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Author: Tea Lobo Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110612305 Category : Philosophy Languages : en Pages : 302
Book Description
While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein’s treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky’s and Sebald’s works. Dostoevsky’s depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein’s account of interiority's interrelatedness with overt public practices and codes. In Sebald’s Austerlitz, Wittgenstein’s notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.
Author: Tea Lobo Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110612305 Category : Philosophy Languages : en Pages : 302
Book Description
While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein’s treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky’s and Sebald’s works. Dostoevsky’s depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein’s account of interiority's interrelatedness with overt public practices and codes. In Sebald’s Austerlitz, Wittgenstein’s notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.
Author: Michael A. Peters Publisher: Springer ISBN: 9811084114 Category : Education Languages : en Pages : 126
Book Description
Dedicated to educators who are not philosophy specialists, this book offers an overview of the connections between Wittgenstein’s later philosophy and his own training and practice as an educator. Arguing for the centrality of education to Wittgenstein’s life and works, the authors resist any reduction of Wittgenstein’s philosophy to remarks on pedagogy while addressing the current controversy surrounding the role of training in the enculturation process. Significant events in his education and life are examined as the background for successful interpretation, without lending biographical details explanatory force. The book discusses the importance of Wittgenstein’s training and dismissal as an elementary teacher (1920-26) in light of his later, frequent use (1930s-40s) of many ‘scenes of instruction’ in his Cambridge lectures and notebooks. These depictions culminated in his now famous Philosophical Investigations -- a counter to his earlier philosophy in the Tractatus. Wittgenstein came to distinguish between empirical inquiries into how education, language or mathematics might ideally work, from grammatical studies of how we learn on the rough ground to normatively go-on as others do – often without explicit rules and with considerable degrees of ambiguity, for instance, in implementing new guidelines during a curriculum reform or in evaluating teachers. The book argues that Wittgenstein’s reflections on education -- spanning from mathematics training to the acquisition of language and cultivation of aesthetic appreciation -- are of central significance to both the man and his pedagogical style of philosophy.
Author: Danielle Dutton Publisher: Image Text Ithaca ISBN: 9781733497121 Category : Art Languages : en Pages : 70
Book Description
A meditation on the meaning of text-image collaboration, from the author of Sprawl and Margaret the First Author Danielle Dutton's A Picture Held Us Captive asks what it means for a writer to work with someone or something else--to make art in dialogue with an energy not one's own. Dutton (born 1975) explores ekphrastic fiction, looking at a wide range of writers and artists including John Keene and Edgar Degas; Eley Williams and Bridget Riley; Ben Lerner and Anna Ostoya; Amina Cain and Bill Viola; Lydia Davis and Joseph Cornell; as well as her own textual responses to visual artists Richard Kraft and Laura Letinsky. A Picture Held Us Captive--which includes a series of images at once illustrative and refusing simple illustration--considers the ways in which ekphrasis operates as a diptych. A work of both commentary and self-reflection, Dutton considers a dialectic between art's ability to make strange what has grown familiar and the writer's desire to make recognizable the experience of one artwork in the space of another. Danielle Dutton is an American writer and the cofounder of the feminist press Dorothy. Born in California in 1975, Dutton now resides in Missouri where she teaches creative writing at Washington University in St Louis. She has authored four books, including Sprawl and Margaret the First. She contributed the text to Here Comes Kitty: A Comic Opera, a book of collages by Richard Kraft. Her fiction has appeared in major publications such as the Paris Review, Harper's and Guernica.
Author: Tea Lobo Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110610566 Category : Philosophy Languages : en Pages : 302
Book Description
While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein’s treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky’s and Sebald’s works. Dostoevsky’s depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein’s account of interiority's interrelatedness with overt public practices and codes. In Sebald’s Austerlitz, Wittgenstein’s notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.
Author: Nicola Hoggard Creegan Publisher: Oxford University Press ISBN: 0199931852 Category : Religion Languages : en Pages : 221
Book Description
Nicola Hoggard Creegan offers a compelling examination of the problem of evil in the context of animal suffering, disease, and extinction and the violence of the evolutionary process. Using the parable of the wheat and the tares as a hermeneutical lens for understanding the tragedy and beauty of evolutionary history, she shows how evolutionary theory has deconstructed the primary theodicy of historic Christianity-the Adamic fall-while scientific research on animals has increased appreciation of animal sentience and capacity for suffering. Animal Suffering and the Problem of Evil responds to this new theodic challenge. Hoggard Creegan argues that nature can be understood as an interrelated mix of the perfect and the corrupted: the wheat and the tares. At times the good is glimpsed, but never easily or unequivocally. She then argues that humans are not to blame for all evil because so much evil preceded human becoming. Finally, she demonstrates that faith requires a confidence in the visibility of the work of God in nature, regardless of how infinitely subtle and almost hidden it is, affirming that there are ways of perceiving the evolutionary process beyond that "nature is red in tooth and claw."
