A Living Theatre: the Gordon Craig School, the Arena Goldoni, the Mask PDF Download

Author: Edward Gordon Craig
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 86

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Author: Edward Gordon Craig
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 92

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Author: Eugenio Barba
Publisher: BRILL
ISBN: 9004392939
Category : Drama
Languages : en
Pages : 420

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Book Description
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.

Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1080

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Author: Maria Shevtsova
Publisher:
ISBN: 9788864640136
Category : Performing Arts
Languages : en
Pages : 391

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Author: Brander Matthews
Publisher: New York : Kraus Reprint
ISBN:
Category : Drama
Languages : en
Pages : 410

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Author: Leonardo Mancini
Publisher:
ISBN: 9788857578095
Category : Performing Arts
Languages : en
Pages : 256

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Author: Jarka Burian
Publisher: Wesleyan
ISBN: 9780819560322
Category : Design
Languages : en
Pages : 198

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Josef Svoboda, of Czechoslovakia, is probably the most innovative designer in the theatre today. Every year, throughout a 'season' of twelve months, Svoboda totally designs--'scenographs,' as he prefers to call his work--productions for the legitimate theatre, for operas and ballets and occasionally for films, not only in his native country, but also in England, Scandinavia, Germany, Italy and elsewhere in Europe. In this country he is best know for the series of multiscreen films shown in the Czechoslovak pavillion at Expo 67 in Montreal and for the stark, marvellously evocative sets for the Metropolitan Opera's opening-night production of Carmen in 1972. The major part of this study is devoted to detailed, professional considerations of some sixty key productions, described largely in Svoboda's own words, transcribed and translated from tape-recorded interviews with the author. More than two hundred black-and-white photographs visually reinforce Mr. Burian's explication of the development of Svoboda's methods. Svoboda's scenography emerges as total design, a synthesis of traditional methods and technical innovations that provide a dynamic atmosphere as well as the physical setting.--Back cover.

Author: Richard Harris
Publisher: Samuel French, Inc.
ISBN: 9780573690488
Category : Design
Languages : en
Pages : 132

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This is a rollicking comedy about the attempts of some working class amateurs to overcome their inhibitions and left feet in a low-rent dance studio in North London. Mavis, a former professional chorus girl tries her hardest to teach the bumbling amateurs some terpsichorean skills for an upcoming recital. But before the dancing begins Mavis must mediate the minor dramas that erupt among this motley but loveable crew on their way to triumph at their recital. Liza Minnelli starred as Mavis in the popular film.

Author: Marco Pellitteri
Publisher: Tunué
ISBN: 8889613890
Category : Performing Arts
Languages : en
Pages : 734

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"In the worldwide circulation of the products of cultural industries, an important role is played by Japanese popular culture in European contexts. Marco Pellitteri shows that the contact between Japanese pop culture and European youth publics occurred during two phases. By use of metaphor, the author calls them the Dragon and the Dazzle. The first took place between 1975 and 1995, the second from 1996 to today. They can be distinguished by the modalities of circulation and consumption/re-elaboration of Japanese themes and products in the most receptive countries: Italy, France, Spain, Germany and, across the ocean, the United States. During these two phases, several themes have been perceived, in Europe, as rising from Japan's social and mediatic systems. Among them, this book examines the most apparent from a European point of view: the author names them machine, infant, and mutation, visible mostly through manga, anime, videogames, and toys. Together with France, Italy is the European country that in this respect has had the most central role. There, Japanese imagination has been acknowledged not only by young people, but also by politicians, television programmers, the general public, educators, comics and cartoons authors. The growing influence of Japanese pop culture, connected to the appreciation of its manga, anime, toys, and videogames, also urges political and mediologic questions linked to the identity/ies of Japan as they are understood--wrongly or rightly--in Europe and the West, and to the increasingly important role of Japan in international relations."--Back cover