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Author: Peter Hanley Publisher: ISBN: 9781331032076 Category : Drama Languages : en Pages : 120
Book Description
Excerpt from A Jubilee of Playgoing This little work, which was originally written for private circulation, has passed through two editions. At the wish of many who did not obtain copies I have issued a Third Edition, carefully revised and corrected, and written up to date. I have endeavoured as far as possible (almost entirely from memory) to enumerate the various performances I have seen during fifty years. There were but few theatres at the west end of London when I first began to visit them, so that the playgoer of that time had not the advantage of much variety, but this was counterbalanced by the fact that the casts of the pieces were much stronger, as all the good actors were associated together. This was especially the case at Drury Lane and Govent Garden Theatres. I venture to hope that the book may prove interesting to the public, or at least to the playgoing portion. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Peter Hanley Publisher: ISBN: 9781331032076 Category : Drama Languages : en Pages : 120
Book Description
Excerpt from A Jubilee of Playgoing This little work, which was originally written for private circulation, has passed through two editions. At the wish of many who did not obtain copies I have issued a Third Edition, carefully revised and corrected, and written up to date. I have endeavoured as far as possible (almost entirely from memory) to enumerate the various performances I have seen during fifty years. There were but few theatres at the west end of London when I first began to visit them, so that the playgoer of that time had not the advantage of much variety, but this was counterbalanced by the fact that the casts of the pieces were much stronger, as all the good actors were associated together. This was especially the case at Drury Lane and Govent Garden Theatres. I venture to hope that the book may prove interesting to the public, or at least to the playgoing portion. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Stephen Leacock Publisher: New Canadian Library ISBN: 0771094140 Category : Fiction Languages : en Pages : 274
Book Description
This celebrated collection of sketches sparkles with Stephen Leacock’s humour and shines with the warmth of his wit. The comical E.P., star of the title essay, “My Remarkable Uncle,” is a classic Leacock character. He is president of a railway with a letterhead but no rails, and he heads a bank that boasts credit but no cash whatsoever – all of which trouble E.P. not in the least. My Remarkable Uncle, a wonderful smorgasbord of mirth served up by a master of comedy, includes several essays, a short story, a political parable, and personal reflections on a dizzying array of subjects. Here, in rich abundance, are the inspired nonsense and the unerring eye for human folly that have made Stephen Leacock Canada’s most celebrated humorist.
Author: Baroness Orczy Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 295
Book Description
This book tells how Baroness Orczy creates the fictitious character of the Scarlet Pimpernel. In this book, Baroness Orczy explores how she creates the character of Scarlet Pimpernel, the other characters, and the story world. The author, in this book, links the creation of the character of the Pimpernel to her love for Britain.
Author: Kenny Aronoff Publisher: Hal Leonard Corporation ISBN: 1495082938 Category : Biography & Autobiography Languages : en Pages : 364
Book Description
(Book). Foreword by Neil Peart. Talent, energy, dedication, discipline, passion, innovation, education, drive, mind, body, spirit, vision, honor, truth, and drums make the man: Kenny Aronoff. Voted by Rolling Stone magazine as one of the greatest drummers of all time, Aronoff is arguably the most sought-after recording and touring beat master ever. Ignited by the Beatles' appearance on The Ed Sullivan Show in 1964, Aronoff's passion for drumming fervently grew and carried him from the kit in his childhood living room in the Berkshires to Bernstein at Tanglewood to Mellencamp, Etheridge, Fogerty, Smashing Pumpkins, the Rolling Stones, the Beatles his heroes and beyond. But none of this would have been possible without his fierce work ethic and unique approach to drumming an integration of all parts of his being, along with meticulous attention to note-for-note detail, feel, and what the song needs . Both a leader and a team player in the mission to realize a greater good an unforgettable recording, a riveting show Aronoff brings it every time. Through any setbacks heartaches, failures, injuries, or plain fatigue from the rigors of the biz Aronoff has stayed the arduous and wild rock 'n' roll course. His tale of what is possible with unrelenting dedication to one's bliss is an inspiration to all. Sex, Drums, Rock 'n' Roll! details Aronoff's youth in the Berkshires and the Midwest, from his early inspirations to his serious classical and jazz study, which gave him the foundation to be able to play anything. The failure of a first rock band in his early twenties had a silver lining: it freed him up for an audition that would change his life John Mellencamp. His work with Mellencamp catapulted Aronoff to the top of the charts with such hits as "Hurt So Good," "Little Pink Houses," and "Jack and Diane" and paved the way for session and recording work with droves of remarkable artists: Melissa Etheridge, John Fogerty, Bon Jovi, Stevie Nicks, Smashing Pumpkins, the BoDeans, Paul Westerberg, Celine Dion, Iggy Pop, Elton John, Bob Dylan, Alice Cooper, Brian Wilson, Meat Loaf, Joe Cocker, and countless others. In addition to his work as a world-famous recording and touring drummer, Aronoff finds time to be a dedicated teacher and has shared his expertise with students all over the world, teaching clinics for Tama and Zildjian. Heading into his fourth decade of rocking hard, Aronoff shows no signs of slowing down. Featuring rare photos, testimonials from major artists and from those who know him best, a chronology of live performances, a discography, and a foreword by Neil Peart, this book is the story of one of the greatest musicians of all time.
Author: Edna Nahshon Publisher: Cambridge University Press ISBN: 1107010276 Category : Drama Languages : en Pages : 457
Book Description
This book explores responses to The Merchant of Venice by Jewish writers, critics, theater artists, thinkers, religious leaders and institutions.
Author: Julia Swindells Publisher: Oxford Handbooks ISBN: 0199600309 Category : Drama Languages : en Pages : 786
Book Description
The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.
Author: Caroline Heim Publisher: Routledge ISBN: 1317633555 Category : Performing Arts Languages : en Pages : 201
Book Description
'Actors always talk about what the audience does. I don’t understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research has considered the behaviour of the theatre audience as a performance in and of itself. This insightful book describes how an audience performs through its myriad gestural, vocal and paralingual actions, and considers the following questions: If the audience are performers, who are their audiences? How have audiences’ roles changed throughout history? How do talkbacks and technology influence the audience’s role as critics? What influence does the audience have on the creation of community in theatre? How can the audience function as both consumer and co-creator? Drawing from over 140 interviews with audience members, actors and ushers in the UK, USA and Austrialia, Heim reveals the lived experience of audience members at the theatrical event. It is a fresh reading of mainstream audiences’ activities, bringing their voices to the fore and exploring their emerging new roles in the theatre of the Twenty-First Century.
Author: Peter Hanley
Author: Peter Hanley
Author: Stephen Leacock
Author: Dutton Cook
Author: Baroness Orczy
Author: Kenny Aronoff
Author: Edna Nahshon
Author: Julia Swindells
Author: Caroline Heim
Author: 
Author: