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Author: Stephen M. Hart Publisher: Reaktion Books ISBN: 1780234031 Category : Art Languages : en Pages : 225
Book Description
From El Megano and Black God, White Devil to City of God and Babel, Latin American films have a rich history. In this concise but comprehensive account, Stephen M. Hart traces Latin American cinema from its origins in 1896 to the present day, along the way providing original views of major films and mini-biographies of major film directors. Describing the broad contours of Latin American film and its connections to major historical developments, Hart guides readers through the story of how Hollywood dominance succumbed to the emergence of the Nuevo Cine Latinoamericano and how this movement has led to the “New” New Latin American Cinema of the twenty-first century. He offers a fresh analysis of the effects of major changes in film technology, revealing how paradigm shifts such as the move to digital preceded new cinematographic techniques and visions. He also looks closely at the films themselves, examining how filmmakers express their messages. Finally, he considers the decision by a group of directors to film in English, which enhanced the visibility of Latin American cinema around the world. Featuring 120 illustrations, this clear, cogent guide to the history of this region’s cinema will appeal to fans of Central Station and Like Water for Chocolate alike.
Author: Stephen M. Hart Publisher: Reaktion Books ISBN: 1780234031 Category : Art Languages : en Pages : 225
Book Description
From El Megano and Black God, White Devil to City of God and Babel, Latin American films have a rich history. In this concise but comprehensive account, Stephen M. Hart traces Latin American cinema from its origins in 1896 to the present day, along the way providing original views of major films and mini-biographies of major film directors. Describing the broad contours of Latin American film and its connections to major historical developments, Hart guides readers through the story of how Hollywood dominance succumbed to the emergence of the Nuevo Cine Latinoamericano and how this movement has led to the “New” New Latin American Cinema of the twenty-first century. He offers a fresh analysis of the effects of major changes in film technology, revealing how paradigm shifts such as the move to digital preceded new cinematographic techniques and visions. He also looks closely at the films themselves, examining how filmmakers express their messages. Finally, he considers the decision by a group of directors to film in English, which enhanced the visibility of Latin American cinema around the world. Featuring 120 illustrations, this clear, cogent guide to the history of this region’s cinema will appeal to fans of Central Station and Like Water for Chocolate alike.
Author: Rielle Navitski Publisher: Indiana University Press ISBN: 0253026555 Category : Performing Arts Languages : en Pages : 391
Book Description
Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through the lens of the cosmopolitan, which emphasizes the ethical and political dimensions of cultural consumption, illuminates the role played by moving images in negotiating between the local, national, and global, and between the popular and the elite in twentieth-century Latin America. In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers' experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet also opened out onto global horizons.
Author: Paul A. Schroeder Rodríguez Publisher: Univ of California Press ISBN: 0520963539 Category : Performing Arts Languages : en Pages : 376
Book Description
This book charts a comparative history of Latin America’s national cinemas through ten chapters that cover every major cinematic period in the region: silent cinema, studio cinema, neorealism and art cinema, the New Latin American Cinema, and contemporary cinema. Schroeder Rodríguez weaves close readings of approximately fifty paradigmatic films into a lucid narrative history that is rigorous in its scholarship and framed by a compelling theorization of the multiple discourses of modernity. The result is an essential guide that promises to transform our understanding of the region’s cultural history in the last hundred years by highlighting how key players such as the church and the state have affected cinema’s unique ability to help shape public discourse and construct modern identities in a region marked by ongoing struggles for social justice and liberation.
Author: Deborah Shaw Publisher: A&C Black ISBN: 9780826414854 Category : Social Science Languages : en Pages : 220
Book Description
This book focuses on a selection of internationally known Latin American films. The chapters are organized around national categories, grounding the readings not only in the context of social and political conditions, but also in those of each national film industry. It is a very useful text for students of the region's cultural output, as well as for students of film studies who wish to learn more about the innovative and often controversial films discussed.
Author: Maria M. Delgado Publisher: John Wiley & Sons ISBN: 1118552881 Category : Performing Arts Languages : en Pages : 560
Book Description
A Companion to Latin American Cinema offers a wide-ranging collection of newly commissioned essays and interviews that explore the ways in which Latin American cinema has established itself on the international film scene in the twenty-first century. Features contributions from international critics, historians, and scholars, along with interviews with acclaimed Latin American film directors Includes essays on the Latin American film industry, as well as the interactions between TV and documentary production with feature film culture Covers several up-and-coming regions of film activity such as nations in Central America Offers novel insights into Latin American cinema based on new methodologies, such as the quantitative approach, and essays contributed by practitioners as well as theorists
Author: Carlos Gutierrez Publisher: ISBN: 9781934978399 Category : Art Languages : en Pages : 92
Book Description
Cinema Tropical is the premier purveyor of Latin American cinema in the United States. Founded in 2001 with the mission of distributing, programming and promoting what was to become the biggest boom of Latin American cinema in decades, Cinema Tropical brought U.S. audiences some of the first screening of films like Amores Perros and Y Tu Mama Tambien. Through a diversity of programs and initiatives, Cinema Tropical is thriving as a dynamic and groundbreaking 501(c)(3) non-profit media arts organization experimenting in the creation of better and more effective strategies for the distribution and exhibition of foreign cinema in this country. Carlos A. Gutierrez is the co-founding director of Cinema Tropical. Using diverse curatorial, promotional and academic approaches, he's been active in redefining cinema's traditional boundaries, advocating inside and outside the film community for a more inclusive take on world cinema.
