Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
Book Description
A Nation in Motion
A Nation in Motion
Author: United States. Department of Transportation. Office of Environmental Affairs
Publisher:
ISBN:
Category : Historic sites
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category : Historic sites
Languages : en
Pages : 144
Book Description
D.W. Griffith's the Birth of a Nation
Author: Melvyn Stokes
Publisher: Oxford University Press
ISBN: 0199887519
Category : Performing Arts
Languages : en
Pages : 741
Book Description
In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.
Publisher: Oxford University Press
ISBN: 0199887519
Category : Performing Arts
Languages : en
Pages : 741
Book Description
In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.
In Motion
Author: Howard Dodson
Publisher: National Geographic
ISBN:
Category : History
Languages : en
Pages : 232
Book Description
An illustrated chronicle of the migrations--forced and voluntary--into, out of, and within the United States that have created the current black population.
Publisher: National Geographic
ISBN:
Category : History
Languages : en
Pages : 232
Book Description
An illustrated chronicle of the migrations--forced and voluntary--into, out of, and within the United States that have created the current black population.
Words in Motion
Author: Carol Gluck
Publisher: Duke University Press
ISBN: 0822391104
Category : Social Science
Languages : en
Pages : 353
Book Description
On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously experimental, in that rigorously tracking specific words in specific settings frequently leads in unexpected directions and alters conventional depictions of global modernity. Such words as security in Brazil, responsibility in Japan, community in Thailand, and hijāb in France changed the societies in which they moved even as the words were changed by them. Some words threatened to launch wars, as injury did in imperial Britain’s relations with China in the nineteenth century. Others, such as secularism, worked in silence to agitate for political change in twentieth-century Morocco. Words imposed or imported from abroad could be transformed by those who wielded them to oppose the very powers that first introduced them, as happened in Turkey, Indonesia, and the Philippines. Taken together, this selection of fourteen essays reveals commonality as well as distinctiveness across modern societies, making the world look different from the interdisciplinary and transnational perspective of “words in motion.” Contributors. Mona Abaza, Itty Abraham, Partha Chatterjee, Carol Gluck, Huri Islamoglu, Claudia Koonz, Lydia H. Liu, Driss Maghraoui, Vicente L. Rafael, Craig J. Reynolds, Seteney Shami, Alan Tansman, Kasian Tejapira, Anna Lowenhaupt Tsing
Publisher: Duke University Press
ISBN: 0822391104
Category : Social Science
Languages : en
Pages : 353
Book Description
On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously experimental, in that rigorously tracking specific words in specific settings frequently leads in unexpected directions and alters conventional depictions of global modernity. Such words as security in Brazil, responsibility in Japan, community in Thailand, and hijāb in France changed the societies in which they moved even as the words were changed by them. Some words threatened to launch wars, as injury did in imperial Britain’s relations with China in the nineteenth century. Others, such as secularism, worked in silence to agitate for political change in twentieth-century Morocco. Words imposed or imported from abroad could be transformed by those who wielded them to oppose the very powers that first introduced them, as happened in Turkey, Indonesia, and the Philippines. Taken together, this selection of fourteen essays reveals commonality as well as distinctiveness across modern societies, making the world look different from the interdisciplinary and transnational perspective of “words in motion.” Contributors. Mona Abaza, Itty Abraham, Partha Chatterjee, Carol Gluck, Huri Islamoglu, Claudia Koonz, Lydia H. Liu, Driss Maghraoui, Vicente L. Rafael, Craig J. Reynolds, Seteney Shami, Alan Tansman, Kasian Tejapira, Anna Lowenhaupt Tsing
A Country Gentleman's Reasons for Voting Against Mr. Wilberforce's Motion for a Bill to Prohibit the Importation of African Negroes Into the Colonies
Author: Country Gentleman
Publisher:
ISBN:
Category : Antislavery movements
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category : Antislavery movements
Languages : en
Pages : 88
Book Description
Iran in Motion
Author: Mikiya Koyagi
Publisher: Stanford University Press
ISBN: 1503627675
Category : History
Languages : en
Pages : 365
Book Description
Completed in 1938, the Trans-Iranian Railway connected Tehran to Iran's two major bodies of water: the Caspian Sea in the north and the Persian Gulf in the south. Iran's first national railway, it produced and disrupted various kinds of movement—voluntary and forced, intended and unintended, on different scales and in different directions—among Iranian diplomats, tribesmen, migrant laborers, technocrats, railway workers, tourists and pilgrims, as well as European imperial officials alike. Iran in Motion tells the hitherto unexplored stories of these individuals as they experienced new levels of mobility. Drawing on newspapers, industry publications, travelogues, and memoirs, as well as American, British, Danish, and Iranian archival materials, Mikiya Koyagi traces contested imaginations and practices of mobility from the conception of a trans-Iranian railway project during the nineteenth-century global transport revolution to its early years of operation on the eve of Iran's oil nationalization movement in the 1950s. Weaving together various individual experiences, this book considers how the infrastructural megaproject reoriented the flows of people and goods. In so doing, the railway project simultaneously brought the provinces closer to Tehran and pulled them away from it, thereby constantly reshaping local, national, and transnational experiences of space among mobile individuals.
