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Author: Laurence G. Avery Publisher: Univ of North Carolina Press ISBN: 0807866482 Category : Literary Collections Languages : en Pages : 304
Book Description
North Carolina's Paul Green (1894-1981) was part of that remarkable generation of writers who first brought southern writing to the attention of the world. Winner of a Pulitzer Prize for Drama in 1927, Green was a restless experimenter who pioneered a new form of theater with his "symphonic drama," The Lost Colony. A concern for human rights characterized both his life and his writing, and his steady advocacy for educational and social reform and racial justice contributed in fundamental ways to the emerging New South in the first half of this century. A Paul Green Reader makes available once again the work of this powerful and engaging writer. It features Green's drama and fiction, with texts of three plays--including the Pulitzer Prize-winning In Abraham's Bosom and the famous second act of The Lost Colony--and six short stories. It also reveals the life behind the work through several of Green's essays and letters and an excerpt from The Wordbook, his collection of regional folklore. Laurence Avery's introduction outlines Green's life and examines the central concerns and techniques of his work. A native of Harnett County, North Carolina, Paul Green was a devoted teacher of philosophy and drama at the University of North Carolina at Chapel Hill.
Author: Laurence G. Avery Publisher: Univ of North Carolina Press ISBN: 0807866482 Category : Literary Collections Languages : en Pages : 304
Book Description
North Carolina's Paul Green (1894-1981) was part of that remarkable generation of writers who first brought southern writing to the attention of the world. Winner of a Pulitzer Prize for Drama in 1927, Green was a restless experimenter who pioneered a new form of theater with his "symphonic drama," The Lost Colony. A concern for human rights characterized both his life and his writing, and his steady advocacy for educational and social reform and racial justice contributed in fundamental ways to the emerging New South in the first half of this century. A Paul Green Reader makes available once again the work of this powerful and engaging writer. It features Green's drama and fiction, with texts of three plays--including the Pulitzer Prize-winning In Abraham's Bosom and the famous second act of The Lost Colony--and six short stories. It also reveals the life behind the work through several of Green's essays and letters and an excerpt from The Wordbook, his collection of regional folklore. Laurence Avery's introduction outlines Green's life and examines the central concerns and techniques of his work. A native of Harnett County, North Carolina, Paul Green was a devoted teacher of philosophy and drama at the University of North Carolina at Chapel Hill.
Author: John Herbert Roper Publisher: University of Georgia Press ISBN: 9780820324883 Category : Biography & Autobiography Languages : en Pages : 364
Book Description
"Drawing on his complete access to Green's papers and on interviews with surviving family members, John Herbert Roper covers all the important aspects of Green's life and career. By word and deed, Paul Green spread the faith of liberalism across the New South, which he insistently called the "Real South." Long after literary fashion had left him behind, he wrote daily and remained at the forefront of causes concerning race relations, militarism, women's and workers' rights, and capital punishment."--BOOK JACKET.
Author: Paul Green Publisher: McFarland ISBN: 0786494441 Category : Performing Arts Languages : en Pages : 169
Book Description
One of Paul Green's best plays, The House of Connelly, was the first play performed (on Broadway in 1931) by the renowned Group Theatre of New York. This book reintroduces the play, and the playwright--famous in his day, but largely forgotten now, although his outdoor symphonic drama The Lost Colony continues to be performed every summer in Manteo, North Carolina. The House of Connelly, is a more traditional drama, comparable to the writing of Tennessee Williams, and the editor asserts that the play deals more directly and fully with racial issues of the early 20th-century South than Williams did in his work. A new edition of the play includes both the original tragic ending and the revised ending Green wrote upon the Group Theatre directors' request. The writing, production and publication history of the play is provided, as well as a scene-by-scene critical analysis and a discussion of the 1934 film adaptation, Carolina. The play's theme is change and Green shows with both endings that the South had to change to survive.
Author: Paul Eliot Green Publisher: ISBN: Category : Technology & Engineering Languages : en Pages : 558
Book Description
This text provides a unified, cross disciplinary treatment of fiber optic networks. Rather than focusing on point-to-point fibre optic links, this reference looks at the more modern issues of fibre optic network links. Figures, problems, pictures of real devices, and diagrams of real systems supplement the text. The book is designed for communications research and development professionals, especially those involved with fibre optics.
