A Journey in Celtic Music--Cape Breton Style PDF Download

Author: Sheldon MacInnes
Publisher: Goose Lane Editions
ISBN:
Category : Music
Languages : en
Pages : 232

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Book Description

Author: Ellen Koskoff
Publisher: Routledge
ISBN: 1351544144
Category : Music
Languages : en
Pages : 2651

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Book Description
This volume makes available the full range of the American/Canadian musical experience, covering-for the first time in print-all major regions, ethnic groups, and traditional and popular contexts. From musical comedy to world beat, from the songs of the Arctic to rap and house music, from Hispanic Texas to the Chinese communities of Vancouver, the coverage captures the rich diversity and continuities of the vibrant music we hear around us. Special attention is paid to recent immigrant groups, to Native American traditions, and to such socio-musical topics as class, race, gender, religion, government policy, media, and technology.

Author: William J. Davey
Publisher: University of Toronto Press
ISBN: 1442615990
Category : Canadianisms
Languages : en
Pages : 318

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Book Description
The first regional dictionary devoted to the island s linguistic and cultural history, the Dictionary of Cape Breton English is a fascinating record of the island s rich vocabulary. "

Author: Beaton Institute of Cape Breton Studies
Publisher: University of Toronto Press
ISBN: 9780802087126
Category : Reference
Languages : en
Pages : 814

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Book Description
Nova Scotia's Cape Breton Island is a beautiful region with a unique community whose history and ethnic composition have resulted in the evolution of a powerful sense of identity and place. While outsiders may think only of the island's perennial economic woes and long economic dependence on coal mining and steel production, it is also the home of a rich, vibrant, and distinct culture. Brian Douglas Tennyson's Cape Bretoniana is the first bibliography to gather together all known publications relating to the history, culture, economy, and politics of Cape Breton Island. With more than 6000 entries, it not only provides a comprehensive listing of publications and post-graduate theses, but also detailed annotations on the listings. Each entry lists the author, title, place of publication, publisher, date of publication, volume and issue number in the case of periodicals, and page references, followed by a brief description of the item. Cape Breton has never been so thoroughly documented. This bibliography will help to ensure that ? even in a world becoming increasingly homogenized by the forces of globalization ? unique cultural identities like Cape Breton's can be preserved and nurtured.

Author: David Dicaire
Publisher: McFarland
ISBN: 0786457376
Category : Music
Languages : en
Pages : 253

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Book Description
This history of folk music looks at musicians, collectors and other figures from around the world. The book presents an overview of international folk roots and shows the contributions of the artists and the evolution of folk music as a force for political and social change. Profiles of Pete Seeger, Burl Ives, Woody Guthrie and others show how the stage was set for the American folk revival of the 1960s.

Author: Richard Paul MacKinnon
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 208

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Book Description
For more than two decades, Richard MacKinnon--Canada Research Chair in Intangible Cultural Heritage, Cape Breton University--has researched Cape Breton's rich cultural heritage: from protest songs to company houses, from co-operative housing to nicknames, from log buildings to cockfighting.In Discovering Cape Breton Folklore, professor MacKinnon revists some of his research and exposes us to some new.

Author: Kenny Mathieson
Publisher: Hal Leonard Corporation
ISBN: 9780879306236
Category : Music
Languages : en
Pages : 204

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Book Description
Essays and reviews about performers, instruments, and recordings.

Author: Kate E. Dunlay
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 132

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Book Description

Author: June Skinner Sawyers
Publisher: White Lion Publishing
ISBN:
Category : Celtic music
Languages : en
Pages : 340

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Book Description
A guide to the traditional and contemporary music of the Celtic lands - an examination of its past, an assessment of the present, a glimpse into its future.

Author: Reinhard Strohm
Publisher: Routledge
ISBN: 1351672746
Category : Music
Languages : en
Pages : 480

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Book Description
The idea of a global history of music may be traced back to the Enlightenment, and today, the question of a conceptual framework for a history of music that pays due attention to global relationships in music is often raised. But how might a historical interpretation of those relationships proceed? How should it position, or justify, itself? What would 'Western music' look like in an account of music history that aspires to be truly global? The studies presented in this volume aim to promote post-European historical thinking. They are based on the idea that a global history of music cannot be one single, hegemonic history. They rather explore the paradigms and terminologies that might describe a history of many different voices. The chapters address historical practices and interpretations of music in different parts of the world, from Japan to Argentina and from Mexico to India. Many of these narratives are about relations between these cultures and the Western tradition; several also consider socio-political and historical circumstances that have affected music in the various regions. The book addresses aspects that Western musical historiography has tended to neglect even when looking at its own culture: performance, dance, nostalgia, topicality, enlightenment, the relationships between traditional, classical, and pop musics, and the regards croisés between European, Asian, or Latin American interpretations of each other’s musical traditions. These studies have been derived from the Balzan Musicology Project Towards a Global History of Music (2013–2016), which was funded by the International Balzan Foundation through the award of the Balzan Prize in Musicology to the editor, and designed by music historians and ethnomusicologists together. A global history of music may never be written in its entirety, but will rather be realised through interaction, practice, and discussion, in all parts of the world.