A Literary History of the Popular Ballad PDF Download

Author: David C. Fowler
Publisher:
ISBN: 9780608138633
Category :
Languages : en
Pages : 360

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Author: David C. Fowler
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 141

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Author: David C. Fowler
Publisher: Durham, N.C. : Duke University Press
ISBN:
Category : Music
Languages : en
Pages : 368

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Author: David C. Fowler
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 0

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Author: Joseph Harris
Publisher: Harvard University Press
ISBN: 9780674060456
Category : Literary Criticism
Languages : en
Pages : 334

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Francis James Child, compiler and editor of English and Scottish Popular Ballads, established the scholarly study of folk ballads in the English-speaking world. His successors at Harvard University, notably George Lyman Kittredge, Milman Parry, and Albert B. Lord, discovered new ways of relating ideas about sung narrative to the study of epic poetry and what has come to be called - oral literature. In this volume, 16 scholars from Europe and the United States offer original essays in the spirit of these pioneers. The topics of their studies include well-known Child ballads in their British and American forms; aspects of the oral literatures of France, Ireland, Scandinavia, medieval England, ancient Greece, and modern Egypt; and recent literary ballads and popular songs. Many of the essays evince a concern with the theoretical underpinnings of the study of folklore and literature, orality and literacy; and as a whole the volume re-establishes the European ballad in the wider context of oral literature. Among the contributors are Albert B. Lord, Bengt R. Jonsson, Gregory Nagy, David Buchan, Vesteinn Olason, and Karl Reichl.

Author: Christoffer Hagemann Reinhardt Steens
Publisher: Legare Street Press
ISBN: 9781019491096
Category :
Languages : en
Pages : 0

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This seminal work on the popular ballads of medieval Europe remains essential reading for anyone interested in the history of folk music. Steenstrup's meticulous scholarship sheds light on the origins, themes, and performance traditions of these beloved songs, offering a glimpse into a rich and vibrant cultural world that continues to captivate listeners to this day. Scholars of literature, history, and musicology will find much to admire in this groundbreaking study. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: William Chappell
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 422

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Author: T. F. Henderson
Publisher: Cambridge University Press
ISBN: 1107605776
Category : Education
Languages : en
Pages : 141

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Originally published during the early part of the twentieth century, the Cambridge Manuals of Science and Literature were designed to provide concise introductions to a broad range of topics. They were written by experts for the general reader and combined a comprehensive approach to knowledge with an emphasis on accessibility. The Ballad in Literature by T. F. Henderson was first published in 1912. The volume presents a discussion of the formal qualities of ballads, together with an account of their historical development.

Author: Joanne Parker
Publisher: Oxford University Press
ISBN: 0191648264
Category : Literary Criticism
Languages : en
Pages : 672

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In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.

Author: Frank Egbert Bryant
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 460

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