges from provocative to lighthearted, and from moving to hysterically funny, and undoubtedly entertaining. The latest creations in a long history of "found art," Newspaper Blackout will challenge you to find new meaning in the familiar and inspiration from the mundane. Newspaper Blackout contains original poems by Austin Kleon, as well as submissions from readers of Kleon's popular online blog and a handy appendix on how to create your own blackout poetry.
Publisher: Harper Collins
ISBN: 0061989940
Category : Humor
Languages : en
Pages : 263
Book Description
Poet and cartoonist Austin Kleon has discovered a new way to read between the lines. Armed with a daily newspaper and a permanent marker, he constructs through deconstruction—eliminating the words he doesn't need to create a new art form: Newspaper Blackout poetry. Highly original, Kleon's verse ranges from provocative to lighthearted, and from moving to hysterically funny, and undoubtedly entertaining. The latest creations in a long history of "found art," Newspaper Blackout will challenge you to find new meaning in the familiar and inspiration from the mundane. Newspaper Blackout contains original poems by Austin Kleon, as well as submissions from readers of Kleon's popular online blog and a handy appendix on how to create your own blackout poetry.
The Textual Condition
Author: Jerome J. McGann
Publisher: Princeton University Press
ISBN: 0691217750
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
Over the past decade literary critic and editor Jerome McGann has developed a theory of textuality based in writing and production rather than in reading and interpretation. These new essays extend his investigations of the instability of the physical text. McGann shows how every text enters the world under socio-historical conditions that set the stage for a ceaseless process of textual development and mutation. Arguing that textuality is a matter of inscription and articulation, he explores texts as material and social phenomena, as particular kinds of acts. McGann links his study to contextual and institutional studies of literary works as they are generated over time by authors, editors, typographers, book designers, marketing planners, and other publishing agents. This enables him to examine issues of textual stability and instability in the arenas of textual production and reproduction. Drawing on literary examples from the past two centuries--including works by Byron, Blake, Morris, Yeats, Joyce, and especially Pound--McGann applies his theory to key problems facing anyone who studies texts and textuality.
Publisher: Princeton University Press
ISBN: 0691217750
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
Over the past decade literary critic and editor Jerome McGann has developed a theory of textuality based in writing and production rather than in reading and interpretation. These new essays extend his investigations of the instability of the physical text. McGann shows how every text enters the world under socio-historical conditions that set the stage for a ceaseless process of textual development and mutation. Arguing that textuality is a matter of inscription and articulation, he explores texts as material and social phenomena, as particular kinds of acts. McGann links his study to contextual and institutional studies of literary works as they are generated over time by authors, editors, typographers, book designers, marketing planners, and other publishing agents. This enables him to examine issues of textual stability and instability in the arenas of textual production and reproduction. Drawing on literary examples from the past two centuries--including works by Byron, Blake, Morris, Yeats, Joyce, and especially Pound--McGann applies his theory to key problems facing anyone who studies texts and textuality.
Cardiff Castle; a poem. With explanatory remarks and historical extracts
Author: Taliesin WILLIAMS (called Taliesin ab Iolo Morganwg.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Italy: a poem. With historical and classical notes
Church and State, a poem; with copious historical notes, illustrative of the subject. By Civis
Afterland
Author: Mai Der Vang
Publisher: Graywolf Press
ISBN: 1555979645
Category : Poetry
Languages : en
Pages : 105
Book Description
The 2016 winner of the Walt Whitman Award of the Academy of American Poets, selected by Carolyn Forché When I make the crossing, you must not be taken no matter what the current gives. When we reach the camp, there will be thousands like us. If I make it onto the plane, you must follow me to the roads and waiting pastures of America. We will not ride the water today on the shoulders of buffalo as we used to many years ago, nor will we forage for the sweetest mangoes. I am refugee. You are too. Cry, but do not weep. —from “Transmigration” Afterland is a powerful, essential collection of poetry that recounts with devastating detail the Hmong exodus from Laos and the fate of thousands of refugees seeking asylum. Mai Der Vang is telling the story of her own family, and by doing so, she also provides an essential history of the Hmong culture’s ongoing resilience in exile. Many of these poems are written in the voices of those fleeing unbearable violence after U.S. forces recruited Hmong fighters in Laos in the Secret War against communism, only to abandon them after that war went awry. That history is little known or understood, but the three hundred thousand Hmong now living in the United States are living proof of its aftermath. With poems of extraordinary force and grace, Afterland holds an original place in American poetry and lands with a sense of humanity saved, of outrage, of a deep tradition broken by war and ocean but still intact, remembered, and lived.
Publisher: Graywolf Press
ISBN: 1555979645
Category : Poetry
Languages : en
Pages : 105
Book Description
The 2016 winner of the Walt Whitman Award of the Academy of American Poets, selected by Carolyn Forché When I make the crossing, you must not be taken no matter what the current gives. When we reach the camp, there will be thousands like us. If I make it onto the plane, you must follow me to the roads and waiting pastures of America. We will not ride the water today on the shoulders of buffalo as we used to many years ago, nor will we forage for the sweetest mangoes. I am refugee. You are too. Cry, but do not weep. —from “Transmigration” Afterland is a powerful, essential collection of poetry that recounts with devastating detail the Hmong exodus from Laos and the fate of thousands of refugees seeking asylum. Mai Der Vang is telling the story of her own family, and by doing so, she also provides an essential history of the Hmong culture’s ongoing resilience in exile. Many of these poems are written in the voices of those fleeing unbearable violence after U.S. forces recruited Hmong fighters in Laos in the Secret War against communism, only to abandon them after that war went awry. That history is little known or understood, but the three hundred thousand Hmong now living in the United States are living proof of its aftermath. With poems of extraordinary force and grace, Afterland holds an original place in American poetry and lands with a sense of humanity saved, of outrage, of a deep tradition broken by war and ocean but still intact, remembered, and lived.