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Author: N. D. Shergold Publisher: Oxford : Clarendon P ISBN: Category : Theater Languages : en Pages : 682
Book Description
"Provides a complete account of the way in which plays were staged in Spain from the Middle Ages until about 1700. Covers the early religious and secular drama, the public playhouse, the court theatre, and the morality plays, or autos, written for the Feast of Corpus Christi"--From publisher description.
Author: N. D. Shergold Publisher: Oxford : Clarendon P ISBN: Category : Theater Languages : en Pages : 682
Book Description
"Provides a complete account of the way in which plays were staged in Spain from the Middle Ages until about 1700. Covers the early religious and secular drama, the public playhouse, the court theatre, and the morality plays, or autos, written for the Feast of Corpus Christi"--From publisher description.
Author: Jeffrey K. Coleman Publisher: Northwestern University Press ISBN: 0810141876 Category : Performing Arts Languages : en Pages : 243
Book Description
The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage demonstrates how theatrical production in Spain since the early 1990s has reflected national anxieties about immigration and race. Jeffrey K. Coleman argues that Spain has developed a “necropolitical theater” that casts the non-European immigrant as fictionalized enemy—one whose nonwhiteness is incompatible with Spanish national identity and therefore poses a threat to the very Europeanness of Spain. The fate of the immigrant in the necropolitical theater is death, either physical or metaphysical, which preserves the status quo and provides catharsis for the spectator faced with the notion of racial diversity. Marginalization, forced assimilation, and physical death are outcomes suffered by Latin American, North African, and sub-Saharan African characters, respectively, and in these differential outcomes determined by skin color Coleman identifies an inherent racial hierarchy informed by the legacies of colonization and religious intolerance. Drawing on theatrical texts, performances, legal documents, interviews, and critical reviews, this book challenges Spanish theater to develop a new theatrical space. Jeffrey K. Coleman proposes a “convivial theater” that portrays immigrants as contributors to the Spanish state and better represents the multicultural reality of the nation today.
Author: Enrique García Santo-Tomás Publisher: University of Toronto Press ISBN: 1487504055 Category : Drama Languages : en Pages : 292
Book Description
Science on Stage in Early Modern Spain features essays by leading scholars in the fields of literary studies and the history of science, exploring the relationship between technical innovations and theatrical events that incorporated scientific content into dramatic productions. Focusing on Spanish dramas between 1500 and 1700, through the birth and development of its playhouses and coliseums and the phenomenal success of its major writers, this collection addresses a unique phenomenon through the most popular, versatile, and generous medium of the time. The contributors tackle subjects and disciplines as diverse as alchemy, optics, astronomy, acoustics, geometry, mechanics, and mathematics to reveal how theatre could be used to deploy scientific knowledge. While Science on Stage contributes to cultural and performance studies it also engages with issues of censorship, the effect of the Spanish Inquisition on the circulation of ideas, and the influence of the Eastern traditions in Spain.
Author: Janet Lynn Sturman Publisher: University of Illinois Press ISBN: 9780252025969 Category : Zarzuela Languages : en Pages : 286
Book Description
Once the most popular form of Spanish entertainment short of the bullfight, the zarzuela boasts a long history of bridging the categories of classical and popular art. It is neither opera nor serious drama, yet it requires both trained singers and good actors. The content is neither purely folkloric nor high art; it is too popular for some and too classical for others. In Zarzuela, Janet L. Sturman assesses the political as well as the musical significance of this chameleon of music-drama. Sturman traces the zarzuela's colorful history from its seventeenth-century origins as a Spanish court entertainment to its adaptation in Spain's colonial outposts in the New World. She examines Cuba's pivotal role in transmitting the zarzuela to Latin America and the Caribbean and draws distinctions among the ways in which various Spanish-speaking communities have reformulated zarzuela, combining elements of the Spanish model with local characters, music, dances, and political perspectives. The settings Sturman considers include Argentina, Mexico, Puerto Rico, and the American cities of El Paso, Miami, and New York. Sturman also demonstrates how the zarzuela plays a role in defining American urban ethnicity. She offers a glimpse into two longstanding theaters in New York, Repertorio Espa ol and the Thalia Spanish Theatre, that have fostered the tradition of zarzuela, mounting innovative productions and cultivating audiences. Sturman constructs a profile of the audience that supports modern zarzuela and examines the extensive personal network that sustains it financially. Just as the zarzuela afforded an opportunity in the past for Spaniards to assert their individuality in the face of domination by Italian and central European musical standards, it continues to stand for a distinctive Hispanic legacy. Zarzuela provides a major advance in recognizing the enduring cultural and social significance of this resilient and adaptable genre.
