A Moving Picture Giving and Taking Book PDF Download

Author: Stan Brakhage
Publisher:
ISBN:
Category : Amateur films
Languages : en
Pages : 84

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Author: Michael Wood
Publisher: Oxford University Press, USA
ISBN: 0192803530
Category : Art
Languages : en
Pages : 153

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Book Description
Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society.

Author: Rebecca Wu
Publisher:
ISBN: 9781733757805
Category : Bereavement
Languages : en
Pages :

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Book Description
When Ryan and Brandon's Aunt Carrie comes to live with them, a world of fun opens up. Days are filled with laughing, playing superheroes, and having dance parties. Although Aunt Carrie is the most fun aunt in the world, she is also very sick, and wants to spend the precious time she has surrounded by those who love her. Based on true people and events, this book is about love, loss, and remembering a loved one who dies. This book covers the topic of grief in an honest, sensitive way. It also highlights the various emotions involved in the hospice care experience. The story and characters help children and adults see how to stay authentic while facing sadness, hopeful when facing loss, and joyful when facing longing.

Author: Richard Grossinger
Publisher: North Atlantic Books
ISBN: 1583949933
Category : Literary Collections
Languages : en
Pages : 697

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Book Description
Io Anthology celebrates the fiftieth anniversary of this formative journal and commemorates its role in opening a path to decades of innovative publishing. Bringing together in one volume the quirky blend of artistic and scholarly writing that characterized the literary journal, this book is a “greatest hits” collection of the major pieces published from 1965 to 1993. It features very early work from Stephen King, Gary Snyder, Jayne Anne Phillips, and many others, with forewords by writer and filmmaker Miranda July and historical ecologist Robin Grossinger, the daughter and son of the editors, who grew up with Io and were in part initiated in their careers by its household presence. Io forged an eclectic path through the upheaveals of the 1960s in art, literature, science, and the life of the spirit with writing that embraced astrophysics, science fiction, parapsychology, topology, poetry from Black Mountain, Beat, and New American traditions, wisdom from Hopi and Iglulik elders, homeopathy, hermetics, alchemy and the occult, astrology, Tibetan Buddhism, and Sufism. Portraying the roots and spirit which impelled Io to evolve into a publishing company, this volume shows the seriousness and depth of content which continues to enliven North Atlantic Books.

Author: Joel Schlemowitz
Publisher: Routledge
ISBN: 0429997035
Category : Art
Languages : en
Pages : 264

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Book Description
Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking, surveying the practical methods of experimental film production as well as the history, theory, and aesthetics of experimental approaches. Author Joel Schlemowitz explains the basic mechanism of the camera before going on to discuss slow and fast motion filming, single-frame time lapse, the long take, camera movement, workings of the lens, and the use of in-camera effects such as double exposure. A comprehensive guide to using the 16mm Bolex camera is provided. Strategies for making films edited in-camera are covered. A range of equipment beyond the basic non-sync camera is surveyed. The movie diary and film portrait are examined, along with the work of a range of experimental filmmakers including Stan Brakhage, Rudy Burckhardt, Paul Clipson, Christopher Harris, Peter Hutton, Takahiko Iimura, Marie Losier, Rose Lowder, Jonas Mekas, Marie Menken, Margaret Rorison, Guy Sherwin, and Tomonari Nishikawa. This is the ideal book for students interested in experimental and alternative modes of filmmaking. It provides invaluable insight into the history, methods, and concepts inherent to experimental uses of the camera, while providing students with a solid foundation of techniques and practices to foster their development as filmmakers. Supplemental material, including links to films cited in the book, can be found at www.experimentalfilmmaking.com.

Author: Nandini Ahuja
Publisher: HarperFestival
ISBN: 9780063029590
Category : Juvenile Fiction
Languages : en
Pages : 48

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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 616

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Author:
Publisher: John Wiley & Sons
ISBN: 1405193891
Category : Philosophy
Languages : en
Pages : 373

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Book Description
Minerva’s Night Out presents series of essays by noted philosopher and motion picture and media theorist Noël Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture. Presents a wide-ranging series of essays that reflect on philosophical issues relating to modern film and popular culture Authored by one of the best known philosophers dealing with film and popular culture Written in an accessible manner to appeal to students and scholars Coverage ranges from the philosophy of Halloween to Vertigo and the pathologies of romantic love

Author: Marco Lori
Publisher: Indiana University Press
ISBN: 0861969405
Category : Performing Arts
Languages : en
Pages : 292

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Book Description
Essays on the work of this iconic experimental filmmaker from a variety of scholars. Stan Brakhage’s body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage’s films. In particular, many of these essays revolve around the controversial issues of representation and perception. This project sets out from the assumption that Brakhage’s art is articulated primarily through opposing tensions, which donate his figure and films an extraordinary depth, even as they evince fleetingness, elusivity and paradoxicality. This collection aims not only to clarify aspects of Brakhage’s art, but also to show how his work is involved in a constant mediation between antinomies and opposites. At the same time, his art presents a multifaceted object endlessly posing new questions to the viewer, for which no point of entry or perspective is preferred in respect to the others. Acknowledging this, this volume hopes that the experience of his films will be revitalized. Featuring topics as diverse as the technical and semantic ambiguity of blacks, the fissures in mimetic representation of the ‘it’ within the ‘itself’ of an image, the film-maker as practical psychologist through cognitive theories, the critique of ocularcentrism by mingling sight with other senses such as touch, films that can actually philosophize in a Wittgensteinian way, political guilt and collusion in aesthetic forms, a disjunctive, reflexive, and phenomenological temporality realizing Deleuze’s image-time, and the echoes of Ezra Pound and pneumophantasmology in the quest of art as spiritual revelation; this book not only addresses scholars, but also is a thorough and thought-provoking introduction for the uninitiated. Contributors include: Nicky Hamlyn, Peter Mudie, Paul Taberham, Gareth Evans, Rebecca A. Sheehan, Christina Chalmers, Stephen Mooney, and Marco Lori.

Author: Suranjan Ganguly
Publisher: Univ. Press of Mississippi
ISBN: 1496810724
Category : Performing Arts
Languages : en
Pages : 199

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Book Description
In this volume, editor Suranjan Ganguly collects nine of Stan Brakhage’s most important interviews in which the filmmaker describes his conceptual frameworks; his theories of vision and sound; the importance of poetry, music, and the visual arts in relation to his work; his concept of the muse; and the key influences on his art-making. In doing so, Brakhage (1933–2003) discusses some of his iconic films, such as Anticipation of the Night, Dog Star Man, Scenes from Under Childhood, Mothlight, and The Text of Light. One of the most innovative filmmakers in the history of experimental cinema, Brakhage made almost 350 films in his fifty-two-year-long career. These films include psychodramas, autobiography, Freudian trance films, birth films, song cycles, meditations on light, and hand-painted films, which range from nine seconds to over four hours in duration. Born in Kansas City, Missouri, he lived most of his life in the mountains of Colorado, teaching for twenty-one years in the film studies program at the University of Colorado, Boulder. As a filmmaker, Brakhage’s life-long obsession with what he called an “adventure in perception” made him focus on the act of seeing itself, which he tried to capture on film in multiple ways both with and without his camera and by scratching and painting on film. Convinced that there is a primary level of cognition that precedes language, he wrote of the “untutored eye” with which children can access ineffable visual realities. Adults, who have lost such primal sight, can “retrain” their eyes by becoming conscious of what constitutes true vision and the different ways in which they daily perceive the world. Brakhage’s films experiment with such perceptions, manipulating visual and auditory experience in ways that continue to influence film today.