Author: Hagi Kenaan Publisher: Columbia University Press ISBN: 0231508271 Category : Language Arts & Disciplines Languages : en Pages : 217
Book Description
Is philosophy deaf to the sound of the personal voice? While philosophy is experienced at admiring, resenting, celebrating, and, at times, renouncing language, philosophers have rarely succeeded in being intimate with it. Hagi Kenaan argues that philosophy's concern with abstract forms of linguistic meaning and the objective, propositional nature of language has obscured the singular human voice. In this strikingly original work Kenaan explores the ethical and philosophical implications of recognizing and responding to the individual presence in language. In pursuing the philosophical possibility of listening to language as the embodiment of the human voice, Kenaan explores the phenomenological notion of the "personal." He defines the personal as the irresolvable tension that exists between the public character of language, necessary for intelligibility, and the ways in which we, as individuals, remain riveted to our words in a contingently singular manner. The Present Personal fuses phenomenology and aesthetics and the traditions of Continental and Anglo-American philosophy, drawing on Wittgenstein, J. L. Austin, Kant, Kierkegaard, and Heidegger as well as literary works by Kafka, Kundera, and others. By asking new questions and charting fresh terrain, Kenaan does more than offer innovative investigations into the philosophy of language; The Present Personal, and its concern with the intimate and personal nature of language, uncovers the ethical depth of our experience with language. Kenaan begins with a discussion of Kierkegaard's existential critique of language and the ways in which the propositional structure of language does not allow the spoken to reflect the singularity of the self. He then compares two attempts to subvert the "hegemony of content": the pragmatic turn of J. L. Austin and the poetic path of Heidegger. Kenaan concludes by turning to Kant and discovering an analogy between the experience of meaning in language and the aesthetic experience of encountering beauty. Kenaan's reconceptualization of philosophy's approach to language frees the contingent singularity of language while, at the same time, permitting it to continue to dwell within the confines of content.
Author: Kevin J. Vanhoozer Publisher: InterVarsity Press ISBN: 0830893792 Category : Religion Languages : en Pages : 328
Book Description
Kevin Vanhoozer calls the church to a picture of theology that sees every person, thing and event in the light of God's act of reconciliation. Through essays on the church's worship, witness and wisdom, he shows us how a poetic imagination can answer the questions of life's meaning by drawing our attention to what really matters: the God of the gospel.
Author: Jacob L. Goodson Publisher: Wipf and Stock Publishers ISBN: 161097428X Category : Philosophy Languages : en Pages : 249
Book Description
Prior to his death in 2007, the self-described secular philosopher Richard Rorty began to modify his previous position concerning religion. Moving from "atheism" to "anti-clericalism," Rorty challenges the metaphysical assumptions that lend justification to abuses of power in the name of religion. Instead of dismissing and ignoring Rorty's challenge, the essays in this volume seek to enter into meaningful conversation with Rorty's thought and engage his criticisms in a constructive and serious way. In so doing, one finds promising nuggets within Rorty's thought for addressing particular questions within Christianity. The essays in this volume offer charitable yet fully confessional engagements with an impressive secular thinker. Contributors to this Volume: Stanley Hauerwas Eric Hall Barry Harvey D. Stephen Long Charles Marsh David O'Hara Jason Springs Donald G. Wester Keith Starkenburg Roger Ward
Author: W. J. T. Mitchell Publisher: University of Chicago Press ISBN: 9780226532325 Category : Art Languages : en Pages : 466
Book Description
What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.
Author: Tea Lobo
Author: Tea Lobo
Author: Michael A. Peters
Author: Danielle Dutton
Author: Tea Lobo
Author: Nicola Hoggard Creegan
Author: Hagi Kenaan
Author: Kevin J. Vanhoozer
Author: Jacob L. Goodson
Author: W. J. T. Mitchell
Author: Anthony C. Thiselton