Author: Tracie Amend Publisher: McFarland ISBN: 0786496924 Category : Performing Arts Languages : en Pages : 229
Book Description
As early as 1760 and as late as 1920, Romantic drama dominated Peninsular Spanish theater. This love affair with Romanticism influenced the formation of Spain's modern national identity, which depended heavily on defining women's place in 19th century society. Women who defied traditional gender roles became a source of anxiety in society and on stage. The adulteress embodied the fear of rebellious women, the growing pains of modernity and the political instability of war and invasion. This book examines the conflicted portrayal of women and the Spanish national identity. Studying the adulteress on stage, the author provides insight into the uneasy tension between progress and tradition in 19th century Spain.
Author: Oscar G. Brockett Publisher: ISBN: Category : Performing Arts Languages : en Pages : 384
Book Description
A lively, beautifully illustrated history of theatrical stage design from ancient Greek times to the present, coauthored by the world's leading authority, Oscar G. Brockett.
Author: Henry K. Ziomek Publisher: University Press of Kentucky ISBN: 0813183561 Category : Literary Criticism Languages : en Pages : 323
Book Description
Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.
Author: Publisher: University of Oklahoma Press ISBN: 0806185317 Category : Drama Languages : en Pages : 246
Book Description
Nahuatl drama, one of the most surprising results of the Catholic presence in colonial Mexico, merges medieval European religious theater with the language and performance traditions of the Aztec (Nahua) people of central Mexico. Franciscan missionaries, seeking effective tools for evangelization, fostered this new form of theater after observing the Nahuas’ enthusiasm for elaborate performances. The plays became a controversial component of native Christianity, allowing Nahua performers to present Christian discourse in ways that sometimes effected subtle changes in meaning. The Indians’ enthusiastic embrace of alphabetic writing enabled the use of scripts, but the genre was so unorthodox that Spanish censors prevented the plays’ publication. As a result, colonial Nahuatl drama survives only in scattered manuscripts, most of them anonymous, some of them passed down and recopied over generations. Aztecs on Stage presents accessible English translations of six of these seventeenth- and eighteenth-century Nahuatl plays. All are based on European dramatic traditions, such as the morality and passion plays; indigenous actors played the roles of saints, angels, devils—and even the Virgin Mary and Jesus Christ. Louise M. Burkhart’s engaging introduction places the plays in historical context, while stage directions and annotations in the works provide insight into the Nahuas’ production practices, which often incorporated elaborate sets, props, and special effects including fireworks and music. The translations facilitate classroom readings and performances while retaining significant artistic features of the Nahuatl originals.
Author: María José Sevilla Publisher: Reaktion Books ISBN: 1789141893 Category : Cooking Languages : en Pages : 344
Book Description
Spanish cuisine is a melting-pot of cultures, flavors, and ingredients: Greek and Roman; Jewish, Moorish, and Middle Eastern. It has been enriched by Spanish climate, geology, and spectacular topography, which have encouraged a variety of regional food traditions and “Cocinas,” such as Basque, Galician, Castilian, Andalusian, and Catalan. It has been shaped by the country’s complex history, as foreign occupations brought religious and cultural influences that determined what people ate and still eat. And it has continually evolved with the arrival of new ideas and foodstuffs from Italy, France, and the Americas, including cocoa, potatoes, tomatoes, beans, and chili peppers. Having become a powerhouse of creativity and innovation in recent decades, Spanish cuisine has placed itself among the best in the world. This is the first book in English to trace the history of the food of Spain from antiquity to the present day. From the use of pork fat and olive oil to the Spanish passion for eggplants and pomegranates, María José Sevilla skillfully weaves together the history of Spanish cuisine, the circumstances affecting its development and characteristics, and the country’s changing relationship to food and cookery.
Author: N. D. Shergold
Author: N. D. Shergold
Author: Jeffrey K. Coleman
Author: Enrique García Santo-Tomás
Author: Janet Lynn Sturman
Author: Tracie Amend
Author: Oscar G. Brockett
Author: Henry K. Ziomek
Author: 
Author: Glynne William Gladstone Wickham
Author: María José Sevilla