Publisher: Stanford University Press
ISBN: 1503627675
Category : History
Languages : en
Pages : 365
Book Description
Completed in 1938, the Trans-Iranian Railway connected Tehran to Iran's two major bodies of water: the Caspian Sea in the north and the Persian Gulf in the south. Iran's first national railway, it produced and disrupted various kinds of movement—voluntary and forced, intended and unintended, on different scales and in different directions—among Iranian diplomats, tribesmen, migrant laborers, technocrats, railway workers, tourists and pilgrims, as well as European imperial officials alike. Iran in Motion tells the hitherto unexplored stories of these individuals as they experienced new levels of mobility. Drawing on newspapers, industry publications, travelogues, and memoirs, as well as American, British, Danish, and Iranian archival materials, Mikiya Koyagi traces contested imaginations and practices of mobility from the conception of a trans-Iranian railway project during the nineteenth-century global transport revolution to its early years of operation on the eve of Iran's oil nationalization movement in the 1950s. Weaving together various individual experiences, this book considers how the infrastructural megaproject reoriented the flows of people and goods. In so doing, the railway project simultaneously brought the provinces closer to Tehran and pulled them away from it, thereby constantly reshaping local, national, and transnational experiences of space among mobile individuals.
Ethnic Groups in Motion
Author: Milica Z. Bookman
Publisher: Routledge
ISBN: 1136342672
Category : Political Science
Languages : en
Pages : 260
Book Description
This title focuses on one aspect of migration, namely its ethnic competition. Rather than observe population movements in general, the study is limited to the movements of specific ethnic groups. It explores the role played by ethnicity in determining which groups move and which groups stay.
Publisher: Routledge
ISBN: 1136342672
Category : Political Science
Languages : en
Pages : 260
Book Description
This title focuses on one aspect of migration, namely its ethnic competition. Rather than observe population movements in general, the study is limited to the movements of specific ethnic groups. It explores the role played by ethnicity in determining which groups move and which groups stay.
Theology in Motion
Author: Aimee Allison Hein
Publisher: Augsburg Fortress Publishers
ISBN: 150649157X
Category : Religion
Languages : en
Pages : 310
Book Description
Christian responses to global migration are as loud as they are numerous. With voices evoking either the injunction to love the stranger or a commitment to the rule of law, this polarized cacophony has become yet another theater in the culture war. But migration is not an idea. It is not an abstraction. Migration is about people, present in our midst or encountered at our edges. Their presence at our borders forces us to consider the core values we want most to uphold, and the stories that taught us those values in the first place. In the United States, our most popular origin stories tell of a nation that fought off tyranny and committed itself to liberty, democracy, and the dream of an unencumbered pursuit of happiness, of a life lived on one's own terms. But is this the whole story? Whose perspectives have shaped the stories we tell, and which perspectives have been ignored? Theology in Motion tracks the story of the United States--how it formed and how it came to dominate the land that now rests between its borders--to consider more fully what type of nation the US has been and the type of global neighbor it has chosen to be. From a Christian moral perspective, this history helps us look to the future by analyzing how our past choices have left us with present responsibilities. Taking these responsibilities seriously and pursuing more just global relationships provides a way forward in which all people might participate and to which Christians are called.
Publisher: Augsburg Fortress Publishers
ISBN: 150649157X
Category : Religion
Languages : en
Pages : 310
Book Description
Christian responses to global migration are as loud as they are numerous. With voices evoking either the injunction to love the stranger or a commitment to the rule of law, this polarized cacophony has become yet another theater in the culture war. But migration is not an idea. It is not an abstraction. Migration is about people, present in our midst or encountered at our edges. Their presence at our borders forces us to consider the core values we want most to uphold, and the stories that taught us those values in the first place. In the United States, our most popular origin stories tell of a nation that fought off tyranny and committed itself to liberty, democracy, and the dream of an unencumbered pursuit of happiness, of a life lived on one's own terms. But is this the whole story? Whose perspectives have shaped the stories we tell, and which perspectives have been ignored? Theology in Motion tracks the story of the United States--how it formed and how it came to dominate the land that now rests between its borders--to consider more fully what type of nation the US has been and the type of global neighbor it has chosen to be. From a Christian moral perspective, this history helps us look to the future by analyzing how our past choices have left us with present responsibilities. Taking these responsibilities seriously and pursuing more just global relationships provides a way forward in which all people might participate and to which Christians are called.
D.W. Griffith's the Birth of a Nation
Author: Melvyn Stokes
Publisher: Oxford University Press
ISBN: 0198044364
Category : Performing Arts
Languages : en
Pages : 424
Book Description
In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.
Publisher: Oxford University Press
ISBN: 0198044364
Category : Performing Arts
Languages : en
Pages : 424
Book Description
In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.