Author: James R. Spence Publisher: North Carolina Division of Archives & History ISBN: Category : Biography & Autobiography Languages : en Pages : 292
Book Description
Based primarily on previously unpublished interviews with Paul Green, Watering the Sahara is a compelling study that chronicles the dramatist's life from childhood in rural Harnett County to military service in World War I, the beginnings of his career as both educator and writer, his work as a Hollywood screenwriter, and the theater collaborations that culminated in the creation of the symphonic drama The Lost Colony. Extensive quotation from the interviews provides the reader with new insight into the complexity of North Carolina's leading playwright.
Author: Cary D. Wintz Publisher: Taylor & Francis ISBN: 9781579584573 Category : African American arts Languages : en Pages : 696
Book Description
From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedia of Harlem Renaissance website.
Author: M. Thomas Inge Publisher: UNC Press Books ISBN: 1469616645 Category : Reference Languages : en Pages : 534
Book Description
Offering a comprehensive view of the South's literary landscape, past and present, this volume of The New Encyclopedia of Southern Culture celebrates the region's ever-flourishing literary culture and recognizes the ongoing evolution of the southern literary canon. As new writers draw upon and reshape previous traditions, southern literature has broadened and deepened its connections not just to the American literary mainstream but also to world literatures--a development thoughtfully explored in the essays here. Greatly expanding the content of the literature section in the original Encyclopedia, this volume includes 31 thematic essays addressing major genres of literature; theoretical categories, such as regionalism, the southern gothic, and agrarianism; and themes in southern writing, such as food, religion, and sexuality. Most striking is the fivefold increase in the number of biographical entries, which introduce southern novelists, playwrights, poets, and critics. Special attention is given to contemporary writers and other individuals who have not been widely covered in previous scholarship.
Author: Cary D. Wintz Publisher: Routledge ISBN: 1135455368 Category : Social Science Languages : en Pages : 708
Book Description
From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedi a of Harlem Renaissance website.
Author: Cecelia Moore Publisher: Lexington Books ISBN: 1498526837 Category : History Languages : en Pages : 233
Book Description
The Federal Theatre Project in the American South introduces the people and projects that shaped the regional identity of the Federal Theatre Project. When college theatre director Hallie Flanagan became head of this New Deal era jobs program in 1935, she envisioned a national theatre comprised of a network of theatres across the country. A regional approach was more than organizational; it was a conceptual model for a national art. Flanagan was part of the little theatre movement that had already developed a new American drama drawn from the distinctive heritage of each region and which they believed would, collectively, illustrate a national identity. The Federal Theatre plan relied on a successful regional model – the folk drama program at the University of North Carolina, led by Frederick Koch and Paul Green. Through a unique partnership of public university, private philanthropy and community participation, Koch had developed a successful playwriting program and extension service that built community theatres throughout the state. North Carolina, along with the rest of the Southern region, seemed an unpromising place for government theatre. Racial segregation and conservative politics limited the Federal Theatre’s ability to experiment with new ideas in the region. Yet in North Carolina, the Project thrived. Amateur drama units became vibrant community theatres where whites and African Americans worked together. Project personnel launched The Lost Colony, one of the first so-called outdoor historical dramas that would become its own movement. The Federal Theatre sent unemployed dramatists, including future novelist Betty Smith, to the university to work with Koch and Green. They joined other playwrights, including African American writer Zora Neale Hurston, who came to North Carolina because of their own interest in folk drama. Their experience, told in this book, is a backdrop for each successive generation’s debates over government, cultural expression, art and identity in the American nation.
Author: Laurence G. Avery
Author: Laurence G. Avery
Author: John Herbert Roper
Author: Paul Green
Author: Paul Eliot Green
Author: James R. Spence
Author: Cary D. Wintz
Author: M. Thomas Inge
Author: Cary D. Wintz
Author: Paul Green
Author: Cecelia Moore