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Author: Jérôme Souty Publisher: Editions Le Cavalier Bleu ISBN: 9782846703871 Category : Group identity Languages : fr Pages : 187
Book Description
Les identités sont multiples, transverses aux communautés, incarnées dans les diverses appartenances des individus. Certes, on constate de puissants facteurs d'unification culturelle, liés à la mondialisation. Mais on constate dans le même temps une forte résistance des cultures traditionnelles. Et surtout, on découvre, grâce à Jérôme Souty, un processus historiquement permanent de création et de recréation des identités culturelles. Car de culture, il n'est point de pure ni d'essentielle. De Bollywood à la fête de l'aïoli de Mouriès, de l'île de Mozambique au service de traduction du Parlement européen, ce livre montre les emprunts et les rencontres qui forgent l'histoire et le quotidien... Un véritable antidote aux idéologies de pureté culturelle, identitaire ou ethnique qui font florès aujourd'hui.
Author: Jérôme Souty Publisher: Editions Le Cavalier Bleu ISBN: 9782846703871 Category : Group identity Languages : fr Pages : 187
Book Description
Les identités sont multiples, transverses aux communautés, incarnées dans les diverses appartenances des individus. Certes, on constate de puissants facteurs d'unification culturelle, liés à la mondialisation. Mais on constate dans le même temps une forte résistance des cultures traditionnelles. Et surtout, on découvre, grâce à Jérôme Souty, un processus historiquement permanent de création et de recréation des identités culturelles. Car de culture, il n'est point de pure ni d'essentielle. De Bollywood à la fête de l'aïoli de Mouriès, de l'île de Mozambique au service de traduction du Parlement européen, ce livre montre les emprunts et les rencontres qui forgent l'histoire et le quotidien... Un véritable antidote aux idéologies de pureté culturelle, identitaire ou ethnique qui font florès aujourd'hui.
Author: FRAME Alexander Publisher: Lavoisier ISBN: 2746295016 Category : Languages : en Pages : 338
Book Description
Sous l’influence de la mondialisation, les contacts entre cultures et l’hybridation culturelle ne cessent de croître, projetant l’interculturalité au centre de l’espace public. Alors que certaines approches exclusivement focalisées sur les différences culturelles décrivent comment se comporter auprès de groupes étrangers, Communication et interculturalité analyse la manière dont les individus s’adaptent en tenant compte des différentes cultures et identités (professionnelles, organisationnelles, ethniques, régionales, familiales, etc...) qui constituent des repères sémiotiques et symboliques pouvant être mis au service du sens. Il explore ainsi la relation entre cultures, identités et communication interpersonnelle pour comprendre les dynamiques de construction de sens qui émergent dans une interaction réelle. Destiné à un public scientifique mais également à toute personne qui s’interroge sur les relations entre cultures et communication, cet ouvrage développe une approche sémiopragmatique novatrice de la communication interculturelle, inscrite dans le champ naissant de la culture-interaction.
Author: Chérif Khaznadar Publisher: ISBN: 9782330019686 Category : Cultural pluralism Languages : fr Pages : 216
Book Description
La Maison des cultures du monde a fait partie, lors de sa création en 1982, d’une série d’initiatives d’ouverture de la France aux cultures des autres. Quelles ont été les réalisations et que reste-t-il aujourd’hui, de cette utopie ? Autant de questions débattues lors du colloque de La Rochelle qui marquait trente ans d'activité.
Author: Madelena Gonzalez Publisher: Cambridge Scholars Publishing ISBN: 1443838373 Category : Performing Arts Languages : en Pages : 430
Book Description
All over the world, in the most varied contexts, contemporary theatre is a rich source for increasing the visibility of communities generally perceived by others as minorities, or those who see themselves as such. Whether of a linguistic, ethnic, political, social, cultural or sexual nature, the claims of minorities enjoy a privileged medium in theatre. Perhaps it is because theatre itself is linked to the notions of centre and periphery, conformism and marginality, domination and subjugation – notions that minority theatre constantly examines by staging them – that it is so sensitive to the issues of troubled and conflicted identity and able to give them a universal resonance. Among the questions raised by this volume, is that of the relationship between the particular and the more general aims of this type of theatre. How is it possible to speak to everyone, or at least to the majority, when one is representing the voice of the few? Beyond such considerations, urgent critical examination of the function and aims of minority theatre is needed. To what kind of public is such drama addressed? Does it have an exemplary nature? How is it possible to avoid the pitfalls and the dead end of ghettoization? Certain types of audience-specific theatre are examined in this context, as, for example, theatre as therapy, theatre as an educational tool, and gay theatre. Particular attention is paid to the claims of minorities within culturally and economically dominant western countries. These are some of the avenues explored by this volume which aims to answer fundamental questions such as: What is minority theatre and why does theatre, a supposedly bourgeois, if not to say elitist, art form, have such affinity with the margins? What if, particularly in contemporary society, the theatre as a form, were merely playing out its fundamentally marginal status? The authors of these essays show how different forms of minority theatre can challenge cultural consensus and homogenization, while also aspiring to universality. They also address the central question of the place and status of apparently marginal forms of theatre in the context of globalization and in doing so re-examine theatre itself as a genre. Not only do they illustrate how minority theatre can challenge the dominant paradigms that govern society, but they also suggest their own more flexible and challenging frameworks for theatrical activity.
Author: Martine Raibaud Publisher: Cambridge Scholars Publishing ISBN: 1443875023 Category : Social Science Languages : en Pages : 405
Book Description
The contributors to this volume encourage a re-thinking of the very notion of culture by examining the experiences, situations and the representations of those who chose – or were forced – to change cultures from the nineteenth century to the present day. Beyond a simple study of migration, forced or otherwise, this collective work also re-examines the model of integration. As recent entrants into new social settings may be perceived as affecting the previously-accepted social equilibrium, mechanisms encouraging or inhibiting population flows are sometimes put in place. From this perspective, “integration” may become less a matter of internal choice than an external obligation imposed by the dominant political power, in which case “integration” may only be a euphemism for cultural uniformity. The strategies of cultural survival developed as a reaction to such a rising tide of cultural uniformity can be seen as necessary points of departure for an ever-growing shared multiculturalism. A long-term voluntary commitment to make cultural boundaries more flexible and allow a more engaged individual participation in the process of defining the self and finding its place within a culture in movement may represent a key element for cultural cohesion in a globalized world.
Author: Jérôme Souty
Author: Jérôme Souty
Author: 
Author: Assia Belhabib
Author: FRAME Alexander
Author: Chérif Khaznadar
Author: Chérif Khaznadar
Author: Madelena Gonzalez
Author: Peter Slater
Author: Martine Raibaud
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