Author: María de las Carreras Publisher: Indiana University Press ISBN: 2960029674 Category : Performing Arts Languages : en Pages : 254
Book Description
In the 1920s, Los Angeles enjoyed a buoyant homegrown Spanish-language culture comprised of local and itinerant stock companies that produced zarzuelas, stage plays, and variety acts. After the introduction of sound films, Spanish-language cinema thrived in the city's downtown theatres, screening throughout the 1930s, 1940s, and 1950s in venues such as the Teatro Eléctrico, the California, the Roosevelt, the Mason, the Azteca, the Million Dollar, and the Mayan Theater, among others. With the emergence and growth of Mexican and Argentine sound cinema in the early to mid-1930s, downtown Los Angeles quickly became the undisputed capital of Latin American cinema culture in the United States. Meanwhile, the advent of talkies resulted in the Hollywood studios hiring local and international talent from Latin America and Spain for the production of films in Spanish. Parallel with these productions, a series of Spanish-language films were financed by independent producers. As a result, Los Angeles can be viewed as the most important hub in the United States for the production, distribution, and exhibition of films made in Spanish for Latin American audiences. In April 2017, the International Federation of Film Archives organized a symposium, "Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles," which brought together scholars and film archivists from all of Latin America, Spain, and the United States to discuss the many issues surrounding the creation of Hollywood's "Cine Hispano." The papers presented in this two-day symposium are collected and revised here. This is a joint publication of FIAF and UCLA Film & Television Archive.
Author: Richard Berendzen Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 336
Book Description
"For the first time, a distinguished American breaks the "code of silence" as a male incest survivor. In Come Here, Dr. Richard Berendzen courageously speaks out on his childhood sexual abuse, the effects of which, decades later, returned to drive him over the edge." "Richard Berendzen was only eight years old the afternoon his mother called, "Come here," from her bedroom. That innocuous, two-syllable summons marked the beginning of a waking nightmare. During the next three years, Richard became the passion and prey of a woman whose violent mental instability took the form of repeated incestuous assaults on a child who was powerless to resist. Still, when the abuse stopped, Richard found the strength to put it all behind him and get on with his life - or so he thought...." "Not until Dr. Berendzen was in his early fifties did the secret he had so long repressed return to haunt him. An eminent astronomer and academician who had transformed American University in Washington, D.C., from a party school into a first-rate university, he was a devoted husband and family man whose only notable "vice" was workaholism. When his father died and Berendzen returned to his parents' East Dallas house, to the very room where he had been abused, something snapped. The shattering events that ensued are recounted with remarkable candor in Come Here." "Overwhelmed by a flood of forbidden memories and unanswered questions, Dr. Berendzen began making bizarrely suggestive phone calls, which were traced to his office. Forced to resign his post, he entered the renowned Johns Hopkins Hospital, where he was diagnosed as suffering from post-traumatic stress disorder, and commenced a slow and tortuous recovery process." "Writing with collaborator Laura Palmer, co-author of Elizabeth Glaser's In the Absence of Angels, Richard Berendzen has given us the beautifully composed, personal story of a man of science whom only the restorative power of faith could make whole. For Come Here is, ultimately, a chronicle of hope and renewal, and of the human spirit's boundless ability to heal itself."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Stephen M. Hart Publisher: Boydell & Brewer Ltd ISBN: 1855661063 Category : Literary Criticism Languages : en Pages : 238
Book Description
This Companion to Latin American Film is a new, up-to-date introduction to the best twenty-five films of the region. It is designed for the general reader who wants to know the basic facts, figures and ideas about the movies in Latin America. The introductory essay traces the history of Latin American cinema from its humble beginnings in the mid- 1890s until the smash hits of recent years: Like Water for Chocolate (1993), Central Station (1998), Love's a Bitch (2000), And your Mother Too (2001), City of God (2002). The early period when Latin American cinema was dominated by foreign film makers or foreign models (such as Hollywood), as well as the 1960s when as a genre it finally found its feet (the New Latin-American Cinema movement) - are also covered in depth. Each film chapter contains all the information you need -- cast and crew, awards, plot -- as well as a detailed analysis of the themes and techniques which make the film tick. There is a Guide to Further Reading which offers the reader advice on what to read next (all the important books, articles and Internet sites), as well as a Select Bibliography and an extensive index for ease of reference.
Author: Tamara L. Falicov Publisher: Bloomsbury Publishing ISBN: 1911239392 Category : Performing Arts Languages : en Pages : 209
Book Description
Film production in Latin America is as old as cinema itself, but local film industries have always been in a triangulated relationship with Hollywood and European cinema. This book situates Latin American film industries within the global circulation of film production, exhibition and distribution, charting the changes that the industries have undergone from the sound era to the present day. Focusing in particular on Argentina, Brazil and Mexico, Tamara Falicov examines commonalities among Latin American film industries, such as the challenges of procuring funding, competition from Hollywood, state funding battles, and the fickle nature of audiences, as well as censorship issues, competition from television, and the transnational nature of Latin American film. She addresses production, exhibition, and distribution contexts and financing and co-production with Europe and the United States, as well as the role of film festivals in funding and circulating films both within and outside of Latin America. Newer trends such as the revival of protectionist measures like the screen quota are framed in contrast to the U.S.'s push for trade policy liberalization and issues of universal concern such as film piracy, and new technologies and the role of television in helping and hindering Latin American cinema.
Author: Stephen M. Hart
Author: Stephen M. Hart
Author: Rielle Navitski
Author: Paul A. Schroeder Rodríguez
Author: Deborah Shaw
Author: Maria M. Delgado
Author: Carlos Gutierrez
Author: María de las Carreras
Author: Richard Berendzen
Author: Stephen M. Hart
Author: Tamara L. Falicov